On Mon 01 Nov 2021 at 17:18:29 (-0700), Kenneth Wolcott wrote:
> On Mon, Nov 1, 2021 at 4:38 PM Jean Abou Samra wrote:
> > Le 02/11/2021 à 00:08, Kenneth Wolcott a écrit :
> > > That helps explain it! Thanks!
> > >
> > > But if I wanted to reproduce precisely what this arranger is doing, I
> > > co
Got it.
On Mon, Nov 1, 2021 at 4:38 PM Jean Abou Samra wrote:
>
> Le 02/11/2021 à 00:08, Kenneth Wolcott a écrit :
> > That helps explain it! Thanks!
> >
> > But if I wanted to reproduce precisely what this arranger is doing, I
> > could just enter the pitches as written and just place a note to
Le 02/11/2021 à 00:08, Kenneth Wolcott a écrit :
That helps explain it! Thanks!
But if I wanted to reproduce precisely what this arranger is doing, I
could just enter the pitches as written and just place a note to
instruct the performer to do the ottava manually, correct?
Thanks,
Ken
Sure. A
That helps explain it! Thanks!
But if I wanted to reproduce precisely what this arranger is doing, I
could just enter the pitches as written and just place a note to
instruct the performer to do the ottava manually, correct?
Thanks,
Ken
On Mon, Nov 1, 2021 at 3:57 PM Jean Abou Samra wrote:
>
>
Le 01/11/2021 à 23:49, Kenneth Wolcott a écrit :
Hi Kieren & Carl;
Well, since you have already provided an MWE that shows it works as
documented, may I provide my full Lilypond code? It is only a halfway
completed Piano arrangement of "The Elephant" from the ""Carnival of
the Animals", by S
On 11/1/21, 4:49 PM, "Kenneth Wolcott" wrote:
Hi Kieren & Carl;
Well, since you have already provided an MWE that shows it works as
documented, may I provide my full Lilypond code? It is only a halfway
completed Piano arrangement of "The Elephant" from the ""Carnival of
Ken,
Please show an example.
I assume you are using it wrong.
Always enter the sounding pitch in lilypond. In the Notation Reference, they
are showing you that if you don't change the pitch, an add an ottava, the note
will displace in the opposite direction of the ottava bracket, because the
Hi Ken,
> another question regarding ottava: why does Lilypond change the pitches?
>
> If the purpose of the ottava is to make it easier for the
> publisher/engraver/typesetter/performer to read the notes within the
> staff rather than lots of ledger lines above or below the st
Hi again;
another question regarding ottava: why does Lilypond change the pitches?
If the purpose of the ottava is to make it easier for the
publisher/engraver/typesetter/performer to read the notes within the
staff rather than lots of ledger lines above or below the staff, then
why does
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Am Mo den 4. Feb 2019 um 21:25 schrieb Klaus Ethgen:
> Am Mo den 4. Feb 2019 um 2:50 schrieb Ivan Kuznetsov:
> > Would you post an example that compiles successfully ?
>
> Sure, why not.
Any comments to my sheet? I like to learn from it. But wit
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Am Mo den 4. Feb 2019 um 2:50 schrieb Ivan Kuznetsov:
> Would you post an example that compiles successfully ?
Sure, why not.
I had to tweak a few thinks. The most remarkable is, that I had to note
the same different for the guitar tab and for th
Would you post an example that compiles successfully ?
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Hi David,
Am So den 3. Feb 2019 um 17:18 schrieb David Kastrup:
> Did you read the error messages?
It made no sense for me, but read below.
> I mean, it's not like the above is
> compilable code either way (\global is not defined anywhere and the
Klaus Ethgen writes:
> Hi Folks,
>
> I have one music where the "lines" (Sorry, I am not exactly sure about
> the english name of it) on a note are pointing both down even if they
> are marked with different voices:
>classicalGuitar = \relative c
>{
> \global
> \easyHeadsOn
>
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Sorry, did cut too much... Here is the right part:
classicalGuitar = \relative c
{
\global
\easyHeadsOn
c4 d8 e g g | a4 g8 f e4 | d e f | g2 r4 | \break
a4 a8 g f4 | g e c | d e d | c2 r4 | \break
\repeat volta 2
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Hi Folks,
I have one music where the "lines" (Sorry, I am not exactly sure about
the english name of it) on a note are pointing both down even if they
are marked with different voices:
classicalGuitar = \relative c
{
\global
\easyH
Folks,
Thanks for all of your help in the past.
I have a bunch of .ly files that I "include" in my abc.tex file like so:
\begin{lilypond}
\include "A1-A2.ly"
\end{lilypond}
\begin{flushright}\href{midi/A1-A2.midi}{midi}\end{flushright}
Note that I have put an "\href" file-link after the lil
2008/7/30 James E. Bailey <[EMAIL PROTECTED]>:
> I would just create a fake time signature that looks like what I want, then
> just remove the engraver for all of the other time signatures.
... or use \override Staff.TimeSignature #'stencil = ##f
(easier and revertible)
Cheers,
Valentin
_
Am 30.07.2008 um 21:51 schrieb sdfgsdhdshd:
Question
Can this be handled by lilypond, to put the possible times only at the
beginning of the score, when there are too many?
I would just create a fake time signature that looks like what I want,
then just remove the engraver for all of the oth
sdfgsdhdshd wrote:
>
> The score beginning is (SATB)
>
> |
> |
> |G clef---3/4---2/4---rest---note---
> |
> |
> |
> |
> |
> |
> |F clef---3/4---2/4---rest---chord---
> |
> |
>
> The score is 3/4; so probably an error.
>
Solution found: in fact, some me
Hi again ! I've just forgotten a question : does a french traduction group exist for
Lilypond ? If
not, who would be interrested in it ? I've already contacted traduc.org, but I've
receive no answer
yet...
Au revoir pour de bon !
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