Hi,
Am I the only one who is sad to see Issue 34 at low priority?
I guess it's about the bug mentioned at the bottom of:
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Grace-notes
I write a lot of scores with drum flams (*) and this bug makes it a lot
harder to write and maintain.
I usually maintain a seperate section defining the score from the
different voice, which I edit when I need a different extract.
However... this editing of the score file is tedious. Why not add a
feature to lilypond where you can select to "mute" certain staffs or
voices with a command line
Hi,
I've seen many references to an MusicXML->Lilypond converter, and Lily
does AFAIK include one now.
But I can't find any mention of a Lilypond->MusicXML engine. Have I
missed something?
Anyway.. I assume such does not exists. I was wondering if I could
implement one my self with out knowing to
Hi,
Is there a good reason, that I just don't know of that the two tuplets
below do not give the same result?
Peter
==
\version "2.6.3"
\paper {
raggedright = ##t
}
\new DrumStaff <<
\new DrumVoice {
\drummode { \times 2/3 { \grace sn8 sn8 sn sn
Han-Wen Nienhuys wrote:
>> I'm trying to figure out how to allign a group of accents, so they
>> appear at the same vertical position. This code shows the problem not
>> solved:
>
> is this customary in drum notation?
Don't know... but I have a drummer asking me how to do it, and I agree
that it
Hi,
I'm trying to figure out how to allign a group of accents, so they
appear at the same vertical position. This code shows the problem not
solved:
===
\version "2.6.3"
\paper {
raggedright = ##t
}
\new DrumStaff <<
\new DrumVoice {
\drummode { hh-> hho-
Han-Wen Nienhuys wrote:
>
> Hello everybody!
>
> In the last weeks, there has been talk on repeating ties in second
> endings of repeats automatically. This is a sponsorship under the "Small
> feature" regime, so I would like to put it up for 130 EUR (incl VAT for
&g
Roland Goretzki wrote:
> Hi at all,
>
> since many weeks now I would like to use lilypond 2.6.x on my debian
> system, but with autopacke there was a problem concerning the guile
> version.
>
> Now, after completely new installing a clean debian sarge 3.1 system
> (from printemps 2004) there stil
David Bobroff wrote:
> I'm helping a colleague prepare a trombone method book (the first such
> to be prepared in Icelandic).
I play trombone... ok ... more relevant. I know what kind of charts you
talk about :)
> This is probably not strictly a LilyPond question. I suspect I'll need
> some La
Abbey Lincoln-GLMA001 wrote:
> I just started using LilyPond to notate drumset music. It's working
> very well for me so far. But I can't figure out how to do two things:
>
> 1. Put a rehearsal mark at the beginning of the first bar ("[A]"), and
In my expericene it's best to put rehearsalmark
Mats Bengtsson wrote:
> Increase the padding, see
> http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypond/Common-tweaks.html#Common-tweaks
I guess, I tried to increased the padding for the wrong object
(TextScript).
> See
> http://lilypond.org/doc/v2.6/Documentation/user/out-www/lilypo
Hi,
I was preparing a short demo template for a friend of mine on how to
organize a score with Lilypond to make it easy to extract different voices.
But I keep struggling with placing makrup like "DC al Fine" correct. I
want it below the staffs.
There are two problems (file attached):
1) I gets
Hi,
When using \book I can see from the docs that it is normally used to
output a set of pieces. However... I would like to use it to output
first the score and then notation for the individual instruments to hand
out. (is this a wrong application of \book ?)
However... I've found the following p
Werner LEMBERG wrote:
> While writing scores with LilyPond I've mixed up \time and \times
> again and again.
>
> Thus I have the following suggestion: Make a new command `\tuplet',
> which is an alias of \times and deprecate the latter.
Yeah... I've noticed the same potential confusion.
Peter
Hi,
Are there any way to get the tremolo strokes on a beamed note to NOT
align with the beam?
Peter
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[EMAIL PROTECTED] wrote:
> Instead of sitting and listening several time to learn and play a music from
> CD's of own choice, is there any software available in the music industry
> to generate notation and chords and that can be printed in sheet music form
> (at least the lead instruments)
Han-Wen Nienhuys wrote:
> The cheaper option is to write the people that recorded the CD and ask
> them for music. If you give them enough money, they might consider the
> request.
Yes... that's probably the cheapest way in terms of both time and money.
But that said, there exists software which
Peter Mogensen wrote:
> Mats Bengtsson wrote:
>
>>Read the NEWS in the documentation for version 2.6.
>
>
>
> Unless I'm mistaken \stopStaff \startStaff doesn't stop output of notes.
> Only the staff-lines.
>
> To use this, it would require to insert
[EMAIL PROTECTED] wrote:
> Dear Sir/madam,
>
> I am an entry level keyboard player (Not professional). I hope you can help
> me to answer my question.
>
> Instead of sitting and listening several time to learn and play a music from
> CD's of own choice, is there any software available in t
Han-Wen Nienhuys wrote:
> Peter Mogensen wrote:
>
>> Mats Bengtsson wrote:
>>
>>> Read the NEWS in the documentation for version 2.6.
>>
>> Unless I'm mistaken \stopStaff \startStaff doesn't stop output of notes.
>> Only the staff-lines.
>
Ruud van Silfhout wrote:
> As I am just an amateur regarding music notation I have a question
> concening the attached piece of music.
> The natural shown below the last note, is that meant as a natural
> normally placed before the note? And is this an alternative (standard)
> notation for accident
Erik Sandberg wrote:
>>Define "proper".
>>The above requires you to add the hack to all staves if you need it in
>>one staff. That's too much trouble for my lilypond use.
>
>
> - it's future compatible (I have plans to fix the grace note bug).
> - with your solution, the tied note is placed sligh
Han-Wen Nienhuys wrote:
> Han-Wen Nienhuys wrote:
>
>> IIRC think I have set the price at EUR 110 for #1 + #2 (incl VAT
>> and/or transfer costs, depending on where you live.)
>
>
> Sorry, I'm a bit uncoherent. The point I'm trying to make is that the
> "Grand Unified Solution" should be built f
Han-Wen Nienhuys wrote:
>
> Peter Mogensen wrote:
>
>> If you could specify something like:
>> * Create a new set of staffs, take the music and typeset measures up to
>> #72.
>> * \staffbreak{2cm}
>> * Create new staffs, and typeset the rest.
>>
D Josiah Boothby wrote:
> Not having any income to speak of right now, I may come to regret
> mentioning this, but I would be willing to support -- as in co-sponsor
> -- a fix to this problem. I don't have much, but it sure would be nice
> to be able to rally the support to see ties and slurs resu
Han-Wen Nienhuys wrote:
> Peter Mogensen wrote:
>
>> Mats Bengtsson wrote:
>>
>>> Read the NEWS in the documentation for version 2.6.
>>
>> Unless I'm mistaken \stopStaff \startStaff doesn't stop output of notes.
>> Only the staff-lines.
>
ntal space in centimeters than in
note-values.
Peter
> Peter Mogensen wrote:
>
>> Hi,
>>
>> I see a lot of scores with a layout like this:
>>
>> Segno CODA
>> / /
>> | intro || A-part | volta1 || volta2 ||
>>
Hi,
I see a lot of scores with a layout like this:
Segno CODA
/ /
| intro || A-part | volta1 || volta2 ||
B-part | volta1 || volta2 || ...D.S. al Coda
CODA: | "A-volta3" || C-part | volta1 || volta2 || ...Fine
Most often the score is divided into t
Mats Bengtsson wrote:
> Peter Mogensen wrote:
>> Mats Bengtsson wrote:
>>> See
>>> http://lists.gnu.org/archive/html/lilypond-user/2005-09/msg00444.html
>>> for the simple extra work-around that's needed.
>>
>> Yes... I did read your post.
>&
Erik Sandberg wrote:
> why not do something like this?
>
> \new DrumStaff {
>\drummode {
> \repeat volta 2 { sn4 sn sn sn}
> \alternative {
>{sn4 sn sn sn }
>{\grace s4 sn4 hh2. }
> }
>}
> }
>>>
>
> This is the prope
Fairchild wrote:
> Graham -
>
> Here's a trim-down of the thread, for sticking in the manual, in the section
> on ties, or repeats, or both. Edit to suit.
>
> There ought to be a better way that makes the tie more pronounced, but a
> simple way eludes me.
>
> - Bruce
>
Mats Bengtsson wrote:
> I hope you know how to fix it, namely to insert a \grace{s4} in the
> beginning of the second ending of all other voices. Example:
[snip]
> The other alternative that is often used is to fiddle with the
> durations, as in the following example, but then you either get
> the
Mats Bengtsson wrote:
* Ties are not continued into second endings
>>>
>>> The standard trick is to add a tie from an invisible note. You can
>>> find several examples in the mailing list archives.
>>
>> I did that.
>> But this is also one of the examples where the "hack" doesn't play well
>>
Peter Mogensen wrote:
>
> As I said, it's not perfect. When I look at the source, I can think of
> the following problem/hacks:
>
> * Ties are not continued into second endings
oh ... one thing more...
* How do I force page-breaks between ea
Trent Johnston wrote:
> It's been on the list for a while... the windows native version produces a
> postscript file that can't be viewed for some reason...
>
> The postscript files produced with the linux version of Lilypond can be
> viewed...
>
> Obviously it's bug with Lilypond and not with th
Peter Mogensen wrote:
> Thanks... I was wondering. Since there's many ways to do things in
> Lilypond, there's also many ways to do them wrong.
> Are there some kind of review process when I add to the repository?
Anyway... He're an example (I think there's no cop
D Josiah Boothby wrote:
> you might try the lilypond snippet repository:
> http://lsr.dsi.unimi.it/
Thanks... I was wondering. Since there's many ways to do things in
Lilypond, there's also many ways to do them wrong.
Are there some kind of review process when I add to the repository?
Peter
___
Alexandre Reche e Silva wrote:
> PS: I'm an old newbie in Lily and would like to know
> whether is a kind of template to orchestral music
> (woods, brasses, percussions, strings)?
I have some templates for scores for marching band. (which have many of
the same properties as orchestral scores.)
The
Sorry... I should have search the ML first.
It's the exact same problem as:
http://lists.gnu.org/archive/html/lilypond-user/2005-04/msg9.html
I'd like to second that feature request (including showing R4 as r4,
when not hidden).
Peter
___
lilypon
Hi,
I'm trying to perfect a score, and I like that I can hide empty staffs
with \context { \RemoveEmptyStaffContext }
This works fine when I use multimeasure rests like:
R1*16
But since the piece I have starts with
\partial 4*3
It therefore ends with a partial measure with on a
r4
This "r4"
Hi,
I can see there's been some trouble with fonts on cygwin.
Maybe this is related.
I've had lilypond 2.3.22 installed on Debian Sarge. Everything worked
fine. Today I wanted to create a few more outputs of 2.3.22 .ly files.
But I get:
Interpreting music... error: can't find `feta20.afm'
Music
My 50c:
>
> I've been using Lilypond for percussion notation (mostly snare drum
> and drum-set) and have found it produces good results. Tremolos in
> ruffs and rolls _can_ be aligned with beams. This is how it is done
> in Wilcoxon's All American Drummer (one of the seminal snare drum
> books). T
Hi,
I've now half way through my first real Lilypond score. I mostly arrange
music for marching bands consisting of flutes and drums and a small
brass section.
Here's my first impressions. The files are at:
http://www.bigendian.dk/owts.tgz
Comments are welcome.
* Lilypond is definitely faster to
Mats Bengtsson wrote:
As you noticed, I know nothing about drum notation and I think this
goes also for the main hackers of LilyPond. So, any input you have
on suggestions are welcome, not the least if you can assist yourself
with the implementation.
I know C++, LISP and TeX, so maybe... If I find
Mats Bengtsson wrote:
Did you try the following?
\time 6/8
c'8 r c8:32 ~ c8 c c |
c4.:32 ~ c4.:32 ~ |
c8 r c:32 ~ c c c |
c4.:32 ~ c4 c8:32 ~ |
c8 r c \acciaccatura d c r c
Yes. But it doesn't give the result I'm looking for. It's _looks_ like
the wanted engraving, but it's not perfect.
Hi,
I've been trying to get Lilypond to typeset notes for marchband snaredrums.
Here's a small sample of the task (bottom staff):
http://www.bigendian.dk/libertyb.jpg
I have been partly successfull in tweaking the tremolo repeat to make it
thinner, but these are not tremolo repeats as such and res
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