Thanks Thomas Morley and Pierre Perol-Schneider,
I have implemented this technique and it looks like it's working very well.
Much appreciated!
Nick Didkovsky
On 6/10/2014 7:51 AM, Thomas Morley wrote:
2014-06-10 9:50 GMT+02:00 Pierre Perol-Schneider
:
2014-06-09 22:42 GMT+02:00 Thomas M
me
below, the following does not set the notehead of 'g' in this chord to
a triangle...
< c e \cowbell g >
...all three notes show regular noteheads.
If someone can illuminate how to set noteheads within a chord, I'd
appreciate it!
Best regards,
Nick Didkovsky
On 5/1
Hi Fredrik
Works perfectly, thanks!
Much appreciated,
Nick
On 5/15/2014 6:55 PM, Fredrik Wallberg wrote:
Hi Nick,
you'll find more noteheads here:
http://www.lilypond.org/doc/v2.19/Documentation/notation/the-feta-font#shape_002dnote-notehead-glyphs.
This snippet by Victor Adan shows how to
le
What is the notehead style for a filled triangle whose base is 'sitting'
on a staff line?
best regards,
Nick Didkovsky
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x27;d like to keep it that way. It makes better
decisions about stem directions than I do. And it is only this situation
when there is more than one voice on the staff where the problem arises.
Is this an acknowledged bug with a chance of a fix?
Best
Nick Didkovsky
James E. Bailey wrote:
the score.
Can anyone advise?
Thanks,
Nick Didkovsky
\version "2.10.0"
% Created by: Java Music Specification Language, BUILD 20090919
% Creation date: Tue Sep 29 10:06:37 EDT 2009
% JMSL to LilyPond converter by Nick Didkovsky, (c) 2006 Nick Didkovsky
% visit www.algomus
wrong?
Thanks
Nick Didkovsky
// STAFF CONTENTS
\version "2.10.0"
% Created by: Java Music Specification Language, BUILD 20090919
% Creation date: Tue Sep 29 08:40:07 EDT 2009
% JMSL to LilyPond converter by Nick Didkovsky, (c) 2006 Nick Didkovsky
% visit www.algomusic.com and www.lilypo
duplication of time sig when two staves are rendered (even
without spacer added to second staff)
Nick
Carl Sorensen wrote:
On 9/19/09 1:39 PM, "Nick Didkovsky" wrote:
Hello James
Thanks for your prompt reply. No, I assume the contents of staff 2 does
not need to be altered depend
Hello James
Thanks for your prompt reply. No, I assume the contents of staff 2 does
not need to be altered depending on the contents of staff 1.
Staff 2 simply contains:
\time 4/4
\clef treble
R4*4
How are you suggesting Staff 2's content need be altered?
Thanks
Nick Didkovsky
Ja
Hello,
Can someone point out what I am doing wrong?
I have a staff where the first note has an appoggiatura (see below)
When this staff is converted, the layout looks good although there's too
much horizontal space between the appoggiatura and the quarter note
If it is laid out with another st
Thanks Mark, the bug was my own, in JMSL's LilyPond exporter.
Fixed now.
Best regards,
Nick Didkovsky
Mark Polesky wrote:
Nick Didkovsky wrote:
At some point in LilyPond's history I believe the notes on the staff
with a percussion clef showed up on the same level as treble clef.
D
n) and why this changed?
Confused...
Thanks
Nick Didkovsky
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Hello
What is the proper way to add 16th note tremolo to a note that has a
dotted duration?
The following renders a dotted eighth note with a single tremolo slash
instead of two trem slashes
g'8.:16
Thank-you
Nick Didkovsky
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aha! Many thanks Mark!
best
Nick
Mark Polesky wrote:
Nick Didkovsky wrote:
What is the proper way to add 16th note tremolo to a note that
has a dotted duration?
The following renders a dotted eighth note with a single tremolo
slash instead of two trem slashes
g'8.:16
Th
Hello
What is the proper way to add 16th note tremolo to a note that has a
dotted duration?
The following renders a dotted eighth note with a single tremolo slash
instead of two trem slashes
g'8.:16
Thank-you
Nick Didkovsky
PS Excuse me if this appears twice on the mailing li
Thanks very much Jon, for your quick reply. Works great
Best
Nick
Jonathan Kulp wrote:
Nick Didkovsky wrote:
Hello
I am changing notehead color with ...
\override NoteHead #'color = #'(1.0 0.7 0.0)
... which works fine.
But how can I change the notehead color within a chord?
T
Hello
I am changing notehead color with ...
\override NoteHead #'color = #'(1.0 0.7 0.0)
... which works fine.
But how can I change the notehead color within a chord?
Thanks
Nick Didkovsky
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good pdf
As others on the list reported, the Intel version does not work at the
Terminal.
Nick Didkovsky
Valentin Villenave wrote:
2008/1/7, Nick Didkovsky <[EMAIL PROTECTED]>:
Hello
I just downloaded and installed Lilypond 2.10.33 for Intel Mac OS X 10.5.1
Problem: I get no no File
Hello
I just downloaded and installed Lilypond 2.10.33 for Intel Mac OS X 10.5.1
Problem: I get no no File, Edit, Compile, Font, Window, or Help menus
Double clicking on the Lilypond icon results in Lilypond opening up with
the familiar "Welcome to Lilypond" text document displayed.
However, I
It would be helpful if LilyPond wrote its version to the .log file
created during conversion.
I do see that it prints version info to the .ps file as "Creator:"
Thanks
Nick Didkovsky
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he D
major key signature.
Can someone advise how I can both control accidental spelling and
suppress key signatures in transposed parts?
Thank-you
Nick Didkovsky
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set in the part printing file to suppress short name printing?
Something I can specify before the following block for example, which
prints one of my staves, that would suppress short name printing?
<<
\new Staff \opusStaffAA
>>
Th
ving a bracket printed.
Hope this helps,
Vivian.
On Aug 30, 2007, at 7:26 PM, Nick Didkovsky wrote:
Hello Mats
Today I had the same problem appear on a piano part that I extracted
with default staff size. I got an 8th note followed by a qtr note,
with only the number "3" below
and force LilyPond to modify the note spacing to get at
least this
width, but I may be wrong. There are such possibilities on some other
objects,
like slurs, for example.
/Mats
Nick Didkovsky wrote:
Hello,
I am using the following commands to get a short 6-measure, 9-staff
piece to fit o
stick to the stable version, read about how to modify
the padding
of different objects in section "Common Tweaks". Note that
RehearsalMark is
handled at the score level, just as the MetronomeMark object mentioned
in that
text.
/Mats
Nick Didkovsky wrote:
Hello
I am using \mark i
his? Is there a fix (other than using a larger
global staff size)?
Thank-you
Nick Didkovsky
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rride Score.RehearsalMark #'self-alignment-X = #left
\mark "Smooth, light, precise"
Thanks
Nick Didkovsky
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www.algomusic.com
Thank-you
Nick Didkovsky, algomusic.com
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Quothe Mats offlist :
===
To print the mark at the end of the current line, use
\override Score.RehearsalMark
#'break-visibility = #begin-of-line-invisible
===
Best
Nick D
Nick Didkovsky wrote:
Hello
I want a rehearsal ma
additional
empty measure after it.
Can anyone tell me what I am doing wrong in the bad script?
Best regards
Nick Didkovsky
BAD SCRIPT
\version "2.10.0"
% Staff 1
"testStaffAA" = {
% Measure 1
\repeat volta 1
{
\override Score.MetronomeMark #'padding = #4.5
\tempo 4=60
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