That's perfect!
Thanks to all of you for your help.
Simon
Am 11/9/2014 3:29 PM, schrieb Marc Hohl:
#(define (mark-one-ignatzek-chord-names in-pitches bass inversion context)
(markup #:line ("1. " (ignatzek-chord-names in-pitches bass
inversion context
#(define (mark-two-ignatzek
Am 09.11.2014 um 15:20 schrieb Simon Herter:
I have to admit that I'm not a music expert. I probably misunderstood
the "/" symbol.
I assume you want to have two chords to choose from at the same time.
I guess that's it. In the original sheet music the first chord is
preceded by a small "1." a
I have to admit that I'm not a music expert. I probably misunderstood
the "/" symbol.
I assume you want to have two chords to choose from at the same time.
I guess that's it. In the original sheet music the first chord is
preceded by a small "1." and the second by a "2.". The line is repeate
I have to admit that I'm not a music expert. I probably misunderstood
the "/" symbol.
I assume you want to have two chords to choose from at the same time.
I guess that's it. In the original sheet music the first chord is
preceded by a small "1." and the second by a "2.". The line is repeate
Hi Simon,
> \version "2.18.2"
> \chords { c/a }
> \chords { c:7/a:7 }
The »/« indicates that the lowest note (root) in the chord will follow,
e.g. c/a means
and you would usually use it for a note of the chord:
c/g =
Therefore, the 7 does not make sense as it is a single note. This is
also expl
The chord notation c/a stands for "c major triad with an a in bass". Generally,
you can write "chord / bass note" with this construction, "bass note" being the
operative word here. So your c/a example works but c:7 / a:7 is actually a
polychord construct. There's a way to do this in Lilypond (yo
Hi,
when I try to add maj7 to an alternate chord, it doesn't show up:
-
\version "2.18.2"
\chords { c/a }
\chords { c:7/a:7 }
-
How can I get that small 7 next to "A"?
Simon
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