Hello Brian,
Linux Mint, if you are new to linux, they still use native packages instead of
snap / flatpack that occupy gigabytes of storage space.
Use built-in Package Manager / Software manager for Lilypond and Frescobaldi
installation. Or if you wish the latest packages, you may download fr
Thanks, i haven't been using lilypond for a while, and forgot even the basic
things like these.
On Saturday, 23 March, 2024 at 07:48:32 pm IST, David Wright
wrote:
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached
Many thanks, Aaron, exactly what i was looking for. Is this on LSR ?.
On Saturday, 23 March, 2024 at 03:17:06 pm IST, Aaron Hill
wrote:
On 2024-03-23 2:12 am, Eby Mani wrote:
> Two questions.
> 1, How do i set instrument names as per attached "example_1" picture.
&
Hello Valentin,
This is brilliant !!!. Thank you.
>@1: (spacing between aes and d not much improved.)
I assumed \tweak extra-spacing-width, tweaked the next note column. But
according to your explanation, it tweaks only the space after previous note
head, not as note column.
>@2: (unable to
Many thanks Kieren & Valentin,
Have used a mix of \newSpacingSection and \tweak extra-spacing-width to achieve
something close to what is possible with use of "skip". Still it's not
perfect(output attached).
Using \tweak extra-spacing-width alone only works for the first 2 sections on
n32 not
I'm doing some Violin music that require use of \magnifyMusic inside cadenza,
where both instruments don't have the same visual measure lengths.
Is there any way to add horizontal spacing to make music more readable without
using "skip" inside violin section commented in the score ?.
thanks,
eb
name implies ?.
E.g.
something like r\fmr or \RF would place graphically and musically correct rest
based on the time signature.
\RF*8 would cover 8 full measures based on the time signature.
Thanks,
eby
On Friday, 20 March, 2020, 04:46:15 am IST, Torsten Hämmerle
wrote:
Eby Mani
version 2.18.2
With 4/2 time, Bar numbers are incorrectly printed when using full measure
rests.
Even printing bar numbers for each measure is numbered incorrectly(attached
sample).
\context {\Score \override BarNumber.break-visibility = #all-visible }
Is there a way to print them properly oth
,
this is likely one of many bugs and shortcomings in the default
behaviour of the partcombiner. See the issue tracker…
Best, Simon
On 04.10.19 18:37, Eby Mani via lilypond-user wrote:
> Note: Seems the mail sent yesterday somehow did not appear in the mailing
> list or a delivery failed
Note: Seems the mail sent yesterday somehow did not appear in the mailing list
or a delivery failed message was not generated.
**
Apologies if this been asked earlier. When using \partcombine, rests on upper
voice is not printed, but rests on the lower voice is p
#'(starting/ending-space-from-the-note |
spacing-between-tie&parenthesis | vertical-spacing-of-tie&parenthesis)
eby
On Tuesday, 24 September, 2019, 2:29:44 AM IST, Thomas Morley
wrote:
Am Mo., 23. Sept. 2019 um 18:56 Uhr schrieb Eby Mani via lilypond-user
:
>
>
> exa
Is there a snippet for "2.18.2" to add old school style of parenthesised ties
or slurs as found on old 19th century editions ?.
Thanks,
eby
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ombineTexts = ##f
\partcombine
<< \global \lhA >>
<< \global \lhB >>
>>
>>
\layout { }
}
\new Staff << \partcombine \global \pianoRHa \pianoRHb >>
On Thu, 15/11/18, Kieren MacMillan wr
My mistake while writing to the list, apologies, they should be .
"\new Staff { \partcombine \rhA \rhB \rhC }"
On Thu, 15/11/18, Mark Stephen Mrotek wrote:
Subject: RE: partcombine with 3-4 voices, flags not merged
To: "'Eby Ma
Hi All,
I'm typesetting some piano music, I find it easier to break the chords into
different voices(e.g. rhA, rhB, rhC) and combine using \partcombine, instead of
putting the chourds in a single voice (e.g. RH).
However it doens't seem working fine with more than 2 voices on single staff.
Fo
.
On Fri, 29/12/17, Malte Meyn wrote:
Subject: Re: fixed vertical spacing within staff-group
To: lilypond-user@gnu.org
Date: Friday, 29 December, 2017, 5:21 PM
Am 29.12.2017 um 05:30 schrieb Eby Mani:
> Hi,
>
> How to set fixed vertical spacing within
st
11/21/2017 1:14 AM, Eby Mani wrote:
Hi All, I couldn't find how achieve the
following, i tried fiddling with \set Timing and
\overrideTimeSignatureSettings related commands for
beaming.
1, Automatically replace tuplet bracket with a slur.
Many thanks Urs.
2.16.2 is what is available on the repos, thus sticking to.
Eby
On Tue, 21/11/17, Urs Liska wrote:
Subject: Re: automatic beaming of tuplets only - is this possible ?
To: "Eby Mani" , lilypond-user@gnu.org
Date: T
Hi Kieren,
Excellent, this is what i was looking for. Many thanks.
Eby
On Fri, 28/7/17, Kieren MacMillan wrote:
Subject: Re: drawing brackets spanning multiple staves - spacing issue
To: "Eby Mani"
Cc: "Lilypond-User Mailing List&
Thu, 27/7/17, Kieren MacMillan wrote:
Subject: Re: drawing brackets spanning multiple staves - spacing issue
To: "Eby Mani"
Cc: "Lilypond-User Mailing List"
Date: Thursday, 27 July, 2017, 5:27 PM
Hi Eby,
I hope the attached modified version of your
snippet helps.
N
;left" \with { printPartCombineTexts = ##f
midiInstrument = "church organ"
} {\clef bass \partcombine \leftOne \leftTwo }
>>
%%instrumentName = "Pedal"
\new Staff = "pedal" \with {
midiInstrument = "church organ"
} { \clef bass \pedal }
Hi, I'm engraving some organ music and using the
LSR(http://lsr.di.unimi.it/LSR/Snippet?id=957) for drawing brackets spanning
multiple staves to denote a particular manual/registration.
The problem now i'm facing, the LSR brackets are too close to the
notes/barlines/key signatures/etc.. Movin
Thanks, works like charm. I think this should be on snippets.
Also how do i get to print D7 or Dmin7 without the triangle symbol and
superscript ?.
Eby
On Tue, 15/3/16, Thomas Morley wrote:
>
> altChords =
> #(define-music-function (m1 m2)(ly:musi
I'm getting the following error on Lilypond 2.18.2 while trying your
"\altChord" function. Are those functions limited to Lilypond 2.19 ?.
"Parsing.../opt/lilypond/usr/share/lilypond/current/scm/ly-syntax-constructors.scm:56:23:
In expression (apply (ly:music-function-extract fun) parser ...):
/
Thanks David, after removing \language, everything working fine. Learned
something new.
I used template created by Frescobaldi, it would have inserted the \language
part.
On Sun, 13/12/15, David Kastrup wrote:
In notename language "english" there
I'm pulling my hair over this strange thing that has affected stable releases
of lilypond v2.14.2 from 2.18.2 on Ubuntu 12.04 with gedit and on LilyBin.com
Lilypond does not like "bes" at all and it won't print b flat . Anyone had
this problem ?. I don't have any other platform(OSX / Window
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example is crazy
and have no respect for the paper ;-) . But it is a problematic score as per
engraving standards and there are more crazy "scores" like these.
Eby
--- On Fri, 2/
I find << { } \\ { } >> approach bit confusing when there are plenty of
multiple voices. Eluze have provided easiest alternative when multiple voices
span few bars.
For me the easiest and best approach is by separating voices in a staff and
combining them together. I find this easy to modify t
Hi,
You may upload them to www.cpdl.org (Choral Public Domain Library) and IMSLP.
In CPDL you can link the files in your server or directly upload to cpdl server.
Remember files should be in Public Domain (atleast in US)
Regards,
Eby
--- On Sat, 2/23/13, Noeck wrote:
> From: Noeck
> Subjec
l Message -
From: David Kastrup
To: Eby Mani
Cc: "lilypond-user@gnu.org"
Sent: Thursday, November 22, 2012 1:52 PM
Subject: Re: changing staff size in "\score" context
Eby Mani writes:
> Thanks, the file compiled with multiple "warning: cannot resolve rest
> coll
g
Cc:
Sent: Wednesday, November 21, 2012 7:02 PM
Subject: Re: changing staff size in "\score" context
Eluze writes:
> Eby Mani wrote
>> Hi, I don't know how to change staff size in the following scenario, need
>> to reduce the size of Organ staff in the score whic
moveEmptyStaffContext" is called, both endup in fatal error.
Eby
From: Eluze
To: lilypond-user@gnu.org
Sent: Wednesday, November 21, 2012 3:46 PM
Subject: Re: changing staff size in "\score" context
Eby Mani wrote
> Hi, I don't know how to change staff size in th
Hi, I don't know how to change staff size in the following scenario, need to
reduce the size of Organ staff in the score which should be given to the choir
and vice versa for the Organist.
Are there any commands that can be used in "\score" context ?. I don't want to
mess anything where the mus
Many thanks Kieren, no wonder it isn't in the pdf manual. Does lilypond have a
"number of measures per system" feature ?. and where can i download 2.14 binary
?.
best,
Eby.
--- On Sun, 4/4/10, Kieren MacMillan wrote:
> From: Kieren MacMillan
> Subject: Re: Three system
Doesn't work even with #(define page-breaking ly:optimal-breaking) inside the
\paper block. I'm using Lilypond version "2.12.3" on OS X.
@Fibonacci, page-limit-inter-system-space = ##t will reduce the empty space
between the systems.
--- On Sat, 4/3/10, Kieren MacMillan wrote:
> From: Kieren
Hi,
You may put
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'self-alignment-X = #RIGHT \mark "Fine."
inside "ErstS" and avoid using it inside "global" unless you want "Fine" & "Da
capo al Fine." appear in part extraction instead
Is it possible to specify "minimum length" for it so the repeatTie appears to
connect the previous note on another voice.
e.g.
vOne = { ees4. ees8 c'4 aes }
vTwo = { d4 c ees2 \repeatTie }
I've tried vTwo = { d4 <> \unHideNotes ees2 }, but this
will hide both "c4 and ees", leaving the tie visib
Hi Kieren,
Many thanks, ah... i copied music from another file, where time, key, cleff,
etc... & music are put into the staff and put together in score.
Best,
Eby.
--- On Fri, 3/26/10, Kieren MacMillan wrote:
> From: Kieren MacMillan
> Subject: Re: key signatures and partcombine
What should i do to show key signatures when using \partcombine ? you can see
it doesn't render any key signature when \partcombine is used.
Thanks,
Eby.
*
global = {
\time 4/4
\key f \major
}
descant = \relative c' { d8 ([e]) f (g) a4 a d e8(d) d4 }
OrganRHOne = \relative c' { \
remove e4 ~ and use
\repeatTie
in alternative after the note.
\repeat volta 2 { r4 e4 } \alternative { e4 \repeatTie f4 } { e4 \repeatTie g4 }
--- On Fri, 3/19/10, Alberto Simões wrote:
> From: Alberto Simões
> Subject: Tie between repeat and alternative
> To: "lilypond"
> Date: Friday, Ma
ever forcing NoteColumn to shift on
OrganLHTwo doesn't work at all on polyphonic sections.
Eby
--- On Fri, 3/5/10, Mark Polesky wrote:
> From: Mark Polesky
> Subject: Re: more than 2 voices using partcombine
> To: lilypond-user@gnu.org, "Eby Mani"
> Date: Fri
Is it possible to combine morethan 2 voices using \partcombine ?. Did anyone
re-write this ?
I have need to combine 3 voices to a single staff, I've tried
**
\new PianoStaff <<
\context Staff = upper <<
\context Voice = OrganRHi { \voiceOne \global \OrganR
e Score.Glissando
> #'(bound-details right padding) =
> #2.5
>
> e,4. \glissando dis'8
>
> }
>
> }
>
>
>
> \score {
>
> <<
>
> \new Voice = "Glissando"
>
> \vOne
>
> >>
>
>
Is there a way to print aesthetically pleasing Glissandos, that doesn't print
over "Dots" and "accidentals" ?. It prints over the "dot" of the starting note
and over the "sharp" of the ending note.
Also any simple way to print text such as "gliss" or "slide" over the
glissando, without using m
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