Thank you a lot all of you for your feedbacks.
I have figured it out, however it is not that straight forward thing.
First let me show you the not so MWE example in "real" context, ie in the score
i am producing for Keyboard and live elecronics. The 01.png screenshot is what
i get at first. An
I’m at the hospital, far from my library, and anyways not sure about exactly
how Karim wants them to look or behave. I was just pointing out it’s nothing
really exotic in contemporary music.
Anyway: An alternative approach, somewhat blunter but simpler
\version "2.25.12"
one = {
s2 c'4 c
> Common beams for both staves, sometimes pulled outside them are used
> in contemporary music when the resultant rhythm from both staves of
> a single instrument are significantly easier to grasp than the
> separate rhythms of the separate staves. It also hints at both
> staves having a common
Common beams for both staves, sometimes pulled outside them are used in contemporary music when the resultant rhythm from both staves of a single instrument are significantly easier to grasp than the separate rhythms of the separate staves. It also hints at both staves having a common voice or musi
On Mon, 19 Aug 2024 at 01:51, Karim Haddad wrote:
>
> Hi
>
> I know there is a simple solution for this but cannot find it.
>
> When applying \override Beam.positions in order to raise the beam of a
grouped rythm above the first staff:
>
> 1) it doesn't overlapp the first staff
> 2) an extra space
Hi
I know there is a simple solution for this but cannot find it.
When applying \override Beam.positions in order to raise the beam of a grouped
rythm above the first staff:
1) it doesn't overlapp the first staff
2) an extra space is created (i imagine to avoid collision)
How can i make it hap
