t I may be
misremembering.
Hopefully, someone will guide you how to make this happen in lilypond
directly, though.
Best wishes
Tom
On Tue, Jul 1, 2025, 5:45 PM Carren Carlsen wrote:
> Good Afternoon,
>
> I have an unusual question. I am working on a special project and I need
> to color co
ally want those to have a dependency on something unrelated. Does that
make sense?
Tom
Hi Knute
You mentioned there's a flatpak for the Frescobaldi v4.0.0 beta. I'm
curious how to find and install this.
Thanks!
Tom
On Mon, Feb 3, 2025 at 8:59 PM Knute Snortum wrote:
> On Mon, Feb 3, 2025 at 3:41 PM Valentin Petzel wrote:
>
>>
>> The not so nice thin
in all of the parts?
Thanks again!
Tom
On Tue, Jul 23, 2024 at 6:32 PM Thomas Morley
wrote:
> Am Di., 23. Juli 2024 um 23:52 Uhr schrieb Tom Brennan >:
> >
> > Hi all
> >
> > I'm notating a sonata for a cello and piano, and I would like to produce
> three
Perhaps my
approach is completely wrong, and I would love to know the best approach. I
imagine this has to be a common (and hence solved) problem.
Thanks
Tom
arlines. The only issue is
that I think this last one needs to be positioned at the end of the staff,
small or not, like it is in the Ravel example above.
The question is, is this a bug or expected behavior? Is there a workaround
to get that barline to snap to the end?
Thanks
Tom
I just realized that guile 3 is available for 2.24.x, so that's the
workaround. I'll still file the bug, though, for v2.25 in the proper
channel.
Thanks
Tom
On Mon, Jul 8, 2024 at 11:40 AM Tom Brennan wrote:
> Hi all
>
> I came across a bug with grace music containing tu
_works
}
}
```
This is only a problem in version 2.25.x, but I'm specifically using that
version to gain access to guile 3, so downgrading to 2.24.x doesn't work
for my situation.
Does this sound like low hanging fruit? Is there a workaround maybe?
Thanks!
Tom
I think that all sounds good, but that kind of rework is probably
going to involve a lot of regression risk (what are the tests like
right now?), but also a ton of opportunities for improvements to the
extent that it might be a good time to make a break from backward
functional compatibility, maybe
24 at 2:21 PM Tom Brennan wrote:
>
> Hello
>
> I'm going through documentation, refamiliarizing myself with Lilypond,
> and trying to define a process for daily work that I like. One thing
> I'm pretty sure I'll want is to create a shared library that will live
>
y to do this and I'm just overthinking
it. What do other people like doing for shared ly libraries?
Thanks
Tom
Ok, I just noticed that the binary location is wrong -- and I have
more than one install on this computer, so I'm going to remove both
and start with the latest version and see what happens.
On Fri, Mar 22, 2024 at 10:20 AM Tom Brennan wrote:
>
> BTW, for what it's worth it does
ke-editor" pid=65082 comm="sh"
requested_mask="x" denied_mask="x" fsuid=1000 ouid=0
[ 8087.871698] audit: type=1400 audit(177091.247:145):
apparmor="DENIED" operation="exec" profile="/usr/bin/evince"
name="/usr/bin/lilypond-i
.
I also tried to stop the apparmor service and then reboot
```
~$ sudo systemctl stop apparmor
~$ sudo systemctl disable apparmor
```
This didn't have any effect. What should I try next?
Thanks,
Tom
ct it
worked. I always like it best when I can tell the computer, "you're a
computer, figure it out". (And thank you to David K for that same answer,
too.)
-Tom
On Sun, Jul 9, 2023 at 6:54 PM Jakob Pedersen wrote:
> Hi Tom
>
> The documentation provides different meth
acing controls, and so
far my attempts to use them seem to make things look worse. Can anyone
share some general tips for the order of things to try to do some gentle
squeezing?
Thank you,
-Tom
TIL
On Fri, May 5, 2023 at 12:47 PM Mark Stephen Mrotek
wrote:
> David,
>
> Your response assumes that all readers of mailing lists know what full
> headers are, where the full headers are, and where in the full headers to
> find the "unsubscribe".
>
> Mark
>
> -Original Message-
> From:
Using a rootless version of C13 in the piano left hand makes Lilypond call
it an E variant. I can't figure out how to override chord names so I'm
using markup, like this. What am I doing wrong?
leftHand = \relative c, {
\clef bass
\key c \major
\time 4/4
4^\markup { C13 }
4
^\markup {
I am about to transcribe a bunch of older Western folk music in lead sheet
form for an open source tunebook. Am trying to create a robust template so
I don't have to think too much about anything other than getting the notes,
chords, and lyrics right. You can see it below, or rendered by the
invalu
It sounds like you're asking for feedback, so I'll say that it looks great
and I would be very interested to hear more.
Thank you,
-Tom
On Fri, Feb 18, 2022 at 8:08 AM Valentin Petzel wrote:
> Hello Pondmates!
>
> I have created an experimental script to turn a Lil
For those of us just catching up, can someone explain how to see the
metadata? I guess this is more of a PDF question, but while I have some
experts' attention...
Thank you,
-Tom
On Thu, Dec 30, 2021 at 10:25 AM Knute Snortum wrote:
> On Wed, Dec 29, 2021 at 7:13 PM David Zelinsky
Will do.
Thanks,
-Tom
On Wed, Dec 29, 2021 at 9:42 AM Knute Snortum wrote:
> This sounds like something that should be treated as a possible bug.
> Manual changes go in the bug tracker too. Here's what to do:
>
> https://lilypond.org/bug-reports.html
>
> --
> Kn
's not
in the technical glossary, either.
Also, there is no entry for "spanner" (also no simple index entry, and not
in the technical glossary, either). It does have a section to itself, for
those bright enough to use the table of contents, but the index entries
only point to it in a fairly indirect way.
Thank you,
-Tom
Thank you all (and Brian, who replied directly) for your suggestions.
Proportional notation seems to do what I need, simply, but the other seems
worth investigating.
-Tom
On Wed, Dec 29, 2021 at 4:02 AM Valentin Petzel wrote:
> Hello Tom,
>
> Consider using proportional notation
ng up here?
Thank you,
-Tom
Great, I think I understand. Thank you very much.
-Tom
On Fri, Dec 3, 2021 at 12:48 PM Lukas-Fabian Moser wrote:
> Hi Tom,
>
> Am 03.12.21 um 16:02 schrieb Tom Sgouros:
> > Thanks, but I'm not sure I completely understand. What you're saying
> > is that if you d
e \voices
construct? That makes sense, if that's correct.
Thank you,
-Tom
On Fri, Dec 3, 2021 at 2:17 AM Lukas-Fabian Moser wrote:
> Hi Tom,
>
> > This does not work: << { d1~ } \\ {g1} >> | d1 | No tie appears
> > and I don't see anything like an e
e an empty second voice in that second measure, but maybe
it's feasible to do it some other way?
Thank you,
-Tom
Ah, you mean the ruby slippers have been on my feet the whole time? And
they confirm Martin's good advice.
Thank you!
-Tom
On Sat, Aug 28, 2021 at 6:32 PM David Kastrup wrote:
> Tom Sgouros writes:
>
> > Hello all:
> >
> > The Frescobaldi people pointed their
-friendly for that kind of detail.
Thank you,
-Tom
On Sat, Aug 28, 2021 at 7:29 AM Tom Sgouros wrote:
> Thank you, I understand. This is a Frescobaldi question not a Lilypond
> question. I’ll go ask there.
>
> -Tom
>
> > On Aug 28, 2021, at 3:32 AM, Marti
Thank you, I understand. This is a Frescobaldi question not a Lilypond
question. I’ll go ask there.
-Tom
> On Aug 28, 2021, at 3:32 AM, Martin Tarenskeen
> wrote:
>
>
>
>> On Fri, 27 Aug 2021, Tom Sgouros wrote:
>>
>> Hello all:
>> Is there a w
es me question who's in control here.
Thank you,
-Tom
ch through with keywords
or tags, like the snippet repository. Is there something like this already
and I just haven't found it yet? Would anyone else be interested in
something like that if it doesn't already exist?
Thanks
Tom
los are achieved; is there something like
that for Stem objects, perhaps using a list of predefined (or maybe even
arbitrary, postscript, etc.) symbols?
Thank you!
Tom
t, it might require more effort to learn how the
Lilypond architecture, lifecycles, interfaces, etc., work, which is not
trivial. But the community is great and your questions will be answered
promptly and thoughtfully. It does take time to learn, though; there's no
getting around that.
Tom
On
Mark, Davie, Lukas-Fabian -
This has to be the single best user discussion list of all time. Within
20 minutes I have THREE excellent responses. I have long appreciated
this community, but, really, this blows me away.
My thanks to you all!
Tom
On 4/4/21 2:38 PM, Tom Cloyd MS MA wrote
"Fight for the things that you care about, but do it in a way that will lead
others to join you." ~ Ruth Bader Ginsberg
~
Tom Cloyd, MS MA | t...@tomcloyd.com
~
That's neat. I checked to see that unicode as well as whitespace seems to
work via quoting, too.
\version "2.22"
"rødgrød med fløde 123
和毛泽东 <<重上井冈山>>. 严永欣, 一九八八年.
久有归天愿
终过鬼门关
千里来寻归宿
春华变苍颜
到处群魔乱舞
更有妖雾盘绕
暗道入阴间
过了阎王殿
险处不须看
风雷动
旌旗奋
忆人寰
八十三年过去
弹指一挥间
中原千军逐蒋
城楼万众检阅
褒贬满载还
世上无难事
只怕我癫痫
" = { a b c }
cla
Aha!
Thank you, I could have looked at that for a week without realizing it's
supposed to be a list of functions not a list of function calls.
-Tom
On Sun, Jan 3, 2021 at 7:46 PM Knute Snortum wrote:
> I think this is the correct syntax:
>
> rpt =
> #(define-music-functi
(ly:pitch?) (ly:pitch?)
#{
$note1 1 note2 1
#})
\rpt a bes
I was imagining I could use a function like this to generate groups of
sextets efficiently, with four notes input to make the groups of six and
making the arpeggio automatically. Perhaps barking up the wrong tree?
Thank you,
-Tom
, and I've been the
fortunate recipient of some good advice by others who knew I could use
it. I could pass on to you what I've learned, if it seems appropriate
after seeing your code.
Tom
On 12/8/20 12:38 PM, bart deruyter wrote:
Hello everyone,
I have a question which is not strictly
al sense they make it possible to do (in Clojure, anyway)
"unquote-splicing", obviating using something like `apply`, etc. But since
you're in a lilypond block, it's just not clear to me what is allowed there
in terms of interpolating scheme values.
Thanks again
Tom
On Sun,
xpanded, in the `apply` sense. I assume Guile has macros, like Clojure,
but I don't know how to use them yet. Would that path lead me to success
here, though?
Thanks
Tom
might talk about the design
choices made in putting Lilypond together that might compare and contrast
it with TeX? Lessons learned?
Thank you,
-Tom
Thank you. Had to hunt for "thumbBracket.ily", but this has the output I
want, even if I was hoping for simpler.
And thank you also for the arpeggiobracket suggestion. That might also work.
-Tom
On Wed, Sep 16, 2020 at 11:05 AM Mark Stephen Mrotek
wrote:
> Tom,
>
>
>
n brackets extending from the other clef, for the chord, as well as
little "L.H" marks. (Or "M.S." or "M.D." depending.) Is there a
Lilypond-canonical way to indicate this?
Thank you,
-Tom
David: That's great info! Thanks. --Tom
> On September 4, 2020 9:08 PM David Wright wrote:
>
>
> On Fri 04 Sep 2020 at 17:11:27 (-0400), Tom Swan wrote:
> > […] Yes, I do set the PATH (in my case in .bashrc)
>
> Not the best place, though many people will not
en I tried again, v2.0 hang
until I removed the older version. After that, v2.0 now runs correctly. (PS: I
installed to a private ~/bin folder that I use for various things.) Thank you
for your help getting me going. -- Tom
PS: Output of /usr/local/bin/lilypond is "No such file or directory"
On September 4, 2020 2:18 PM Kevin Barry wrote:
Hi Tom,
It looks like you might have two versions installed: 2.18 from apt and
I copied and executed script "lilypond-2.20.0-1.linux-64.sh" from the Downloads page. It seems to run but afterwards, "lilypond --version" still reports GNU LilyPond 2.18.2. What am I doing wrong? Also tried apt-get upgrade lilypond, which reports "lilypond is already the newest versio
I'm writing multiple pages of text and noticed that the bottom margin
wasn't being observed. I think it's because I'm placing the whole chapter
inside a \markup. I can't seem to find a cohesive explanation of \markup
all in one place. Likewise with \column, \line, \wordwrap, and \markuplist.
Explan
Thanks, all. The solution I arrived at thanks to your input looked like the
following:
#(define-markup-command (headerThree layout props text)
(markup?)
"Create a level 3 header"
(interpret-markup layout props
#{
\markup {
\column { \vspace #.5 \bold \sans { #text } \vspace #2 }
}
I want vertical space to occur after a heading. But it seems that the
following still puts the space before it, or am I going insane?
#(define-markup-command (headerThree layout props text)
(markup?)
"Create a level 3 header"
(interpret-markup layout props
#{
\markup {
\fontsize #1
\line \bold
continued reply... Re: accidentals, yes that will be necessary. Do you have an
idea about how to go about that?
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That worked perfectly! Thank you. I am not very familiar with lilypond
internals, but now I am also intrigued by your solution. I am determined now to
learn scheme. :-)
>
> Do you need lowercase numbers (i to vii) too? And how about accidentals?
>
I am comfortable with IVm7 or IV-7 but I am c
Hello. (Trying this again in plain text. Sorry for duplication but my previous
try didn't seem to go through.)
I need some help figuring out how to change chord names (C, F, G) into
intervals such as (I, IV, V). The short example below displays a timing diagram
for a melodic line, but I would
Hello. I need some help figuring out how to change chord names (C, F, G) into intervals such as (I, IV, V). The short example below displays a timing diagram for a melodic line, but I would also like to display the chords C7, F7 as generic intervals I7 IV7. Manually setting the text would okay --
than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~~~~~
Tom Cloyd, MS MA LMHC (WA) | t...@tomcloyd.com
Psychotherapist (psychological trauma, dissociative disorders)
Sp
g Lilypond program places real demands
on our attentional workspace.
Thus, I argue, NOT using Lilypond during the most creative part of
composition give us much more cognitive reserve, of both sorts, for
composing, including the part involving working without an instrument to
"hear'
?)
t.
~
“Fairy tales are more than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~
Tom Cloyd, MS MA LMHC (WA) | t...@tomcloyd.com
Psychother
ertainly do
continue after that.
Tom
~
“Fairy tales are more than true: not because they tell us that dragons
exist, but because they tell us that dragons can be beaten.” ~ Neil Gaiman
~~~~~~~
x27;t overlooked anything.
I am not looking for a new scheme function.
In the example of Kieren it is not clear to me what the added value is
of \transition in trapII and trapIII
Tom
---
Hi Tom,
I have a piece of music written in different transpositions.
I want to tran
I have a piece of music written in different transpositions.
I want to transform it to a piece in one transposition.
I have found \transposition to indicate the transposition of the
subsequent notes.
trap = \relative c'{ a \transposition f' c e g f bes \transposition
bes' c e}
It is used
I have a piece of music written in different transpositions.
I want to transform it to a piece in one transposition.
I have found \transposition to indicate the transposition of the
subsequent notes.
trap = \relative c'{ a \transposition f' c e g f bes \transposition
bes' c e}
It is used
Worked like a charm, Abraham. Thank you so much. That made my night!
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Can't figure out how to include # in a URL. When I do something like this:
\markup {
For more, see http://lilypond.org/doc/v2.18/Documentation/notation/
writing-rhythms#durations
}
I get the following message:
error: GUILE signaled an error for the expression beginning here
For more, see http:/
Thank you Matthew. This issue is way more complex than I anticipated. I will dig into the resources you referenced. So far, at least, d1:11.13 does what I need in the interim.On July 18, 2017 at 10:04 AM msk...@ansuz.sooke.bc.ca wrote:On Mon, 17 Jul 2017, Tom Swan wrote:Hi. How do I change the
Kieren -- Thank you! That's exactly what I was looking for and couldn't find in the library. I will certainly welcome the new chord name enhancements when available. -- TomOn July 18, 2017 at 8:06 AM Kieren MacMillan wrote:Hi Tom,Please don't quote an entire digest in your answe
ntents of lilypond-user digest..."Today's Topics:Re:MsLily - LilyPond Add-In for Word (Michael Rivers)Help changing chord names (Tom Swan)Re:Help changing chord names (Thomas Morley)Re:MsLily - LilyPond Add-In for Word (Helge Kruse)Re:MsLily - LilyPond Add-In for Word (Denton Thomas)Re:MsLily - Lil
Hi. How do I change the chord name to just D13, not D9 13, as in the following snippet? This is probably rudimentary, but I'm a bit rusty and just getting back into lp. Thanks. -- Tom \version "2.18.2"songChords = \chordmode { {d1:13} |} \score { << \new ChordNames { \so
ine, which is
not quite what I was after - I wanted to show exactly where (mid-bar) it
changes from one to the other. Marc's suggestion does what I'm after.
Thanks again,
Tom
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On Mon, 5 Dec 2016 at 12:14 wrote:
>
>
> Am 05.12.2016 12:38 nachm. schrieb Tom Cook :
>
> I've googled for this, and looked through the lilypond snippets
> repository, and can't find anything.
>
> I'm trying to insert instructions mixed up with lyric
each stanza, then 'Both' in half-way through, in a
way that doesn't count as a syllable and creates some extra space in the
notation.
Thanks for any advice.
Tom
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I didn't get any response to my request for advice on adjusting spacing between
a fretboard diagram and the associated staff. Does anybody have any suggestions?
I am stuck and need help with this. Thanks! Here is the snippet -- I would like
more space below the fretboard diagram and the staff, but
Hi Lily Friends! I would like to increase the space between the fretboard
diagram, used here to show a scale fingering, and the top of the staff. I have
tried \paper settings and various overrides with no results. Suggestions please?
Thank you! -- Tom
\version "2.18.2"
<<
\new
__
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
--
~
My life is full of mistakes. They're like pebbles that make a good road. ~
Ceramic artist Beatrice Wood,
Thanks for this thread. I'm find this of real interest to me, for several
reasons. I've had the question myself, and turned away from Git-engagement
because I couldn't "see the light". I'm off to read the blog post. Should
be interesting!
Tom
On Sun, Feb 15, 2015
vely.
I will also further investigate the rest of your corpus, to the extent I
can. You have much intrigued me. I, too, compose, but only for my
instrument. I'm intrigued by what you've written and I want to hear and
learn more.
Thanks again, so very much, for your generosity.
Tom
On 0
I have to say that I like this idea a LOT. Like Urs' suggestion too. Seems
like this should just be a part of the "package" - kind of an adjunct to
the exceptional documentation that has always been a part of Lily.
Tom
(classic guitar)
On Sun, Jan 18, 2015 at 4:58 PM, Tom Cloyd w
Stuart - you bet, will do. And if I detect problems, I'll do what you
asked in your previous email. I'm glad to do it. Will likely happen
later this evening.
Thanks for everything.
t.
On 05/02/2014 04:28 PM, V Stuart Foote wrote:
Tom,
When you get a chance, could you load
re playing is NOT what is actually heard - because of the capo.
But we, as instrumentalists, get to keep our sanity. Over time, this has
certain advantages. :)
Tom
--
~~~
Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St.
like : print number-of-book-pages
In the Internal Reference book I found the variable ly:paper-book-pages
But I have no idea how to use this function in the \paper context.
Tom
-
\version "2.18.0"
\paper{
print-first-page-number = ##t
oddFooterMarkup
as an indirect way to get the number of pages of a book.
Or is there a name for the number of pages of a book to be used in the
\paper{} context.
Tom
Eluze schreef op 20-1-2014 13:53:
Tom van der Hoeven wrote
Hi all,
If a label placed at the end of a book, it is not recognised in the
paper
Hi all,
If a label placed at the end of a book, it is not recognised in the
paper description.
If it is placed before the last score, it is recognised.
Is that correct?
Tom
-
\version "2.18.0"
\paper{
%#(define page-breaking ly:page-turn-breaking)
p
under 2.16 there were no errors in this
\version "2.16.2"
tom = "aap " + "noot"
\book {
\header { title = \tom }
\relative {a b c}
}
----
under 2.18 the expression tom = "aap
. "2.19"
I installed version 2.19 and that one worked.
I really could not imagine 2.18 was not working.
It works fine now and maybe what I did had something to do with it.
Thanks for the attention, Joram
Tom
Noeck schreef op 11-1-2014 16:42:
Hi all,
could someone else please look at t
\relative c' {
c d e f g a b c
}
test.log
# -*-compilation-*-
Verwerken van 'C:/Users/Tom/Desktop/test.ly'
Ontleden...
Interpreting music...
Voorbewerken van grafische objecten...
Zoeken naar het ideale aantal pagina's...
Muziek passend maken op 1 pa
After installing version 2.18 on Windows 7 (64bit) I was not able to
produce test.pdf.
It did however produce test.ps
I had to revert to 2.16
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On Wed, 8 Jan 2014, David Kastrup wrote:
Tom Yates writes:
On Wed, 8 Jan 2014, David Kastrup wrote:
You use \transposition to state the relation of printed to played music,
regardless of whether you are entering in concert pitch or printed
pitch.
You use \transpose to change the printed
inted pitch
without changing the rendered or real pitches.
thank you!
--
Tom Yates - http://www.teaparty.net
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d.
Am I going about this the wrong way? Should I go back and re-enter all my
parts in printed (ie, transposed) pitch?
--
Tom Yates - http://www.teaparty.net
[1]
http://lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#instrument-transpositions
_
I keep an offline copy of the Lilypond manual; is there a way to
use GIT or similar to just update my copy without having to
download a 200+ MB tarball each time?
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On 12/31/2013 03:42 AM, Nick Payne wrote:
On 31/12/13 07:51, Federico Bruni wrote:
2013/12/30 Tom Cloyd <mailto:tomcloydm...@gmail.com>>
Now that Ly 2.18.0 is out, those of us who use Frescobaldi need
to update the manuals it refers to in its Documentation Browser tab.
No
/Documentation/web/manuals.html"
I do get the 2.18 documentation in a browser, so it IS there.
I'm just trying to get Frescobaldi to show documentation that isn't
dependent on the Internet.
Any suggestions would most welcome!
Tom
Hav
On 12/30/2013 05:13 PM, David Kastrup wrote:
Noeck writes:
Am 31.12.2013 00:35, schrieb Eluze:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
I can confirm this using version 2.18.0 (both within Frescoba
...on Kubuntu Linux 13.10.
t.
On 12/30/2013 04:35 PM, Eluze wrote:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
Didn't quite expect THAT!
sorry I have to ask that - which version are you using
So sorry - a lapse. I'm running 2.18.0.
t.
On 12/30/2013 04:35 PM, Eluze wrote:
Tom Cloyd-2 wrote
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
Didn't quite expect THAT!
sorry I have to ask that - which versi
ubers
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Tom Cloyd, MS MA (LMHC, WA State)
Cedar City / St. George, UT, U.S.A: (435) 272-3332
* << t...@t
Surely the least urgent problem of the day(!):
Running convert-ly (from Frescobaldi) on a score, I get this at the top
of the code:
\version "2.17.97"
Didn't quite expect THAT!
I assume this is (a) an updating oversight, and (b) therefore not a
pr
te so this question is answered right there.
Tom
http://www.lilypond.org/doc/v2.17/Documentation/usage/invoking-convert_002dly
gives instructions for converting files.
My command prompt comes up as
C:\users\Owner>.
Should I then complete it to be
C:\users\Owner> convert-ly --e *.ly?
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