On 2019-02-07 3:01 am, N. Andrew Walsh wrote:
Problem now is, Lily isn't avoiding collisions between the markup
objects
and grobs on other staves. Neither the markup nor the Staff.ottavation
text
block are given place, instead overlapping the voice above. How can I
fix
this?
Do you have a MW
PS- also, I've made use of http://lsr.di.unimi.it/LSR/Item?id=875, which
gets the notes in the correct positions. My example now looks like this:
---
\version "2.19.82"
\relative c, {
\clef "bass_8"
\textLengthOn
\override Staff.NoteColumn.ignore-collision = ##t
\override No
Hi Andrew
On Thu, Feb 7, 2019 at 11:51 AM Andrew Bernard
wrote:
> Hello Andrew,
>
> Why are quartertones technically wrong?
>
Quartertones are wrong for harmonics (especially "natural" ones), because
neither the finger position nor the resultant pitch are equivalent to
equal-tempered quarterton
Hello Andrew,
Why are quartertones technically wrong?
My current string quartet is full of them. String players can do them just
fine.
Andrew
On Thu, 7 Feb 2019 at 21:46, N. Andrew Walsh
wrote:
>
> (And yes, I know quartertones are technically wrong.
>
__
Hi List,
I have the following construction:
--
\version "2.19.82"
\relative c, {
\clef "bass_8"
\textLengthOn
\override Staff.NoteColumn.ignore-collision = ##t
\override NoteHead.style = #'harmonic-mixed
<<
{
\oneVoice
eih^\markup { \right-align "Sul D" }
