ely appreciate being pointed in the right direction.
Many thanks.
Ken Ledeen
Mobile: 617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen <https://kledeen.wixsite.com/kenledeen/>
THanks to all who have offered ideas. I think the "bookpart" approach will
be quite effective for me.
I sincerely appreciate both the competence and the willingness to share of
this fantastic community.
Ken Ledeen
Mobile: 617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLed
tion but it didn't seem like an option.
Many thanks in advance.
Ken Ledeen
Mobile: 617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen <https://kledeen.wixsite.com/kenledeen/>
sing some
basic concepts. I have no problem creating scheme functions to do various
manipulations, but extending the markup function has eluded me.
Any guidance would be most appreciated!
Ken Ledeen
Mobile: 617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen <https://kledeen.wixsite.com/kenledeen/>
this functionality
Ken Ledeen
Mobile: 617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen <https://kledeen.wixsite.com/kenledeen/>
been able to find about articulate.
There ‘tis! Hopesomeone can help with this?
Thanks much, and best from us,
- Ken & Thu Huong & Carlton
\version "2.22.0"
% \include "articulate.ly"
\score
{
% \articulate <<
\relative {
e'_\markup { \italic
Jean,
Merci
This is a perfect solution, and, a clear explanation about why my solution
failed.
Thank you very much
Ken Ledeen
Mobile:617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen
tiny.cc/KenLedeenAmazon
ᐧ
On Sat, Feb 27, 2021 at 10:43 AM Jean Abou Samra
27;t understand why.
I assume I am missing some basic concepts regarding their use.
Thanks!
Ken Ledeen
Mobile:617-817-3183
www.nevo.com
www.bitsbook.com
tiny.cc/KenLedeen
tiny.cc/KenLedeenAmazon
ᐧ
about the technical aspects of it.
If LilyPond or its community isn't friendly to people who want to
experiment with notation, I guess I'm finding that out pretty quickly.
-Ken
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se. I'd be interested to read (but can't
promise to understand!) your whitepaper as it progresses.
-Ken
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That's going to be a puzzler for all men, I guess. Quite unusual.
>
That's a question for the composer, not the engraver. And it is legitimate
for a composer to request unison.
Really hoping that LilyPond will be a suitable platf
e
but I still don't quite get how I'd go about this - I get the impression
the mailing list is more well-trafficked?)
-Ken
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Well that was easy! Many thanks. Sorry not to have realized it was a known
issue. Thanks also to Jean Brefort for his response about 2.18.2.
Ken
On 7/9/16 11:59 AM, Phil Holmes wrote:
- Original Message - From: "Ken Pierce"
To:
Sent: Saturday, July 09, 2016 4:41
An extraneous barline appears in the middle of the second ending. How can I
eliminate it?
Thanks,
Ken
--- example:
\version "2.18.2"
\score {
\new Staff {
\time 6/8 \partial 8
\repeat volta 2 { a'8 | a'8. g'16 f'8 a'8. g'16 f'8 |
thank you so very much again for your kind help.
Very best regards,
Ken
- Original Message -
From: Phil Holmes
To: Ken Smith ; m...@apollinemike.com
Cc: lilypond-user@gnu.org
Sent: Sunday, May 08, 2011 6:23 AM
Subject: Re: Repeat alternative includes a tempo change
Ke
her volta for the fourth verse, with an alternate ending for the last
notes of the final stanza.
Thank you again for taking the time to help me.
Very best regards,
Ken
- Original Message -
From: m...@apollinemike.com
To: Ken Smith
Cc: lilypond-user@gnu.org
Sent: Friday, May 0
it right (volta showing verses 1 - 4, alternative showing verse 4 only)
will I need to code the final couplet of verse 4 into \alternative? Or is
there a better, more professional way to do it?
Thanks, very best regards,
Ken Kellogg-Smith
___
li
f and a \stemUp or Down depending. The note heads
don't merge on different staves. Obviously...
On Wed, Nov 3, 2010 at 3:33 PM, Nick Payne wrote:
> On 04/11/10 05:01, Ken wrote:
>
>> Hi,
>>
>> I tried looking in archives for a solution to my problem but I'm n
note. The second voice is a 16th note while the third voice
is a dotted quarter. I'd like to have the note in the bass stave and have 2
stems, one up and one down. The up one is beamed with the rest of the notes
of the second voice. How do I do this
ay
to do this. Any suggestions?
Ken
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I would like to transpose a score and dump it back
out in the text format for fine tuning before I send it back for engraving. Is
there a way to get an output in the text format of an input file?
Thanks.
Ken
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I am running Suse 9.0 and I installed a binary version of lilypond using Yast. The
automatic install didn't produce a bash profile or the
buildscripts/out/lilypond-profile. Where should I look for either of these files or
work around the problem?
Thanks.
Ken K
ean that
the file should be generated as the program is run, it never has been.
Thanks for whatever you can do.
Ken Behrens
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. Is it not yet in the mirror?
thanks.
Ken Behrens
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those bars that connect quarter notes (what are they called)
are not antialiased. Is it possible to get Lilypond to
antialias these lines? Noteheads appear to be antialiased
so it seems like there must already be a way.
Ken
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am tools (dvips or something).
Does the Lilypond development team maintain the Cygwin
package? If so, please consider adding the XFree86-prog as
a dependency of Lilypond.
Ken Smith
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My first post with the same subject was accidental, having only typed about
half of what I had to say. Anyway, here's all of it...
After much thrashing about using version 1.6.6, I was finally able to figure
out how to get chord names the way I like them.
There were two things that bugged me --
After much thrashing about using version 1.6.6, I was finally able to figure
out how to get chord names the way I like them.
There were two things that bugged me -- 1) the chord name size, 2) offset which
raises the location of the base note in the chord name (when present).
The solution to the c
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