m.
>
> On 20 Oct 2012, at 00:15 , Nick Payne wrote:
>
> On 20/10/12 08:58, Steve Yegge wrote:
>
> I would like this:
>
>\times 2/3 { c16 c c c c c }
>
> to render with two beamed groups of three notes each, with the two
>
I would like this:
\times 2/3 { c16 c c c c c }
to render with two beamed groups of three notes each, with the two groups
connected by a single beam, like so:
c c c c c c
| | | | | |
= =
I have tuplet numbers and brackets set to transparent.
I tried #set subdivideBeam
In upgrading from v2.13.15 to 2.13.40 I noticed the Emacs
syntax highlighting for sharped/flatted notes broke. Notes such as:
fis
bes
\include "english.ly"
fs
bf
all have only the first letter highlighted in the note face.
The problem seems to be that lilypond-words.el no longer has the
spellin
On Thu, Nov 25, 2010 at 1:34 PM, Jan WarchoĊ <
lemniskata.bernoulli...@gmail.com> wrote:
> 2010/11/25 Steve Yegge
>
>> I bit the bullet and went through all 100-odd guitar music publications
>> I've
>> collected over the years, from publishers around the wor
On Wed, Nov 24, 2010 at 11:26 AM, Marc Hohl wrote:
>
>> Thanks; I'll try it. How do I turn off the little "8" symbol by the clef?
>>
> Why do you want to remove it? This is the standard way of guitar notation.
>
I bit the bullet and went through all 100-odd guitar music publications I've
collec
gical enough.
Thanks for the patch -- you've fixed the biggest problem in my
150-page pile of arrangements!
-steve
On Wed, Nov 24, 2010 at 7:56 AM, Steve Yegge wrote:
> Hi Marc,
>
> I've tried out your patch and it works like a charm!
> Unfortunately it seems to be happ
Hi Marc,
I've tried out your patch and it works like a charm!
Unfortunately it seems to be happiest in absolute pitch mode.
When I switch to relative mode it yields unexpected results.
I've modified your harmonic-test.ly to demonstrate the issue.
\include "./harmonic.ly"
test = {
e,4
\harmonic
On Wed, Nov 24, 2010 at 7:00 AM, Carl Sorensen wrote:
> On 11/24/10 7:51 AM, "Steve Yegge" wrote:
>
> > After reading Marc's responses I think I see where I may have
> > sewn some confusion. I have conventional string numbers in the
> > non-tab staff
Hi Marc,
On Tue, Nov 23, 2010 at 11:28 PM, Marc Hohl wrote:
>
>> Just for clarification: as the guitar is notated one octave above its
> sounding pitch,
> I use the following template:
>
> \score {
> \new StaffGroup <<
>\new Staff {
> \new Voice { \global \clef "treble_8"
>
or two separate audiences. At some point I'll
be looking into compiling them separately, but for now I show
both staffs on each page.
So I can't just turn off string numbers as a workaround for this issue.
Sorry for not being clearer about that,
-steve
On Tue, Nov 23, 2010 at 9:25 PM,
On Tue, Nov 23, 2010 at 12:39 AM, Marc Hohl wrote:
> Am 23.11.2010 08:37, schrieb Steve Yegge:
>
>> Hi all,
>>
> Hi Steve,
>
>>
>> 1) Setting fixed strings to use for ascending/descending chords.
>> Currently it's nontriv
itar music. But there are lots of situations it won't
cover, so I think having a more general mechanism would also be
very useful.
Thanks,
-steve
On Tue, Nov 23, 2010 at 1:09 AM, Patrick Schmidt wrote:
> Hi Steve,
> Am 23.11.2010 um 08:37 schrieb Steve Yegge:
>
>
> Hi all
On Tue, Nov 23, 2010 at 10:16 AM, Carl Sorensen wrote:
> On 11/23/10 12:37 AM, "Steve Yegge" wrote:
>
> > Hi all,
> >
> > The TabStaff is amazingly cool. I'm not a big tab user myself,
> > but for people who want tabs, LilyPond makes it easy to a
Hi all,
The TabStaff is amazingly cool. I'm not a big tab user myself,
but for people who want tabs, LilyPond makes it easy to add them.
I've been busily adding tabs for a few months and have some feature
requests to put into the queue if possible.
1) Setting fixed strings to use for ascending/
I've got a text spanners with a relatively long string for its
#'bound-details #'left #'text property, and the spanner spans
several line breaks. The result is something like
long spanner text ... \break
long spanner text ... \break
long spanner text ..
whereas I'd pr
On Fri, Nov 5, 2010 at 6:54 AM, Carl Sorensen wrote:
> On 11/4/10 8:36 PM, "Steve Yegge" wrote:
>
> > These warnings begin to accumulate as I add calls to set the minimumFret.
> > It seems to be related to the transposition calls I'm doing as well,
> since
&g
I've been getting hundreds of these warnings in each of my music files:
warning: MIDI channel wrapped around
warning: remapping modulo 16
These warnings begin to accumulate as I add calls to set the minimumFret.
It seems to be related to the transposition calls I'm doing as well, since
removing t
I'd like to do something like this:
#(define baseTempo 50)
...
\tempo 4 = #baseTempo
...
\tempo 4 = #(* 2 baseTempo)
Is there a succinct way to do it?
Thanks,
-steve
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Thanks -- I didn't know about this list but I'll subscribe.
And of course I meant the 3rd harmonic. Silly me.
-steve
On Fri, Sep 17, 2010 at 12:37 AM, Patrick Schmidt wrote:
> Hi Steve,
> Am 17.09.2010 um 08:37 schrieb Steve Yegge:
>
>
> For a 5th harmonic, the TabSt
For a 5th harmonic, the TabStaff automatically chooses the 19th fret rather
than the 7th fret. For instance:
music = {
<<
\relative c' { \harmonicsOn b'1\6 \harmonicsOff }
>>
}
\score {
<<
\new Staff { \music }
\new TabStaff { \transpose c c, { \music } }
>>
}
Is there a way
hnical reason that it wouldn't work,
then I can certainly figure it out and tackle it that way.
Thanks for any advice here.
Steve Yegge
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On Mon, Apr 20, 2009 at 3:12 PM, Mark Polesky wrote:
>
> Steve Yegge wrote:
> > I tried
> > \override SustainPedal #'transparent = ##t
> > with no luck. Any suggestions?
>
> try
> \override Staff.SustainPedal #'transparent = ##t
>
Ah, that did
Hello,
I'd like to be able to add invisible \sustainDown and \sustainUp
instructions to a guitar piece I'm working on, so that the MIDI
output uses the sustain, but no sustain stuff appears in the score.
(For these arpeggiated chords, the sustain is implicit.)
I tried
\override SustainPedal #'
(ly:music?)
> (set!
> (ly:music-property note 'tweaks)
> (acons 'style 'cross
> (ly:music-property note 'tweaks)))
> note)
>
> \relative c' {
> 8
>
>
>
>
>
>
>
>
>
Hello,
In flamenco and bossa-nova guitar music it is quite
common to damp some (but not all) strings with the
left hand while strumming. The standard notation for
this is to have cross-noteheads on the damped strings
and normal noteheads on the strings that should ring.
Lilypond makes it extreme
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