Dmytro O. Redchuk wrote:
У сб, 2010-01-09 у 21:58 +0100, C.Flothow пише:
This looks very promising as an answer to my first question. Once I
had figured out the correct combination of the different functions it
worked on the music level for the example. So I have to think of a
reasonable wa
ise
I'll just wait for the new fan.
Cheers,
Mike O'Donnell
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Message: 5
Date: Sun, 10 Jan 2010 10:38:31 +0200
From: "Dmytro O. Redchuk"
Subject: Re: "Ancient and modern from one source"
To: "C.Flothow"
Cc: lilypon
У сб, 2010-01-09 у 21:58 +0100, C.Flothow пише:
> This looks very promising as an answer to my first question. Once I
> had figured out the correct combination of the different functions it
> worked on the music level for the example. So I have to think of a
> reasonable way to deal with the embedd
Dmytro O. Redchuk schrieb:
У пт, 2010-01-08 у 18:57 +0100, C.Flothow пише:
Editing ancient music often implies that you have to halve note values
to make the score readable for modern musicians.
On the other hand it is much easier to correct your score if you can use
original val
e.
I also think that the basic structure of an input form describing the
mensural notation, that can be retargeted through some parameters to
produce a variety of mensural and modern scores, is the right starting
point.
Cheers,
Mike O'Donnell
--
Message: 1
Date:
У пт, 2010-01-08 у 18:57 +0100, C.Flothow пише:
> Editing ancient music often implies that you have to halve note values
> to make the score readable for modern musicians.
> On the other hand it is much easier to correct your score if you can use
> original values (and sometimes you want to use b
Editing ancient music often implies that you have to halve note values
to make the score readable for modern musicians.
On the other hand it is much easier to correct your score if you can use
original values (and sometimes you want to use both versions anyway).
I've tried a number of ways to get
