Common beams for both staves, sometimes pulled outside them are used in contemporary music when the resultant rhythm from both staves of a single instrument are significantly easier to grasp than the separate rhythms of the separate staves. It also hints at both staves having a common voice or musical material. 

19 aug. 2024 kl. 21:52 skrev Xavier Scheuer <x.sche...@gmail.com>:


On Mon, 19 Aug 2024 at 01:51, Karim Haddad <karim.had...@ircam.fr> wrote:
>
> Hi
>
> I know there is a simple solution for this but cannot find it.
>
> When applying \override Beam.positions in order to raise the beam of a grouped rythm above the first staff:
>
> 1) it doesn't overlapp the first staff
> 2) an extra space is created (i imagine to avoid collision)
>
> How can i make it happen.

Hello,

I would use cross-staff stems in the lower staff and invisible note heads in the upper staff.
But this notation is not conventional, what is it supposed to represent/signify?

Cordialement,
Xavier

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