RE:text above

\version "2.18.2" \language "deutsch" global = { \key c \major \time 2/2 } soprano = \relative c' { \global % Die Noten folgen hier. \dynamicUp e2.\< \mark "Langsam" e4\! f2 e2\once \override DynamicLineSpanner #'staff-padding = #1.35 d1\> e2\! h'2\rest h1\rest h1\rest h1\rest h1\rest

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hey for partial after first one in statement use % part bars \set Score.measureLength = #(ly:make-moment 1 8) % done a'' -4\f | % set back \set Score.measureLength = #(ly:make-moment 4 8) % done ___ lilypond-user mailing list lilypond-user@gnu.org

Re: hard glissando

On Mon, Feb 6, 2012 at 12:40 PM, lily-user wrote: > > How do I do notate a harp glissando like the one in the attached image? > http://old.nabble.com/file/p33274457/HarpGliss.png HarpGliss.png > Thanks. In 2.14.2: \new PianoStaff << \new Staff = "right" { \clef treble e'''8\glissando s

Re: articulation over several notes

Consider using articulation shorthand: \relative c' { c-. d-. e-. f-. | g-^ a-^ b-^ c-^ } http://lilypond.org/doc/v2.14/Documentation/notation/expressive-marks-attached-to-notes#articulations-and-ornamentations To my knowledge, there isn't any simple way of attaching a single articulation to a g

Re: tacet trouble

\version "2.14.2" \markup { \fill-line { \fontsize #3 \bold \concat { "I. MOVEMENT - " \italic "TACE" } } } % Is this what you want? On Thu, Dec 8, 2011 at 1:22 PM, David Bobroff wrote: > I'm replacing a damaged page from a part. I want to follow the style of > the rest of

cueDuringWithClef problems

%% \version "2.14.2" trebleVoice = \new Staff \relative c'' { \clef treble s1*0 \cueDuringWithClef #"bass" #DOWN #"bass" { R1 | } \cueDuringWithClef #"alto" #DOWN #"alto" { R1 | } c4 c c c | } altoVoice = \new Staff \relative c' { \clef alto s1*0 \cueDuringWith

Automatic beaming in 2/2

Hi all. I'm transcribing a piece written in 2/2 time, but I don't like the automatic beaming that LilyPond uses when I set \time 2/2: %%% begin snippet %%% music = \relative c'' { c16 c c c c c c c c8 c16 c c8 c16 c | r8 c c c c c c c | \break } \new Staff { % good \time 4/4 \mu

Re: tempo setting

Musicians will automatically assume a dotted half note to mean the duration of three consecutive quarter notes. Option #2 will probably be easiest to interpret. On Wed, Oct 5, 2011 at 4:48 PM, PMA wrote: > Hi List. > > This is a question about notational judgment. > > I have a several-bar phrase

Re: \partial only on first measure?

Use Timing.measureLength: \new Staff \relative c' { \time 4/4 c c c c | \set Timing.measureLength = #(ly:make-moment 1 4) c | \set Timing.measureLength = #(ly:make-moment 4 4) c c c c | } 2011/9/27 Alberto Simões > Hello > > I use (or abuse) of \partial whenever the author makes a s

Re: Jazz Chord Symbols

Hi, I do occasional jazz lead sheets in LilyPond, and I've found the following code sufficient for my needs: % begin % raisedSharp = \markup \raise #0.6 \sharp chExceptionMusic = { % Major 1-\markup "" 1-\markup \small "6" 1-\markup \small { \override #`(baseline-skip . 1)