J. Daniel Ashton wrote:
Near the very end of a movement, I want to set lyrics to choral
(soprano?) cues for two measures. The horn part is shown on two staves
(1st horn, 2nd horn) and I want the cues in the top staff, with the
lyrics between the staves. Is there a way to "drop this in"? Or does
I can't help you with the lyrics question, but:
(Pre-question: is there a mode where the key signature is not shown, but
all accidentals are printed? This seems to be the common way to write
horn parts, but I don't see how to do it in Lilypond except to
manipulate the key signatures myself.)
Somet
Hello all,
I'm typesetting horn parts to an oratorio.
(Pre-question: is there a mode where the key signature is not shown, but
all accidentals are printed? This seems to be the common way to write
horn parts, but I don't see how to do it in Lilypond except to
manipulate the key signatures mysel
Thanks very much for the tips. I got good results by just applying the
VerticalExtent to the tenor voice.
I like the close spacing between notes and lyrics.
Regards
Iain Phillips
Mats Bengtsson wrote:
>
> One feature of Lilypond is that it adjusts the spacing
> between different staves and bet
One feature of Lilypond is that it adjusts the spacing
between different staves and between staves and lyrics
based on the vertical extent of each stave. The problem
is that the highest and lowest object of a stave is used
to determine the spacing, even though they may be
separated horizontally.
I would like to use the treble clef down an octave (G_8) for the tenor
voice in transcribing a choral piece. I notice that the lyrics are
placed lower than when a simple treble clef is used, as if they are
trying to avoid clashing with the 8 below the clef. Is there a way I
can get the lyrics hi
