> To make two voices look like they are in the same chord, put \stemUp
> or \stemDown (depending on the situation) to one of the voices, then
> put \stemDown (or \stemUp) to separate them again. The stems of both
> voices are perfectly merged, so it looks like a single voice chord.
This gives ver
Hello,
poor copyist of works by Smetana or Rachmaninoff - the code would be
cluttered with \stemXXX commands, effectively loosing LilyPond's
automatic stem directioning ... :-(
Tomas Valusek
Frédéric Chiasson napsal(a):
Like Tomas, I would very much like to be able to tie notes from two or
Like Tomas, I would very much like to be able to tie notes from two or
more voices, to the single note or chord following (or preceding) those
momentary or temporary voices.
It is possible to do this with the actual code. Karl gave me this trick.
To make two voices look like they are in the sa
On Sat, Jan 13, 2007 at 12:59:04PM -0700, Steve D wrote:
>
> [...] Piano music,
> like Tomas writes, often splits into temporary voices within a single
> staff, all played with the same hand, lasting only a fraction of a
> measure for instance, that resolve into a single note or chord in one
> voi
On Wed, Dec 27, 2006 at 11:01:44PM +0100, Tomas Valusek wrote:
>
> I'm a pianist, and in piano music, itš quite usual that polyphony is
> "occasional" - in many times, I need say that one note is hanging over
> several other notes in the same hand.
Like Tomas, I play piano and compose for that
Hello,
a little typo occured in my snippet - correct is:
\relative cˇˇ {
\time 3/4
c8 a~
<<<
a4 \\
f8 f~
>>>
f4
}
Tomas Valusek
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Hello,
I'm a pianist, and in piano music, itš quite usual that polyphony is
"occasional" - in many times, I need say that one note is hanging over
several other notes in the same hand. What's the difference between my
proposed "chordal polyphony" and the way polyphony is now implemented in
Li
