Multi Measure Rest with a following leading cue note

\once \omit Score.TimeSignature \time 4/4 c1 | } -- Dave Higgins -- Are you a parent? Do you sometimes find yourself unsure as to what to say in those awkward situations? Worry no more... Do as I say, not as I do. Do me a favour and don't tell me about it. I don

LSR 782 Time signature with alternate in parantheses

#:override '(baseline-skip . 0) #:number (#:line ( (#:center-column (up down)) #:vcenter "(" (#:center-column (upp downp)) #:vcenter ")" ) -- Dave Higgins -- Any philosophy that can be put "in a nutshell" belon

Forcing the rehearsal mark to the bar

Is there a way to force the rehearsal mark to be under the tie (or slur)? \override did not work either. I'm hoping I'm just misreading the documentation. \version "2.19.83" \fixed c''' { \set Staff.RehearsalMark.outside-staff-priority = #1 a1 ~ | \mark \default a1 } -- Thanks, Dave <>___

What are the major changes from 2.18.2 to 2.19.80

In my previous question, I saw a change in \afterGrace. What other new and interesting changes are there? -- Dave -- I marvel at the strength of human weakness. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listi

MultiMeasureRest with CueVoice Pickups

Is there a more elegant way to do this? In transcribing multiple parts, it becomes tedious to have to put the cadenza in all the parts. Or I just decrease the multi-measure rest by one and add the cue voice to the single measure rest left over. \version "2.18.2" \relative c' { \comp

\new Dynamics spacing

\version "2.18.2" \relative c' { \time 3/8 c4 c16 c << { c4 c16 c } \new Dynamics { s32 s\< s\> s\! } >> } If you compile this, the \new Dynamics adds a bunch of white space between the first two notes. I understand what's happening, i.e. it's spacing each silence as the size of a note head

Notehead Position

Is there a way to center a whole notehead in the bar? << { c'1 } \new Dynamics { \override Hairpin #'minimum-length = #8 s8\> s s s s\p\< s s s\! } >> I know I could use silence and fractional note lengths, but that seems sloppy. Also, why doesn't R1*1 work like R1*2 (by putting the 2 in po

Box around mark

I'd like to draw a box around this: \mark \markup { \bold { \huge "A" \super "1" } } But if I add in \box, e.g.: \mark \markup \box { \bold { \huge "A" \super "1" } } I get a box around the A and a box around the 1. On the graphics documentation page, other than manually defining a box, is there

Replace articulation with glyph

I'm sure there's a way, but I can't find a good example. I would like to replace an articulation, e.g. a staccato with a sharp, for one note. The reason is I don't want the sharp to be outside of the staff, as in: c1^\markup { \sharp }\startTrillSpan I did see where you could change

Re: Ledger Lines and Tremolos

That doesn't appear to move the tremolo in any direction. Tried (5 . 5). On 05/12/2016 11:30 AM, Trevor Daniels wrote: > > Dave Higgins wrote Thursday, May 12, 2016 5:53 PM > > >> I've noticed that with high notes that are tremolo'd (or short repeat), >&

Re: Ledger Lines and Tremolos

And make them lighter. On 05/12/2016 10:53 AM, Dave Higgins wrote: > I've noticed that with high notes that are tremolo'd (or short repeat), > the tremolo covers the ledger lines. > > For example: a''''1:32 would give 4 ledger lines but it's hard

Ledger Lines and Tremolos

I've noticed that with high notes that are tremolo'd (or short repeat), the tremolo covers the ledger lines. For example: a1:32 would give 4 ledger lines but it's hard to tell that there are 4 ledger lines because the tremolo covers it. What's the syntax to lower the tremolo? -- Life being w

Lilypond statistics

Is there any way to generate statistics for a file? Things like, let say, a concordance or the number of a's b's or bes's, or repeated markup's? (I know I can do stuff like this with grep, but that's very singular.) -- Dave Higgins Littleton, Colorado dave.higg...

Stretching Text

Is there a way to stretch text over some measures (other than manually)? For example: poco a poco crescendo to: poco a poco crescendo I've looked up spanning and padding and other things, but can't seem to find any thing to the above example. -- ___

Hiding MultiMeasureRest Number

At the end of a piece, one section has a long number of rests, i.e. R1*42. Is there a way to hide the number or create a long rest without actually being multi-measure? -- Dave Higgins -- Two wrongs don't make a right, but three lefts do. ___ lil

baseMoment and beatStructure

oment 1/8) \set Timing.beatStructure = #'(3 3 3) bes,16 ( c d ees f g a bes c d ees e f g a bes f d ) } I've tried many, many combinations and have never found one that accomplishes what I'd like. Maybe I'm using the wrong constructs? -- Dave Higgins Secure64 Software Corpor

A file's information or statistics

Is there a way to display various stats of a piece, e.g. number of notes or other such information? -- Dave Higgins Littleton, Colorado dave.higg...@dkds.us See my photos at https://www.dkds.us/gallery3 -- http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf -- I want to

Re: http://lilypond.org hs ?

webdev.nl <http://abc11.webdev.nl> > (82.94.241.173): icmp_seq=3 ttl=54 time=48.6 ms > > --- lilypond.org <http://lilypond.org> ping statistics --- > 3 packets transmitted, 3 received, 0% packet loss, time 2003ms > rtt min/avg/max/mdev = 48.344/48.647/48.903/

Re: Polymetric Time Signature

enter "=" (#:column (upp downp))) On 03/04/2015 05:25 PM, Dave Higgins wrote: I'm looking for an example of a time signature in the format of 3/4 = 6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the = sign. -- Dave Higgins -- Cre

Polymetric Time Signature

I'm looking for an example of a time signature in the format of 3/4 = 6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the = sign. -- Dave Higgins -- http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf -- Creditor, n.: A man who has a b

A measure with R1 and text

Text over a multi-measure rest is centered. Is there a more elegant solution to not center it then the one below? << { R1 } \\ { s4^\markup \left-align "text" } >>. -- Dave Higgins -- Karmageddon: It's like, when everybody is sending off all these really

Per Page Feta Font Size

#(set-global-staff-size 20) Is there a way to set this per page? Page 1-2 fit at staff-size 25, but page 3 only fits with staff-size 21. This may be how it is. I'm not sure if the \magnifyStaff works in this manner, nor am I sure that fontSize works either. -- Dave <>

Columns

o see. -- Dave Higgins Littleton, Colorado dave.higg...@dkds.us See my photos at https://www.dkds.us/gallery3 -- http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf -- Karmageddon: It's like, when everybody is sending off all these really bad vibes, right? And then,

Re: Problem with Staff Grouping

re, as the layout description below indicates. I'm not saying the staff feature is broken, just my staff lines in the score are in the wrong places. On 05/12/2014 11:06 AM, Phil Holmes wrote: > - Original Message - From: "Dave Higgins" > To: > Sent: Monday, May 12, 2

Re: Problem with Staff Grouping

Without the includes. Sorry. On 05/12/2014 09:41 AM, Dave Higgins wrote: Revisiting with a compilable example... I'm transcribing a piece that has multiple parts and in those multiple parts, I have multiple staves. After compiling, the staff layout becomes: part1:staff1 part2:staff1

Problem with Staff Grouping

Revisiting with a compilable example... I'm transcribing a piece that has multiple parts and in those multiple parts, I have multiple staves. After compiling, the staff layout becomes: part1:staff1 part2:staff1 part1:staff2 part2:staff2 Obviously for the score, I'd like: part1:staff1 part1:staf

Re: Problem with Staff Grouping

Clarification: part1 = Violin 1 part2 = Violin 2 On 04/18/2014 10:31 AM, Dave Higgins wrote: > I'm transcribing a piece that has multiple parts and in those multiple > parts, I have multiple staves. > > After compiling, the staff layout becomes: > part1:staff1 > part

Problem with Staff Grouping

I'm transcribing a piece that has multiple parts and in those multiple parts, I have multiple staves. After compiling, the staff layout becomes: part1:staff1 part2:staff1 part1:staff2 part2:staff2 Obviously for the score, I'd like: part1:staff1 part1:staff2 part2:staff1 part2:staff2 I'm sure I j

Translator Staff

is[e g bes g e cis] s | cembalol = \context Voice = bass Thanks, -- Dave Higgins Littleton, Colorado [EMAIL PROTECTED] -- PARDON me, am I speaking ENGLISH? ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

DynamicLineSpanner Vertical Centering

< d'4\f fis a > r r8 fis16 ( g a g fis e | etc. } primo = < \context Staff = staffpa \primoright \context Staff = staffpb \primoleft > \score { < \context PianoStaff \primo \context PianoStaff \secondo &