On 31/08/14 12:47, Pierre Perol-Schneider wrote:
See also :
http://lilypond.1069038.n5.nabble.com/Ossia-staff-is-too-long-when-a-key-change-happend-td165937.html
Cheers,
Pierre
Thanks a lot for the suggestions! My ossia contains a ChoirStaff and at
least one linebreak, so I can't have it as
Dear List,
If right after an ossia there is a key change in the other parts, the
staff of the ossia extends with the length of the key signature. See
below for an example. I can't figure out how to make the ossia stop
right at the bar line.
I tried to do \set Staff.explicitKeySignatureVisibi
On 11/9/13 10:59 PM, Peter Van Kranenburg wrote:
Dear list,
In this example:
-
\version "2.16.2"
\score {
\new Staff \with { \override StaffSymbol #'thickness = #2.0 } {
\relative c'' { g16 a bes c } }
}
-
The beam does not overlap the stems of the n
attached png). It should start at the left of
the first stem and end at the right of the last stem rather than in the
center of both.
Could someone advise me on how to extend the beam a little to the right
and to the left?
(I need thick lines for engraving the music in a stone).
Than
On 10/29/12 6:13 PM, David Kastrup wrote:
writing
\paper { paper-width=110\mm }
\score { { c4 c4 c4 c4 } }
and using
lilypond -dresolution=1200 --png
I get an image with 5197 pixels width, which is to a pixel exactly what
was demanded. So perhaps you need to check what throws a spanner in
your w
Dear all,
I have to provide a bitmapped image to a publisher:
1200dpi, width: 11cm. It only contains one system.
This implies a width of (11.0/2.54)*1200.0 = 5196 pixels.
I followed the directions from the 'usage' manual, and I put this on top
of my source file.
\paper{
indent=0\mm
line-
tst.ly'
Parsing...
Interpreting music...
MIDI output to `tst.midi'...
programming error: Going back in MIDI time.
continuing, cross fingers
programming error: Going back in MIDI time.
continuing, cross fingers
success: Compilation successfully completed
Is this my fault? What to do about it?
tha
On 1/9/11 4:02 AM, Carl Sorensen wrote:
On 1/8/11 5:08 PM, "Peter Van Kranenburg"
wrote:
Dear all,
Consider the following example (adapted from the manual):
\version "2.13.44"
\relative c'' {
\time 3/16
\set Timing.beatStructure = #
Dear all,
Consider the following example (adapted from the manual):
\version "2.13.44"
\relative c'' {
\time 3/16
\set Timing.beatStructure = #'(2 1)
\set Timing.beamExceptions =
#'( ;start of alist
(end . ;entry for end of beams
(
On 1/9/11 12:21 AM, Xavier Scheuer wrote:
You need to clear beamExceptions also.
\set Timing.beamExceptions = #'()
Most automatic beaming settings for a time signature contain an entry
for beamExceptions. For example, 4/4 time tries to beam the measure in
two if there are only eight
is code is accepted by Lilypond, but the eights are still beamed in
groups of four. What am I doing wrong?
I'm using 2.13.44
Thanks,
Peter van Kranenburg
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On 1/4/11 10:01 PM, Carl Sorensen wrote:
On 1/4/11 6:56 AM, "Peter Van Kranenburg"
wrote:
Hello,
How can I center text vercially between the staves of a PianoStaff?
The two way's I can find in the learning manual (using lyrics and
defining a Dynamics context, section
rds,
Peter van Kranenburg
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est,
Peter
On Sun, Jan 2, 2011 at 3:14 PM, Peter Van Kranenburg
wrote:
On 1/2/11 3:55 PM, James Bailey wrote:
minor change since you said you needed a final barline:
\version "2.12.3"
\layout {
\context { \Score \remove Timing_translator \remove Bar_number_engraver
}
\c
On 1/2/11 3:54 PM, Neil Puttock wrote:
On 2 January 2011 13:33, Peter Van Kranenburg
wrote:
At the beginning of the music I do: \set Timing.defaultBarType = ""
So, I set the music with meter - providing lilypond many good points to
insert line breaks - and I make all barlines empt
On 1/2/11 3:55 PM, James Bailey wrote:
On Jan 2, 2011, at 3:23 PM, Peter Van Kranenburg wrote:
On 1/2/11 3:03 PM, Sven Axelsson wrote:
On 2 January 2011 14:33, Peter Van Kranenburg
wrote:
Dear list,
I'm typesetting unmetered music. My question is: what is the right (or best)
approa
your Bach article in CIM 15, btw; nice work!
Thanks.
Looking forward to meet you in Aberdeen.
Best regards,
Peter
Regards,
Frauke
On Sun, Jan 2, 2011 at 1:33 PM, Peter Van Kranenburg
wrote:
Dear list,
I'm typesetting unmetered music. My question is: what is the right (or best)
app
On 1/2/11 3:09 PM, Sven Axelsson wrote:
You can also \remove "Time_signature_engraver" in the \Staff context
if you don't want the invisible time signature to take up space.
Thanks. That looks better indeed.
best,
Peter
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On 1/2/11 3:03 PM, Sven Axelsson wrote:
On 2 January 2011 14:33, Peter Van Kranenburg
wrote:
Dear list,
I'm typesetting unmetered music. My question is: what is the right (or best)
approach to do so?
If I set Score.timing to false, I have to insert \bar "" everywhere
part
is where the bar lines are when they are not empty. The space before the
final note is really bad).
I tried to set the next-note distance to 0 in the space-alist of
barline, but that didn't remove all horizontal space.
Is there a better way to do this?
Thanks in advance.
Best,
Pe
On 6/18/10 4:08 PM, Arle Lommel wrote:
Dmytro, how well defined are the contexts where these occur? If the patterns
are well enough defined, you could probably automate all the replacements with
\partial by using a regular expression across all the files that is centered on
looking for the s2
On 6/18/10 3:19 PM, Dmytro O. Redchuk wrote:
I've found http://lsr.dsi.unimi.it/LSR/Snippet?id=333 and tried this:
%-8<-
stopThisMeasure = \applyContext
#(lambda (x)
(ly:context-set-property!
(ly:context-property-where-defined x 'measurePosition)
On 6/18/10 2:10 PM, Dmytro O. Redchuk wrote:
Is it possible to set the measurePosition to the measureLength
manually? I am lacking lisp skills. How to access
Timing.measurelength? This does not work:
\set Timing.measurePosition = Timing.measureLength
Looks like " " would do.
Only for meters
On 6/15/10 11:34 PM, Peter Van Kranenburg wrote:
Thank you. That triggered the right solution. r4*0 does not work. The
rest collides with the following note. But, s4*0 works for me. And that
is exactly what I need. I have around 1000 melodies in which partial
measures were solved by inserting
On 6/15/10 10:05 PM, Kieren MacMillan wrote:
Hi Richie,
\skip and s consume score time, but both print some horizontal space.
How can I insert an invisible rest that does not take horizontal space?
I searched the manuals and snippet repository, but no clue...
Use
r4*0
You may have to put
Hi all,
\skip and s consume score time, but both print some horizontal space.
How can I insert an invisible rest that does not take horizontal space?
I searched the manuals and snippet repository, but no clue...
Thanks!
Peter van Kranenburg
= #(ly:make-moment -1 4)
%\partial 4*1
a,4 | d4. e8 f4 g
}
>>
/Mats
Peter Van Kranenburg wrote:
Hello all,
Why isn't the \partial working in the code below?
I get:
/Users/pvk/tmp/polymeter.ly:20:3: warning: barcheck failed at: -1/8
d8
| d4 f8 a
/Users/pvk/tmp/polymeter.ly:25:4
is ok.
thanks in advance,
Peter van Kranenburg
\version "2.12.1"
\layout {
\context {
\Score
\remove "Timing_translator"
\remove "Default_bar_line_engraver"
}
\context {
\Staff
\consists "Timing_translator"
\consists "Default_bar_line_engrave
Neil Puttock wrote:
Hi Peter,
2008/11/19 Peter Van Kranenburg <[EMAIL PROTECTED]>:
I would be grateful if somebody could tell me how to rotate long strings
without shifting them to the right.
Try this:
\override TextScript #'self-alignment-X = #LEFT
That works great. Thanks
hift. When there
are more digits (e.g. the "0.630947"), the shift is so big that the
number is below the next note.
I would be grateful if somebody could tell me how to rotate long strings
without shifting them to the right.
Thanks in advance!
Peter van Kranenburg
\vers
Hello all,
When I do
#(override-auto-beam-setting '(end * * 3 4) 1 4)
in safe mode, I get the following error:
Parsing...ERROR: Unbound variable: override-auto-beam-setting
Is there a solution for this?
thanks,
Peter van Kranenburg
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Peter Van Kranenburg wrote:
Something like
\markup { \wordwrap-string #" blah \italic { blah } blah"}
doesn't work. From the documentation I could not figure out how to
create a paragraph of text in which markup is possible. Does someone
have a solution for this?
I was t
Something like
\markup { \wordwrap-string #" blah \italic { blah } blah"}
doesn't work. From the documentation I could not figure out how to create a
paragraph of text in which markup is possible. Does someone have a solution for
this?
Thanks in advance,
Peter
n g'1:16
\override StemTremolo #'beam-thickness = #0.2
\override StemTremolo #'beam-width = #2
\override StemTremolo #'length-fraction = #0.7
\override StemTremolo #'Y-offset = #-0.4
\stemUp g'4:16
}
---------
Adj
pt for the distance between the slashes.
They should be a bit closer together.
regards,
Peter van Kranenburg
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Fairchild wrote:
Peter -
Sorry, I haven't deduced how postscript determines 0, 0. Likely what you
want can be done with Scheme
That's what I'm gonna try, indeed.
Nevertheless, many thanks for the suggestions.
Peter
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Fairchild wrote:
Peter -
Tune to suit.
Thanks. After some tuning, I got the desired result indeed.
There are, however, some questions left. With this solution, I have to
define two macros for each pitch, one for stem up and one for stem down.
Besides this, the direction of the stem must be
This doesn't satisfy me. The vertical space between the dashes is too
large. Especially when the stem is short (as is with the bes in the
above example). I can't find a parameter to control this distance.
Can someone give me a suggestion how to
ng. I don't understand this difference.
regards,
Peter
--
Peter van Kranenburg MA MSc
Ph.D. Student WITCHCRAFT Project
Department of Information and Computing Sciences
Utrecht University
Visiting Address:
Meertens Instituut
Room 0.54
Joan Muyskenweg 25
1096 CJ Amsterdam
Netherlands
Post
Addition:
If lilypond is run from a local account, everything is ok. Then the
font-cache file contains the proper contents. So, it has something to do
with the creation of the font-cache on a network account.
regards,
Peter
Peter van Kranenburg wrote:
Hi
When typesetting a score using
.lilypond-2.8.5-font.cache-1 in my homedir is empty.
Maybe this has somthing to do with it?
Lilypond 2.8.5-1
Mac Os X 10.3.9
PowerPC G4 1.25 GHz
My homedir is on a network drive, lilypond is installed on the local harddisk.
Thanks in advance,
regards,
Peter van Kranenburg
--
Peter van Kranenburg MA MSc
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