Pierre Perol-Schneider writes:
> 2014-07-02 12:13 GMT+02:00 David Kastrup :
>
>
>> However, this fix does not have regtests. I would appreciate it if you
>> could cook up a few short but difficult use cases for placing in the
>> regtests.
>>
>
> In order to find a sort of inspiration I've just r
Pierre Perol-Schneider writes:
> 2014-07-02 12:13 GMT+02:00 David Kastrup :
>
>
>> However, this fix does not have regtests. I would appreciate it if you
>> could cook up a few short but difficult use cases for placing in the
>> regtests.
>>
>
> In order to find a sort of inspiration I've just r
2014-07-02 12:13 GMT+02:00 David Kastrup :
> However, this fix does not have regtests. I would appreciate it if you
> could cook up a few short but difficult use cases for placing in the
> regtests.
>
In order to find a sort of inspiration I've just re-wrote some snippets
from the regression in
Pierre Perol-Schneider writes:
> Hi James,
>
> 2014-06-30 18:21 GMT+02:00 James :
>
>>
>> So are you saying we need to update the documentation?
>>
>
> Yes, I think it could be a good thing to add somehow explanations for
> repeats in parallelMusic mode.
> But I'll send an email to the bug list
Hi James,
2014-06-30 18:21 GMT+02:00 James :
>
> So are you saying we need to update the documentation?
>
Yes, I think it could be a good thing to add somehow explanations for
repeats in parallelMusic mode.
But I'll send an email to the bug list regarding this.
> Remember that tagging LSR exa
On 30/06/14 15:09, Pierre Perol-Schneider wrote:
Hi LilyPonders,
This afternoon I had to write a short polyphonic piece to illustrate
some literature and I found it fun to use the parallelMusic mode for
the very first time.
I choose a short menuet with repeats and discovered that the use of
r
Hi LilyPonders,
This afternoon I had to write a short polyphonic piece to illustrate some
literature and I found it fun to use the parallelMusic mode for the very
first time.
I choose a short menuet with repeats and discovered that the use of repeats
could be problematic in this mode.
See a forme
