On 9/7/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
> Hi all,
>
> > as for \repeatTie, I'm looking for it's counterpart : a slur bound
> > to an absent following note
> > (whereas \repeatTie is a tie from an absent precedent note)
>
> I hope the attached helps!
> Kieren.
>
On 9/7/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
> Hi Yota, Gerard, et al.,
>
> I assume you've looked at \repeatTie (and the equivalent
> \repeatSlur), and it's not working for you?
>
> Regards,
> Kieren.
>
>
If only \repeatSlur would exist...
as for \repeatTie, I'm looking for it's counte
On 6/24/07, gerard stouten <[EMAIL PROTECTED]> wrote:
>
> hi there,
>
> i need a slur in a repeat. i can not figure out how to do it, maybe you
> can
> help me.
>
> (a8) r8 f4 \bar "||" \mark \default f2 f8(g8) bes8 c8 d2 bes4 f4 c'2 a4 f4
> f2(
> }
> \alternative {{f8) r8 f4} { f8 r4.}}
>
> The la
did I forget something like an attachment
test.pdf
Description: Adobe PDF document
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Dear Mailing list
I have a bunch of questions about the repeat syntax I'll like to submit to
you.
\version "2.11.28"
1) About numbering
here is a ordinar situation of repeat volta with an alternative :
\repeat "volta" 2 {
a b c b
}
\alternative {
{ e f e f }
{ e f e b}
}
c a e f
\bre
I have a violin part which, for some bars, split into two voices.
I first tried this :
- create a violin_voice_a
- add a violin_voice_b, containing rests everywhere except on those few bars
where there is two voices
- stack the two vioces using a hara_kiri context for the second one in order
to h
\version "2.11.20"
Given this piece of the titling scheme
scoreTitleMarkup = \markup {
\column {
\on-the-fly #print-all-headers { \bookTitleMarkup \hspace #1 }
\line {
\fromproperty #'header:piece
}
}
}
I would like to display the piece name as small caps.
you could try to remove the point-n-click information
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Point-and-click
Yota
On 21 Apr 2007 11:04:18 -0700, Kieran Coulter <[EMAIL PROTECTED]>
wrote:
Hello,
I first want to thanks Mats for the help with the Chopin Ballade.
My next ques
On 4/9/07, Graham Percival <[EMAIL PROTECTED]> wrote:
Alexander Hanysz wrote:
> Below is a patch for what on my system is the file
> /usr/local/lilypond/usr/bin/midi2ly (I'm using version 2.10.20).
>
> Fixed (?): the --key command line argument is recognised; key signatures
> and time signatures
Dear lilypond List
I have something like
\version "2.11.20"
\score {
\new StaffGroup <<
\new Staff {
\voiceA
}
\new Staff {
\voiceB
}
\new Staff {
\voiceC
}
>>
\layout { \context { \removeEmptyStaffContext } }
}
\pa
i'm looking forward to seeing this feature implemented ^^
Yota
On 3/21/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
2007/3/21, Mats Bengtsson <[EMAIL PROTECTED]>:
> I hope you have tried the workaround described in
> http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00020.html
Whil
On 3/18/07, Matthias Berndt <[EMAIL PROTECTED]> wrote:
Hi,
I tried writing a few lines with lilypond, but I don't like the way that
the
result looks. Perhaps I'm doing something wrong, but I don't think so. In
the
attachments, you'll find some source code and the resulting pdf.
The big bracket
Gosh !
it was just a bug of Jpedal (packed with lilypondtools)
I opened it with evince and everything was alright...
sorry for the noise
On 3/17/07, yota moteuchi <[EMAIL PROTECTED]> wrote:
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version &quo
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version "2.11.20"
\new Score {
\new Staff {
\relative c'' {
\setTextCresc
c4 \< c c c
c c c c \!
}
}
}
I get a result where the dashed line have a weirdly laarge span...
Looks like if lilyond had
In order to add a tempo mark, I use a tweak found on the lilypond
documentation website :
tempoMark = #(define-music-function (parser location markp) (string?)
#{
\once \override Score.RehearsalMark #'self-alignment-X = #left
\once \override Score.RehearsalMark #'extra-spacing-width = #'(+i
You seem to have some good ideas but I couldn't have a deep look on them
because the broken links quickly became pretty annoying
in html (which is not the case under Windows) we use slash / instead of
backslashes \ and I don't have time to correct links like :
http://www.nordisc-music.com/00_a-pl
I use the following trick to print P subito
psubito = #(make-dynamic-script (markup #:hspace 1 #:translate (cons 5 0)
#:line( #:dynamic "p" #:normal-text #:italic "subito" )))
to use it : { c4 \psubito }
following this example, you should be able to build a poco ff (and if you do
please post
ty within LilyPond).
Another solution is outlined in section "Building complicated functions"
in the manual.
/Mats
yota moteuchi wrote:
> Bonjour,
>
> I'm trying to write a NICE lilypond function to do properly what I
> could do with a simple find and replace in th
Bonjour,
I'm trying to write a NICE lilypond function to do properly what I could do
with a simple find and replace in the text
where
\pizz
would become :
^\markup {\italic pizz.}
\set Staff.midiInstrument = "pizzicato strings"
I tried some make-markup stuffs but... how to insert a \set proper
well it was an approximation (due to the previously mentionned lack of
vocabulary)
ISO 2022 (as well as SHIFT-JIS and other japaneses encoding of the same
type) use indeed "artificial" 8bit characters.
The 0-127 range is always almost compatible with ASCII and there is 2
escaping character which w
tainly
get an added spacing between the two notes.
However, if your main purpose is to get a longer hairpin, why not
follow the instructions in the section on Dynamics
in the manual:
\override Voice.Hairpin #'minimum-length = #5
/Mats
Quoting yota moteuchi <[EMAIL PROTECTED]>:
&
Well, since charsets issue is my hobby ... I can write a short explanation
(try to... my shortage of english vocabulary could be an issue)
After having defined a 128 character table (0 -127 on 8 bits, well one zero
+ 7bits) covering only the English characters and some signs, called the
ASCII tab
Well it's a pleasure
On 1/25/07, Aaron Dalton <[EMAIL PROTECTED]> wrote:
I am most embarassed. it turns out a fellow user of the system installed
version 2.8.7 globally so my invocations of 'lilypond' were finding
/usr/local/bin before /home/aaron/bin. Sorry to have wasted your time,
but than
Hi,
I have a crescendo hairpin stuck between two consecutive notes (as you can
see in the example below)
I tried to use a SeparationItem - padding... without success, even with a
padding of 10 there is ... no effect (here, I tried between two fourth
notes, but wherever I use it, I always have the
I would like to combine in one shortcut : \pizz
both a markup : ^ \markup "pizz."
and a property setting : \set Staff.midiInstrument = "pizzicato strings"
I read the documentation but I'm definitely not fluent in scheme.
does someone could lend me a clue on how to do this ?
Thank you
Yota
seems to be exaclty what I was looking for, thank you ^^
(sorry for the mess on the mailing list... I'm not well awake this morning,
and I'm fighting like the devil with gmail Ø_o)
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a trick to un-bold the "su
lilypond-user@gnu.org
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a trick to un-bold the "subito" in the first
> solution
I use:
pocoF = #(make-dynamic-script (markup #:line(#:normal-text #:italic
"poco" #:hspace -0.3 #:dynamic "f" )))
Hope this hel
By chance, I had this bug too.
It seems to be raised by the \laisserVibrer tie. Since, when I remove
it, the error disappear.
But this is a random bug and as soon as I try to insulate it... it vanishes
well to summary, I have a
\time 4/4
a4 a a a \laisserVibrer
\time 2/4
R2
etc.
and a minimise_
Surfing around I found two ways to do almost the same thing : display a
complex dynamics mark, like a Piano Subito.
In each I found something satisfying and another annoying
psubito = #(make-dynamic-script (markup #:hspace 1 #:translate (cons 5 0)
#:line( #:dynamic "p" #:text #:italic "subito" )
Dear mailing list,
I have some difficulties in using lilypondtools under Ubuntu
The filename of the piece containing some whitespaces I'm getting the
following error
%lilypond %args /home/yoochan/classeur/lilypond/danse macabre - St Saens/alto.ly
warning: cannot find file: `/home/yoochan/classe
Just for the most curious ones, this is how rhythms are taught to
french children :
quarter-note is called : noire (black) since it's balck
half-note is called : blanche (white) since it's white
full-note is called : ronde (round) since... there is no stem
eight-note is called : croche (crotchet
google.com/p/lilypond/issues/detail?id=186
Please note that this is a feature request which is much harder to
implement than it may initially appear; it may be a while until this new
feature is added.
Cheers,
- Graham
yota moteuchi wrote:
> Hi,
>
> I am looking for a way to pri
How do I do with lilypond what it's called in french : "marche
unitonale" (that I can not translate in english)
Which is the translation of a pattern, a chord, keeping the degrees as
well as the key
ex :
\key c \major
become
\key c \major
french readers would enjoy this wonderful example :
Before posting on the debug list
I would like to know if some of you experienced this.
When I try to extract a piece from a midi file which is in f major (1 flat) I do
midi2ly --key=-1 "myfile.mid"
the resulting file have indeed a nice \key f \major printed on top but
all the 'bes' are noted as
Could we add to the doc, section 12.1.2 an example of an even easier
substitution function with no argument.
displayBarNum = #(define-music-function (parser location) ()
#{
\once \override Score.BarNumber #'break-visibility = ##f
#})
Since I took me 15 min to understand how to derive it fro
Hi,I am looking for a way to print an articulation made of the combination of an accent (>) and a tenuto (_)of course if I put I get an ugly result where the accent is much wider than the tenuto.
If it's not yet the case these articulations http://www.dolmetsch.com/musictheory21.htm should be adde
marvelous ^^
not as clean as expected but, i'm perhaps too perfectionist.
thx
On 9/1/06, Markus Schneider <[EMAIL PROTECTED]> wrote:
Hi,
AFAICS, the easiest way is to split your horn part into two seperate ones:
hornpartG = \relative c' {
\transposition g
... many notes ...
}
hornpartEE
Hi,
I have a nice horn in G part where in the middle it's written "from
here take your horn in E flat"
Of course in our orchestra we only have horn in F ^^
So I first entered the notes
hornpart = \relative c' {
\transposition g
... many notes ...
\transposition ees
again, many notes
}
And
should I fill a feature request to have long dynamic indications (the textual part, not the dashed line one) automatically splitted to the next staff when the text goes out of the page ?
like this : http://img115.imageshack.us/my.php?image=lilypondfi4.pngbecause if I do the line break manually, wh
ok I got ityou're right... with a centered alignment, the dynamic indication become too imprecise to be readable. But putting the text on two lines give a nice result.\set crescendoText = \markup{\italic \column {\line {poco a poco} {cresc.} }}
\set crescendoSpanner = #'dashed-line
r4 \ti
concerning the bars you may use a "global" part containing only skips and barsyou can then combine them as you wish (in a part or for all the parts).have a look at
http://www.mutopiaproject.org/ftp/BachJS/BWV1068/bach-air/bach-air-lys.zipor
http://www.lilypond.org/doc/v2.6/input/mutopia/E.Satie/pe
I guess thishttp://www.lilypond.org/doc/v2.8/Documentation/user/lilypond/Text-marks.htmlanswer to your question
On 8/25/06, Kamal <[EMAIL PROTECTED]> wrote:
How can one print a markup over a clef sign?
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