Dmytro O. Redchuk wrote:
У сб, 2010-01-09 у 21:58 +0100, C.Flothow пише:
This looks very promising as an answer to my first question. Once I
had figured out the correct combination of the different functions it
worked on the music level for the example. So I have to think of a
reasonable way to deal with the embedded time signatures / signature
fractions. Or is there already a corresponding function around which I
have missed?
I would probably try to declare separate voice with time signatures
and write time signatures only in that voice.
And then to parallel it with real voices.
In this case you would need to change only that voice.
Or it's possible to declare two or three such a voices and use
appropriate of them.
Sorry! --- i've not tried this trick for this task --- sorry for the
(possible) noise :O)
Note that it often is preferable to merge the music and annotations into
the same Voice context in LilyPond.
Example:
themusic = \relative c'{c d e f | g f e d | c1 | }
thedynamics = {s1 \< | s1\> | s1 \! }
thetimesignatures = {\time 2/2 s1*2 \time 4/4 }
\new Voice << \themusic \thedynamics \thetimesignatures >>
/Mats
Cheers
Chris
--
=============================================
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: mats.bengts...@ee.kth.se
WWW: http://www.s3.kth.se/~mabe
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