Sure, that's a point. However, I would be totally content with some
property like extra-right-offset and extra-left-offset, to tweak the
beginning and ending of the hairpin. Now I can't see any property for this.
Are you considering whether or not you might want to leave room for
other expressio
On Tuesday 24 August 2004 05:27 pm, Bertalan Fodor wrote:
> I was thinking about it and I think the problem is general with
> dynamics. I suppose they shouldn't start and end where they do now.
> They start too late and end too soon. The latter is more important.
> Some hand-engraved score could he
It's Essential Dictionary of Music Notation from Alfred Publishing, a small
big-pocket size book :-)
From: David Rogers <[EMAIL PROTECTED]>
To: Lilypond-User <[EMAIL PROTECTED]>
Subject: Re: How to lengthen dynamics hairpin
Date: Tue, 24 Aug 2004 21:39:24 -0700
On Aug 24,
On Aug 24, 2004, at 9:26 PM, Michael Lakes wrote:
I have a music notation book, it shows the cresc/dim start from the
left of the note and ends in the right side of the other note.
Which music notation book is it?
I was just trying to infer something from a few examples, of course...
David
__
From: David Rogers <[EMAIL PROTECTED]>
To: Lilypond-User <[EMAIL PROTECTED]>
Subject: Re: How to lengthen dynamics hairpin
Date: Tue, 24 Aug 2004 15:31:02 -0700
On Aug 24, 2004, at 2:27 PM, Bertalan Fodor wrote:
I was thinking about it and I think the problem is general with dynamics
On 24-Aug-04, at 2:27 PM, Bertalan Fodor wrote:
I was thinking about it and I think the problem is general with
dynamics. I suppose they shouldn't start and end where they do now.
They start too late and end too soon. The latter is more important.
Some hand-engraved score could help deciding thi
On Aug 24, 2004, at 2:27 PM, Bertalan Fodor wrote:
I was thinking about it and I think the problem is general with
dynamics. I suppose they shouldn't start and end where they do now.
They start too late and end too soon. The latter is more important.
Some hand-engraved score could help deciding
I was thinking about it and I think the problem is general with
dynamics. I suppose they shouldn't start and end where they do now. They
start too late and end too soon. The latter is more important. Some
hand-engraved score could help deciding this. Generally I feel that the
< and > mark shoul
On Tuesday 24 August 2004 22.01, Bertalan Fodor wrote:
> I would like to lengthen the dynamics hairpin in this case:
>
> d16\> dis\!
>
> Setting minimum-length is not good, because it makes bigger space
> between the two notes.
>
> The problem is essentially that the end of the decrescendo is alway
I would like to lengthen the dynamics hairpin in this case:
d16\> dis\!
Setting minimum-length is not good, because it makes bigger space
between the two notes.
The problem is essentially that the end of the decrescendo is always
attached to the left side of the note and not the right side (whic
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