Dear Friends: The use of the cuatro instrument in Venezuela is
traditional for tha last three centuries. One of the ingrained customs
here is to name certain chords as another, based on their sonority.
For example, a C dominant 7 is never regarded as a true Eb-Dominant
Seventh. So... how co
Dear fellows: I've read in several places that it is impossible to
transpose frets with string information. How can one create a fret
without it? I'd like to make lilypond able to transpose the basic
frets I am putting together.
Thanks
___
l
Got the prick little b... It was as Carl initially suggested. I made a
minimal example and found that there was a problem with the model for
the string tuning function.
Thanks a lot...
El 20/11/2009, a las 10:31 p.m., Jesús Guillermo Andrade escribió:
Yes... definitely except for the
El 20/11/2009, a las 05:30 a.m., -Eluze escribió:
it has has been mentioned before that it could be an octavation
problem - so
defining your chord as harmonies = \chordmode { e':7 } will solve the
problem!
Yes... definitely except for the little fact that if I change the
chords from t
more to the point,
have no idea how to create font glyphs to add them to emmentaler, the
only feasible option would be to create ps graphics to insert into the
scores
Guillermo
El 19/11/2009, a las 02:40 p.m., Patrick McCarty escribió:
Hi,
On 2009-11-19, Jesús Guillermo Andrade wrote
Carl: This is a minimal example. I've been trying to write a complete
implementation of the instrument in lilypond. In fact, my other post
regarding the inclusion of ps figures inside the pdf output is
directly related to this work. Getting back to our thread, the warning
shows even with on
David:
El 18/11/2009, a las 02:51 a.m., David Kastrup escribió:
Sounds like Lilypond is running out of strings for the given chords.
Just a wild guess.
Yes.. it is kind of shocking right?. But fact is that the notes listed
by lilypond, I have surmised, are part of the chords I have already
Thanks Patrick for your advice: Im sending a working minimal example
for your (and everybody's!) consideration. I cannot figure out this
behaviour. Here it follows:
\version "2.13.8"
%\include "comunes.ily"
%\include "predefined-cuatro-fretboards.ily"
%\include "predefined-strokes.ily"
% Fin
Currently, I am trying to set up a complete implementation of the
venezuelan cuatro into lilypond.
So far, I've been able list most chord shapes, but I keep getting
errors in the form of:
advertencia: No string for pitch # (given frets ())
advertencia: No string for pitch # (given frets ())
a
c Hohl escribió:
Jesús Guillermo Andrade schrieb:
Dear fellows: Inspired by the script created for flamenco music I
began to design some symbols which are specific for a cuatro in
Venezuela and other parts of the world.
At any rate, the main difficulty Im experiencing right now is the
fact tha
Dear fellows: Inspired by the script created for flamenco music I
began to design some symbols which are specific for a cuatro in
Venezuela and other parts of the world.
At any rate, the main difficulty Im experiencing right now is the fact
that no matter how good, or scaled or proportioned I
I have recompiled 2.13.8 and the problem is gone
Thanks!
El 14/11/2009, a las 11:54 p.m., Jesús Guillermo Andrade escribió:
Carl: I have recently compiled 2.13.8. And that is what I used to
compile the music page I used in this example. Do you recommend me
to download the latest git
Graham: I've been on the lilypond list for a long time. Tried lilypond
many times before but not until recently I began to work with it
seriously with my academic work. I earn my living as an attorney, but
I also attend classes at the local Conservatory.
It has been a while since the last tim
Dear David: Thank you very much for your reply. If I was not that
clear, please accept my apologies. I was not trying to seem
pretentious or arrogant (far from it since I went into the thread as a
newbie). My first language was COBOL, then Pascal, Perl and C. I
barely have some notions of
Hello there!...
El 12/11/2009, a las 04:11 a.m., David Kastrup escribió:
Continued on developer list.
Jan Nieuwenhuizen writes:
As a new contributor/developer, by using a different, and a
particular
unfriendly platform for free software development, you are faced with
tackling several diff
Dear Fellows: I'm currently experiencing a problem with aligning a DC al fine mark, as show in the enclosed picture. How can I put it below the chord symbol? This is the setup for the \markmelody = \relative c' { \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \overrid
Thanks all for your help in my previous question. I am trying to set
up crop marks into the pdf the comes out from lily. Is that possible?
If so, there must be a way to specify its size or apearence as in
TeX... right?
Also, how can one put metadata into the resulting pdf? So far, not
even
Hmm, Hello everybody: I think this is my fifth post in this list
eversince I joined you (a year or so from now). I have been watching
the evolution of the thread about the need of contributors and I
thought I might have give a hand. I'm not an engineer or a very
skilled techie (I used to wo
Hello. I'd like to enter a composer's name into the header of a piece.
The name is spelled both in english and japanese and since both are
large I need to insert a line brake so one name stands just above the
other in the usual place in the page.
Can you advise me on how to do this?
Thanks
Dear Simon: I have had no problems in compiling the very latest
version of lily (12.3.1) in MacOS 10.5.7. It requieres some little
tricks but nothing impossible. Have you used git to download it?
The precompiled version 2.12.2 does not seem to have any menu I can
access to compile lilypond
x.php/2008/04/10/26-building-lilypond-from-git-sources-on-mac-os-105-intel
Am 02.11.2008 um 15:12 schrieb Jesús Guillermo Andrade:
Hi. I wasn't sure if this is an offtopic so, to be on the safe
side, I first would like to ask if any of you might help me
regarding 'where' should I ro
share them with everybody interested.
I will appreciate your advice.
Thanks
Todo fracaso es condimento que da sabor al éxito. Truman Capote. (1924).
--
Jesús Guillermo Andrade (Abg.)
Gerente de Litigios y Corporativo. EDM. AC. API.
Andrade & Moreno S.C. (http://am
et-diagram #"d:0.45;f:
2;4-2-2;2-1-1;"}
}
>>
\layout {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
}
}
\midi { }
}
Si un experimento tiene éxito, algo ha salido mal. Primera Ley de
Fi
; el vulgo, lo busca en los
demás. Confucio. (551-479 a.C.). Filósofo y estadista chino.
--
Jesús Guillermo Andrade (Abg.)
Gerente de Litigios y Corporativo. EDM. AC. API.
Andrade & Moreno S.C. (http://amlegal.wordpress
up \fret-diagram #"w:4;d:0.35;4-o;
3-2-2;2-1-1;1-2-3;"}
Can you help me to clarify this? Is this a bug or am I doing something
wrong? The fret numbers for the third chord should be 0212 from bottom
to top.
Thanks a lot!
Nunca repita un experimento que ha tenido éxito. Ley de Fett.
Thanks Anthony. I have solved the problem by separating the voices and
using two "relative" commands based on different octaves. Thus the notes
are all right now.
Having said that, your recommendation seems very interesting and I'll
save it for another document Im working on.
--
o i can be
simpler. Although I still don't know how to combine fragments before
getting into the score section.
Thanks again!
--
Jesús Guillermo Andrade (Att.)
Litigation Attorney - Arbitrator
Andrade & Moreno S.C. (https://amlegal.wordpress.com/)
__
I'm here! :-)
--
Jesús Guillermo Andrade (Att.)
Litigation Attorney - Arbitrator
Andrade & Moreno S.C. (https://amlegal.wordpress.com/)
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
listening to some midi files, I've found some
discrepancies in regard of the note durations in the lilypond mid output.
QUESTION: How precise is the midi output of lilypond in terms of note
duration?
Thanks a lot!
--
Jesús Guillermo Andrade (Att.)
Litigation Attorney -
fragA = <<
\relative fa
>> { } \\
>> {la,,}
>> >>
--
Jesús Guillermo Andrade (Att.)
Litigation Attorney - Arbitrator
Andrade & Moreno S.C. (https://amlegal.wordpress.com/)
___
lilypond
\score {
\new PianoStaff <<
\set PianoStaff.instrumentName = "Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout { }
END OF FILE
--
Jesús Guillermo A
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