On Sat, Jan 13, 2007 at 12:59:04PM -0700, Steve D wrote: > > [...] Piano music, > like Tomas writes, often splits into temporary voices within a single > staff, all played with the same hand, lasting only a fraction of a > measure for instance, that resolve into a single note or chord in one > voice, often tied to one or more notes from one or more of those > temporary voices.
To be less ambiguous, I should have written-- "...that resolve into a single voice composed of either a single note or a chord, in which the single note or notes of that single-voice chord are often tied to notes from one *or more* of the voices of the preceding (or following) multi-voice section." This type of multi-voice polyphony is distinct from more formal structured multi-voice music in that it is often used for the sake of convenience and clarity. When the notes played by either the right or left hand of a pianist are notated with multiple voices at times, it both simplifies the appearance of the score considerably, and gives cues to the performer as to how the music should be performed, making melodies that move within a chord structure more obvious, for example, and with fewer tied notes for the portion of a chord that is sustained while the melody moves and changes. -Steve D -- ---------------------------------------------------------------- The objective of the Patriot Act [is to make] the population visible and the Justice Department invisible. The Act inverts the constitutional requirement that people's lives be private and the work of government officials be public; it instead crafts a set of conditions that make our inner lives transparent and the workings of government opaque. -Elaine Scarry, "Acts of Resistance," Harper's Magazine, May, 2004 ---------------------------------------------------------------- _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
