On Fri, Sep 01, 2023 at 07:27:13PM +0200, Mats-Olof Liljegren wrote:
>Hello!
>
>I'm a beginner with Lilypond but have decent programming knowledge.
>Something I haven't managed to figure out is how to best organize
>my projects. It becomes a very long file if everything is in the
>
Mats-Olof Liljegren writes:
> Hello!
>
> I'm a beginner with Lilypond but have decent programming
> knowledge. Something I haven't managed to figure out is how to best
> organize my projects. It becomes a very long file if everything is in
> the same one, so I've tried splitting it into separate
Hello!
I'm a beginner with Lilypond but have decent programming knowledge. Something I
haven't managed to figure out is how to best organize my projects. It becomes a
very long file if everything is in the same one, so I've tried splitting it
into separate `.ly` files for lyrics, soprano, alto,
2016-08-22 23:59 GMT+02:00 K Richard Pixley :
> Hi. I'm new to lilypond. I've read through much of the manual and I
> have a few questions outstanding.
>
> 1) Can lilypond do Nashville style chords?
>
> I mean, I'm sure it can, one way or another. What I'm really asking is
> if it is as simple a
Hi. I'm new to lilypond. I've read through much of the manual and I
have a few questions outstanding.
1) Can lilypond do Nashville style chords?
I mean, I'm sure it can, one way or another. What I'm really asking is
if it is as simple as it is to do regular chords. Or what might be
involved.
On 30/04/2012 5:13 AM, Dona Mommsen wrote:
Just one more thing I found out:
The engine(s) cannot handle special characters in the path names, even when
they do not appear in a relative path. I had a subfolder ./Exemples with the
Lilypond files, but the path further up contained french special c
Hi,
thanks to all who responded to my posts.
>
> One of the best way to use lilypond-book with TeXShop is to use a dedicated
> "engine". Nicola Vitacolonna, a lilypond and LaTeX user, made a very
> interesting one. You can find it here :
>
> http://users.dimi.uniud.it/~nicola.vitacolonna/home/
On Apr 26, 2012, at 1:49 PM, flup2 wrote:
>
> One of the best way to use lilypond-book with TeXShop is to use a dedicated
> "engine". Nicola Vitacolonna, a lilypond and LaTeX user, made a very
> interesting one. You can find it here :
>
> http://users.dimi.uniud.it/~nicola.vitacolonna/home/conten
ypond. For long scores, pdfpages is usefull
Philippe
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Hi,
I'm an occasional user of Lilypond and so far, I've created only smaller
examples. I'm neither an experienced user with Latex, so bare with me.
I'm trying to use Lilypond-book (v.2.14.2) with TeXShop (v2.43) on Mac
OS X (v10.7.3). The installation worked and I can run a small test-file:
1. I
Hi,
I'm an occasional user of Lilypond and so far, I've created only smaller
examples. I'm neither an experienced user with Latex, so bare with me.
I'm trying to use Lilypond-book (v.2.14.2) with TeXShop (v2.43) on Mac OS X
(v10.7.3).
The installation worked and I can run a small test-file:
1.
Hi,
it seems that my message didn't make it to the list.
Cheers,
Dona
Begin forwarded message:
> From: Dona Mommsen
> Subject: Lilypond-book and TeXshop on Mac: Newbie questions
> Date: April 26, 2012 10:13:17 AM GMT+02:00
> To: lilypond-user@gnu.org
>
> Hi,
>
&
On 15 November 2010 10:04, Marc Hohl wrote:
>
> Xavier, I am impressed by the amount of time you invest in
> giving such detailed answers on the list, not only to this specific
> mail, but in general.
>
> You do a great job, kudos!
Thanks !
Actually I'm not a programmer, so I cannot fix myself t
Am 15.11.2010 09:49, schrieb Xavier Scheuer:
[...]
OK, let's try to answer in order.
[...]
Xavier, I am impressed by the amount of time you invest in
giving such detailed answers on the list, not only to this specific
mail, but in general.
You do a great job, kudos!
Marc
Cheers,
Xavier
On 15 November 2010 06:00, Paul Thompson wrote:
>
> Thanks. After going thru the manual and the intro section, I have a
> good idea about lilypond (plus I am an old LaTeX user, which helps).
Please reply to all.
So that people on the mailing list receive your message too and could
answer as well
> > \set chordRootNamer = #(lambda (x) ("-")) or something like that (I'm
> > not sure about the syntax), then \unset chordRootNamer would do the trick.
>
> Ok, I wasn't able to make some valid lilypond syntax with this. I asked
> google and didn't get much help there.
>
What's the error mess
If you use
\set chordRootNamer = #(lambda (x) "-")
you will not get any syntax errors, you don't get any syntax errors but
you get a somewhat
unexpected output. If you, in addition, set
\set chordNoteNamer = #note-name->markup
the result is somewhat more similar to what you want (by default it
Bertalan Fodor (LilyPondTool) wrote:
So I suppose using
\set chordRootNamer = #(lambda (x) ("-")) or something like that (I'm
not sure about the syntax), then \unset chordRootNamer would do the trick.
Ok, I wasn't able to make some valid lilypond syntax with this. I asked
google and didn't g
1) I believe that you will have to enter the Fm again so that it will
show up as Fm/Eb (f:m/eb). I have done it this way. I have not seen
it done the way that you describe before in any commercially printed
music. I am only a little familiar with Finale and not at all with
Sibelius but I wo
1) I don´t know, but I´m interested, too!
Ok, hope others will chime in, then.
If I see well, it's note very simple.
Chord names are written as markups. The markup is generated by a scheme
function. So if you want to override this, you either need to override
this scheme function or write
> 3) When writing a song with lyrics, for instance a Christmas carol,
> there a alot of additional verses. I read "7.3.9.4 Printing stanzas at
> the end" on
> http://lilypond.org/doc/v2.10/Documentation/user/lilypond-big-page#Vocal-music,
>
> but that a) seems cumbersome
I'll bet if someone
Dominic Neumann wrote:
Welcome to LilyPond, André!
Thanks. Actually I'm just back from a long break. In 2003 I typeset a
set of piano etudes (http://www.abmusic.nl/composition2.htm, "Tien
Etudes op een thema van J. Mulders") for my classical teacher in lilypond.
So some things are still the
Quoting Dominic Neumann <[EMAIL PROTECTED]>:
3) I don´t think, it´s possible to let LilyPond decide how to print
stanzas at the end.
It should certainly no be impossible, but would require you to
implement this "intelligence" using Scheme functions.
/Mats
Dominic
2008/11/6 Atte André Je
Welcome to LilyPond, André!
1) I don´t know, but I´m interested, too!
2) You should set \germanChords or \semiGermanChords to meet your needs.
3) I don´t think, it´s possible to let LilyPond decide how to print
stanzas at the end.
Dominic
2008/11/6 Atte André Jensen <[EMAIL PROTECTED]>:
> Hi
>
Hi
I have a couple of questions, that I couldn't figure out in the
documentation.
1) If I have a set of chords that I'd like to be printed like this:
Fm -/Eb Bb/D
how do I then get the dash ("-") symbol (meaning "repeat the previous
chord, now with Eb in the bass"?
2) I'm danish, and we w
I'm a new user of Lilypond. After some experimentation, I've encountered
a couple of situations where I suspect that I am not using the program
correctly.
1. In the second alternative to the repeat, the \repeatTie's are
concave. I tried tweaking with ^ but it does not seem to have the
desired
Mats Bengtsson wrote:
3) at the end of m. 6 there's again a note tied to the following
measure across the line break, but since there's a clef change in the
left hand, the tie ends before the line.
I cannot recall having seen exactly this problem mentioned earlier.
Here's a minimal example:
\
Mats Bengtsson wrote:
2) from measure 4 to 5, in the right hand a note with an accidental is
tied across the line break, the accidental in the following note
(beginning m. 5) collides with the tie;
You may find something useful if you search the mailing list archives, the
problem looks famili
Mats Bengtsson wrote:
1) in measure number 4 of the score, the beam in the 3rd quarter note
of the right hand is slightly slanted *upwards*, not downwards as it
should be;
Agree! This seems to be related to how widely spaced the music is, as
can be seen in the following small example:
\versio
thank you very much mats for your prompt and detailed answer! i'll try
to upgrade soon to 2.10.3 (out yesterday!) and look at the examples you
mention.
Mats Bengtsson <[EMAIL PROTECTED]> escribió:
> It seems that all three of your problems would classify as bugs or at
> least as requests for e
luis jure wrote:
hello list,
i'm new to lilypond and this is my first message to the list. first of
all, a big thank you to all the developers and contributors for this
great software.
Welcome!
...
now i have three questions regarding a short fragment i've written, i
hope it's OK to atta
hello list,
i'm new to lilypond and this is my first message to the list. first of
all, a big thank you to all the developers and contributors for this
great software.
i've been reading the documentation and i've been able to begin
typesetting a simple piano piece in traditional notation. there
Palmer, Ralph wrote:
Thanks for the quick response, and sorry - by "embedded space", I meant
blank space, usually inserted by hitting the space bar on the keyboard
(Character code 0020 in Microsoft Word, possibly the same as Unicode
u8195, aka "em space"), but a tab does the same thing. Is that c
Palmer, Ralph wrote:
Nice program! I was using .abc, with abcm2ps (which I still like for its
ease of use and speed of entry), but LilyPond seems even more flexible.
I think I still prefer .abc for some scores, but there are things I can
do in LilyPond that I can't do in .abc.
You could write y
Greetings -
Nice program! I was using .abc, with abcm2ps (which I still like for its
ease of use and speed of entry), but LilyPond seems even more flexible.
I think I still prefer .abc for some scores, but there are things I can
do in LilyPond that I can't do in .abc.
1) What's LSR?
2) What's th
Markian Hlynka wrote:
On Nov 6, 2005, at 4:29, Mats Bengtsson wrote:
You just give a name to the voice of music you want to attach your
lyrics to. To make it clear what is what in the syntax I didn't use the
obvious name "mainvoice" but "THEMUSIC" in the following example:
\score{
<<
Markian Hlynka wrote:
On Nov 6, 2005, at 4:29, Mats Bengtsson wrote:
You just give a name to the voice of music you want to attach your
lyrics to. To make it clear what is what in the syntax I didn't use the
obvious name "mainvoice" but "THEMUSIC" in the following example:
\score{
<<
\
On Nov 6, 2005, at 4:29, Mats Bengtsson wrote:
You just give a name to the voice of music you want to attach your
lyrics to. To make it clear what is what in the syntax I didn't use
the
obvious name "mainvoice" but "THEMUSIC" in the following example:
\score{
<<
\context Voice = THEMUS
On Nov 5, 2005, at 6:32, Ishizaki wrote:How about this ?Maybe works for v2.6 series.a little complicated to my eye, but works quite nicely, thank you, ありがとございました！！Is 2.7 still an 'unstable' realease? Any idea when it will be stable? Or, should I just use it now anyway?Thanks,Markian\version "2.7.12
On Nov 6, 2005, at 4:29, Mats Bengtsson wrote:You just give a name to the voice of music you want to attach yourlyrics to. To make it clear what is what in the syntax I didn't use theobvious name "mainvoice" but "THEMUSIC" in the following example:\score{ << \context Voice = THEMUSIC \mainvoice
On Nov 5, 2005, at 9:07, Mats Bengtsson wrote:Quoting Arthur Dyck <[EMAIL PROTECTED]>: I'm on a steep learning curve also, and the list has been great. There are acouple of other things you can do. Download the manual onto your machine andthen do word searches for what you are trying to do. For
You just give a name to the voice of music you want to attach your
lyrics to. To make it clear what is what in the syntax I didn't use the
obvious name "mainvoice" but "THEMUSIC" in the following example:
\score{
<<
\context Voice = THEMUSIC \mainvoice
\lyricsto THEMUSIC \new Lyrics \mai
Quoting Arthur Dyck <[EMAIL PROTECTED]>:
I'm on a steep learning curve also, and the list has been great. There are a
couple of other things you can do. Download the manual onto your machine and
then do word searches for what you are trying to do. For example, if you do
a search for "transpar
How about this ?
Maybe works for v2.6 series.
\version "2.7.12"
\relative c
\new Staff {
\clef bass
{ c4 c c c f f e2
d4 d c c b g << c2 \\
\tiny
\once \override Stem #'transparent = ##t
c,>>
g'4 e << {
\override Stem #'
I'm on a steep learning curve also, and the list has been great. There are a
couple of other things you can do. Download the manual onto your machine and
then do word searches for what you are trying to do. For example, if you do
a search for "transparent", you 'll find ways to make bars, not
On Nov 4, 2005, at 15:52, Erik Sandberg wrote:
On Friday 04 November 2005 23.12, Markian Hlynka wrote:
7. Finally (for now), I'm having trouble aligning lyrics to music. I
have this:
mainvoice = \relative c
{
\key a \minor
\repeat volta 2
{
\partial 8*3
e8 a8
On Friday 04 November 2005 23.12, Markian Hlynka wrote:
> 7. Finally (for now), I'm having trouble aligning lyrics to music. I
> have this:
> mainvoice = \relative c
> {
> \key a \minor
>
> \repeat volta 2
> {
> \partial 8*3
> e8 a8. [ b16] c2~c8 b16 a gis8. a16 b2
Hi everyone!
I just discovered lilypond the other day, and I can't stop playing
with it. I have all sorts of questions, and I'm hoping maybe some
people here might be able to point me in the right direction.
First, here are the simple questions:
1. how can I make a small note? like, someti
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