2014-09-28 23:42 GMT+02:00 Simon Albrecht :
> Well probably it's intuitive for German native speakers by analogy to "eine
> Stimme" and "Stimme Eins", that what I meant.
> The next question, of course, is: Do you have an alternative proposal? :-)
For example \singleVoice. Knute's \voiceNeutral wo
+1!
I think that makes perfect sense and feels very coherent with the other
functions.
Regards,
Abraham
Sent from my iPhone
> On Sep 29, 2014, at 1:18 AM, Knute Snortum wrote:
>
> Well, mine would be "\voiceNeutral", but I'm not demanding that! It would
> fit with \tieUp -> \tieNeutral,
Well, mine would be "\voiceNeutral", but I'm not demanding that! It would
fit with \tieUp -> \tieNeutral, \slurUp -> \slurNeutral, etc.
Knute Snortum
(via Gmail)
On Sun, Sep 28, 2014 at 2:42 PM, Simon Albrecht
wrote:
> Well probably it's intuitive for German native speakers by analogy to
> "e
Well probably it's intuitive for German native speakers by analogy to "eine
Stimme" and "Stimme Eins", that what I meant.
The next question, of course, is: Do you have an alternative proposal? :-)
Good night again (...)
Simon
Am 28-Sep-2014 23:28:42 +0200 schrieb janek.lilyp...@gmail.com:
2014-
2014-09-28 23:25 GMT+02:00 Simon Albrecht :
> Hello,
>
> do you really think they aren't user-friendly? I always found them easy to
> understand and use. Is this because they comply to german syntax more
> neatly?
We have two commands named \voiceOne and \oneVoice. That's definitely
confusing; on
Hello,
do you really think they aren't user-friendly? I always found them easy to
understand and use. Is this because they comply to german syntax more neatly?
Anyway...
And I agree with the docs on the explicit/implicit voicing: it depends... Some
pieces are easier to input and read with the m
Excellent. That's what I'll do. Thanks.
Knute Snortum
(via Gmail)
On Sat, Sep 27, 2014 at 10:58 AM, Janek Warchoł
wrote:
> 2014-09-27 19:44 GMT+02:00 Knute Snortum :
> > This question may be a matter of style, or there may be a command I'm
> > missing.
> >
> > I have a piano piece that start
2014-09-27 19:44 GMT+02:00 Knute Snortum :
> This question may be a matter of style, or there may be a command I'm
> missing.
>
> I have a piano piece that starts with the right hand in one voice for a long
> stretch (about 20 bars). It then breaks into mostly two voices.
>
> One way to do this is
This question may be a matter of style, or there may be a command I'm
missing.
I have a piano piece that starts with the right hand in one voice for a
long stretch (about 20 bars). It then breaks into mostly two voices.
One way to do this is to use temporary voices. The disadvantage is long
pas
