On 2/4/19 10:18 AM, Aaron Hill wrote:
I overlooked \cueClefUnset so that's the better option.
For the grob, the Internals reference is your friend: CueEndClef
Thanks! I really need to get more familiar with the internals
reference. One of these days in my copious free time.
David, thanks
On 2019-02-04 6:47 am, Christopher R. Maden wrote:
On 2/4/19 6:03 AM, Aaron Hill wrote:
Note in this case I changed the CueClef font-size to match the reduced
size of a non-cue clef when it appears within a line.
That looks great, thanks! The \cueClefUnset bass clef still looks
tiny, and if I
On 2/4/19 6:03 AM, Aaron Hill wrote:
Note in this case I changed the CueClef font-size to match the reduced
size of a non-cue clef when it appears within a line.
That looks great, thanks! The \cueClefUnset bass clef still looks tiny,
and if I use \cueClef to switch back to bass, it shows up i
"Christopher R. Maden" writes:
> This is probably a FAQ, but I can’t find the right combination of
> search terms to tease it from the ether...
>
> I want a piano staff, with the left hand to start with bass clef, but
> then immediately switch to treble clef after the time signature.
>
> Mnon-WE
On 2019-02-03 8:44 pm, Christopher R. Maden wrote:
On 2/3/19 9:43 PM, Aaron Hill wrote:
Does \cueClef help?
It does... though then when I \clef bass back again it’s ignored. I
can use \cueClefUnset...
Thanks, this is a great workaround. I suspect there is a better (more
properly LilyPondish
HI Chris,
That makes sense. I also like to preserve the composer's own notation where
possible. And as said, it's not actually wrong! Good old Sousa!
Andrew
On Mon, 4 Feb 2019 at 16:43, Christopher R. Maden wrote:
>
> I’m transcribing Sousa’s “A Typical Tune of Zanzibar,”[*] and I’m trying
>
On 2/4/19 12:36 AM, Andrew Bernard wrote:
This comes up reasonably often. May I ask why you don't simply start
the piece with the treble clef? If you immediately change to treble,
what is the point of having the bass clef at this point? It's a
musical decision up to you, but it always strikes me
Hi Christopher,
This comes up reasonably often. May I ask why you don't simply start the
piece with the treble clef? If you immediately change to treble, what is
the point of having the bass clef at this point? It's a musical decision up
to you, but it always strikes me as a bit unnecessary. Any p
On 2/3/19 9:43 PM, Aaron Hill wrote:
Does \cueClef help?
It does... though then when I \clef bass back again it’s ignored. I can
use \cueClefUnset...
Thanks, this is a great workaround. I suspect there is a better (more
properly LilyPondish) answer, but this is more than adequate for now.
On 2019-02-03 6:43 pm, Aaron Hill wrote:
On 2019-02-03 6:33 pm, Christopher R. Maden wrote:
This is probably a FAQ, but I can’t find the right combination of
search terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch
On 2019-02-03 6:33 pm, Christopher R. Maden wrote:
This is probably a FAQ, but I can’t find the right combination of
search terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch to treble clef after the time signature.
This is probably a FAQ, but I can’t find the right combination of search
terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch to treble clef after the time signature.
Mnon-WE is attached. Probably this involves monk
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