At 13:24 3-1-05, you wrote:
It's much easier to help if you send the .ly file, not only the
resulting output.
but of course.
The piano piece I was typesetting has become a work for two piano's instead
of one.
The excerpt below essentially has the same problem as I had before but now
spread over t
Hi list,
I'm typesetting a polymetrical piece for 2 pianos, in which Piano 1 has a
different timesignature than Piano 2.
I need to make a score in where one pianopart below the other. This works
very well by changing the timing_engraver from the Score context to the
PianoStaff context, there's o
Hi Erik,
I had the same problem, but solved it as follows:
in jEdit go to
Plugins > Plugin Options > select Sidekick
change that slidable thingy under the line 'after last keystroke, wait
(seconds):' to 3 seconds,
and that other slidable thingy to 1.5 seconds.
If the 'immidiately complete if possi
Hi group,
I'm typesetting a piece for piano, in which the righthand has most of the
time a different timesignature than the lefthand. This works great by
chaning the timing_engraver from the score_context to the staff_context,
but the problem is this:
the default bartype is dotted, but when the
I use Lily mainly for typesetting my own compositions & making examples in
essays (using lilypond-book) for my conservatoire (I'm a student).
___
lilypond-user mailing list
[EMAIL PROTECTED]
http://lists.gnu.org/mailman/listinfo/lilypond-user
the settings are
different at line ends, line starts and in the middle of the line.
If you just want to do the setting once using \once in a score, you
can save some lines by using the trick in input/regression/ambitus.ly.
/Mats
Erik Sandberg wrote:
On Tuesday 27 July 2004 22.28, Thorkil Wol
Woohoo!
The problem's solved, thanks Erik!
Thorkil
At 13:19 28-7-04, you wrote:
On Tuesday 27 July 2004 22.28, Thorkil Wolvendans wrote:
> Hi everyone!
>
> At a certain point in a composition, I try to make a new clef appear after
> the barline instead of before, without a positiv
Hi everyone!
At a certain point in a composition, I try to make a new clef appear after
the barline instead of before, without a positive result.
Is it possible in Lily to achieve this? I searched the docs, but couldn't
find an answer.
Thanks!
Thorkil
lily222/cygwin
Hi Graham!
At 07:44 26-7-04, you wrote:
So far I've faked it by writing "viola tunes C to B" and the like, but you
_can_ do it better than that. In the recent devel version, you can now
include scores in markup. See input/test/markup-score.ly
Yes, I noticed that -- it looks neat!
But since I ne
hi group!
I checked the docs as well as the archives, but couldn't find an answer to
the following question:
is it possible to make a scordatura? I did find how to make a
keysignature-scordatura, and tried to manipulate the code in order to make
it work with notes instead of keysignatures, but w
(this must start to look like spam! I'm sorry: THIS is the correct file --
I'm too tired I guess! )
(to compile the score, please use this file, since the previous email
doesn't contain the \f symbol which causes problems...stupid me!)
Hi everyone!
I'm staring at my source-file for 2 hours now,
(to compile the score, please use this file, since the previous email
doesn't contain the \f symbol which causes problems...stupid me!)
Hi everyone!
I'm staring at my source-file for 2 hours now, and can't find the result to
the problem: the forte symbol refuses to appear at the beginning of the
Hi everyone!
I'm staring at my source-file for 2 hours now, and can't find the result to
the problem: the forte symbol refuses to appear at the beginning of the
score. For some odd reason, the symbol shows up at the next bar, when I
want it to show up in the first. Now, this only happens in the
At 15:27 11-6-04, you wrote:
Thorkil Wolvendans wrote:
>> Thanks for the link. Strangely the email doesn't appear to be there
>> in my archive. Oh well!
>> I have to admit that I'm a fairly LaTeX novice, and I haven't got a
>> clue how to incorporate t
ciate any help (I need this for an exam).
Regards,
Thorkil
At 07:23 11-6-04, you wrote:
On 10-Jun-04, at 6:24 PM, Thorkil Wolvendans wrote:
My question is: is it possible to show the sixteenth and quarter note in
LaTeX? (I suppose I should use the feta-font somehow)
This should point you in the righ
Hi group!
In Latex I'm writing performing instructions. At a certain point I write:
(...) ought to be played at tempo [sixteenth note here] = 368 ([quater note
here] = 92).
My question is: is it possible to show the sixteenth and quarter note in
LaTeX? (I suppose I should use the feta-font someh
Hi Mr. Fulk,
I think I have an idea what you may have done wrong. This is what you write:
lilypond-book --output=out\ filename.tex
cd out
latex filename
dvips -Ppdf -u +filename filename
ps2pdf filename.ps
In the fourth line, you shouldn't write
dvips -Ppdf -u +filename filename
but
Hi Jean-Marc,
The problem you face here, is due to the fact that lily doesn't print the
text, but let's LaTeX do the printing. The '&' symbol is a reserved symbol,
which means that it has a special function in LaTex. To get the '&' symbol
printed one has to place a \ right before the '&' symbol.
Hi Ed & everyone!
At 19:17 24-5-04, you wrote:
I haven't ever seen, or heard of, triplets going over a bar line (except when
I got Lilypond to do it on my school assignment by mistake).
I attached an example from the book "Music Notation in the 20th Century" by
Kurt Stone. It gives a nice example
How stupid of me!
I corrected it and everything works as it should.
Thank you very much, Michael.
Regards,
Thorkil
At 04:46 12-5-04, you wrote:
Thorkil Wolvendans <[EMAIL PROTECTED]> writes:
> Hi group!
>
> Lily allows us to engrave music for two pianos, correct? I believe I
&
Hi group!
Lily allows us to engrave music for two pianos, correct? I believe I did
everything correct to make lily print two piano staves, but instead of
showing 2 piano staves, it only shows piano staff 2. I must have made a
silly mistake, but I can't find it.
Could someone be so kind as to lo
Hi Steve,
At 19:58 15-4-04, you wrote:
I'm attempting to load Lilypond on Windows 98. When trying to download
and process the test.ly file, I received several error messages from
windows, then finally the pdf viewer said the file couldn't be opened
because it didn't exist. Any ideas?
I know
At 19:28 27-3-04, you wrote:
Section 3.2 - typo in example before Predefined commands?
Documentation indicates s suffix is used for sharp in English.
Documentation indicates es or as suffix is used for flat in Dutch.
Example has es' and as' shown as flats for E and A (above middle C).
I would have
Hi list!
I was just wondering: what would happen if you publish a work at Mutopia of
which you think is in the public domain, but there are copyright's you've
missed (for instance editor copyright's which haven't expired yet). Does
anyone have an idea what would happen? Would you be summoned to
Hi there!
I'm not very experienced with this command but I'll give it a try:
If I understand this command correctly, it'll tell Lily how far away from
the notehead or stem the slur will start or end.
For instance, if this is the command:
\property Voice.Slur \set
#'attachment-offset = #' ((1 . 0)
t;paper16.ly"
\paper { papersize = "a4" }
%\version "1.8.2"
%date 02/10/03
\include "nederlands.ly"
\header {
title = "Hana-Bi"
% subtitle = " "
% subsubtitle = " "
% dedication = " "
composer = "Thorkil Wolvendan
"
subtitle = " "
subsubtitle = " "
dedication = " "
composer = "Thorkil Wolvendans"
opus = "Opus X"
copyright = "Copyright (c) 200X Thorkil Wolvendans"
tagline = " "
source = "Urtext"
enteredby =
Hi there!
I'm currently working on a piece which uses dashed barlines (like normal
barlines, but dashed...okay, this sounds stupid...). I couldn't find
support for dashed barlines. Is there some way to hack it?
Regards,
Thorkil
___
Lilypond-user mail
At 02:49 18-9-03 +0200, you wrote:
See 1.9 CVS:
* Quarter tones are now supported. They are entered by suffixing
`ih' for a half-sharp and `eh' for a half-flat. Hence, the
following is an ascending list of pitches:
ceses ceseh ces ceh c cih cis cisih cisis
That's great! Th
At 12:57 17-9-03 +0200, you wrote:
The point isn't what symbols to use (designing them isn't so
difficult), but how to represent them internally. If we change that,
we will break a lot Scheme and C++ code. That is is inevitable, but
I'd rather get it right for once and for all.
I think what you sug
At 00:11 17-9-03 +0200, you wrote:
My real problem is: where does it end? We can add quarter tone
accidentals by doubling the alteration field,
we now have
0 = natural,
1 = sharp
2 = double sharp.
We could do
0 = natural
1 = 1/2 sharp
2 = sharp
3 = 3
Hi everyone!
I checked the Lily-documentation but couldn't find anything about it:
quater-tones. Is it possible to make a 'Tartini one quarter sharp' or a
backward flat (as described in Kurt Stone's 'Music notation in the 20th
century', page 68-69, paragraph 3)?
If it isn't possible, is or could
At 12:24 13-9-03 +0200, you wrote:
Heikki recently posted a patch (to -devel, I think) to get a proper
"G^15" clef.
Hmm... I use Lily with Cygwin... can you tell me if it's possible to use
that patch with cygwin, and if so, how to get and install that patch?
Regards,
Thorkil
_
(in fact, if you only want a small number of physical copies of this,
you could solve #1 by writing "15va" by hand! :)
That's an idea...but it's in for a contest, so it has to look very neatly
(and there's no software neatlier than LilyPond! :D)
Hmm... well I'll have a thought about what I'm goi
At 13:02 12-9-03 -0700, you wrote:
You can certainly make a "15va" spanner. Do you want an actual
clef (which I've never seen before), or just a "two octaves higher" section
in your music?
Yes, I want to make an actual clef. I believe I saw it in a composition
somewhere (I think an etude by Crame
Hi everyone,
I try to do the following in LilyPond 1.8.1:
\clef "treble^15"
but this seems to be an unknown clef type.
Is there someway to fake it?
Thanks!
Thorkil
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/list
Thanks Graham! The tips worked!
One general comment -- since you're in 3/4 time, Lilypond should automatically
beam in quarters. There's no need to do [a8 b] [c d] everywhere. That might
improve the readability of your scores. :)
Well, at first I didn't use the brackets, but for some reason Li
Hi,
I just wanted to say that I installed Lilypond 1.8.1-12 for Windows, and
that it works... deliciously!
Cheers,
Thorkil
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
r {
title = "Valse Mélancolique"
subtitle = "Nº 1"
composer = "Thorkil Wolvendans"
}
upper = \notes\relative c'' {
\key bes \minor
%measure 1-16
bes'2( c8 des | c2 bes4 | a2.~ | )a |
bes2( c8 des | c2 be
Hello everyone!
I just installed Lilypond 1.8 (cygwin edition), and tested 'Petite
Ouverture a Danser' with it (example file on the website). Now, it seems to
work allright, but it doesn't make a pdf file. Could it have something to
do with Latex? When installing from the cygwin setup program, I
installing.html
/Mats
Thorkil Wolvendans wrote:
Hi there!
Yesterday I posted a problem I have with Lilypond when I try to compile a
lilypond-file to a pdf-file.
Someone asked me to post the list with errors togheter with the
test-file, so here it is.
The problem is this: at the Lilypond-we
at they'll say about the quality of Lilypond!
Once again, I hope I did something silly and I hope you can help me out.
With kind regards,
Thorkil Wolvendans
Oh wait...before I forget, I use:
Windows 98 Second Edition
Lilypond 1.6.11
and all these things that were necessary to run Lilypond
ng: can't find file: `linewidth'
warning: can't find file: `-H'
warning: can't find file: `unit'
warning: can't find file: `test'
warning: no LilyPond output found for `test'
Running LaTeX...
Running dvips...
error: dvips: command exited with value 256
Traceback
43 matches
Mail list logo
