possible
with the Hair Pins, but can it be added all by itself?
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possible
with the Hair Pins, but can it be added all by itself?
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notes are
indicated with a "1". But when sliding, the normal indication is a dashed
line between the two "1"s. Can this be done?
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Christopher A. LaFond [EMAIL PROTECTED]
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_
On Tue, 10 Apr 2007 11:35:32 -0400, Paul Scott <[EMAIL PROTECTED]> wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Christopher A. LaFond wrote:
I have a score with the soprano lyrics above the top staff, and the
ending has a one-measure alternative. But the volta lines are pushi
how to get lyrics above the staff below the volta
brackets?
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this come up as an issue before? I searched the archives, but couldn't
find this specific problem.
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o verse \lyricmode {
dodo rere mimi fafa solsol }
}
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f the file).
- You didn't manage to install the newer version. What
operating system do you have? If you are on Windows,
always make sure to first uninstall the older version
before installing a new version.
/Mats
Christopher A. LaFond wrote:
Hi,
I installed a newer version of LP (2.11.1
Hi,
I installed a newer version of LP (2.11.10), and used 'convert-ly' to
convert my files. But when I run lilypond (in jEdit with lilypondtool),
it tells me that the version is too old (cites the previous version -
2.11.6). It correctly compiles the file, but the footer still says
version 2.
Chris°
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After things go from bad to worse, the cycle will repeat itself.
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fine, the following does not:
tempoWholesPerMinute = #(ly:make-moment 90 4.)
Is this something that needs fixing, or is there something that I'm missing?
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
You
Hi,
I am trying to set a Midi tempo of 90 dotted quarter notes per minute.
According to the Lilypond docs, the correct syntax is:
\midi { \tempo 4 . = 90 }
However, I keep getting a syntax error (unexpected tempo). Since it's a
dotted note, there is supposed to be a space after the "4".
Manuel wrote:
I'm not sure I understand you. The original question was whether the
word nota, wherever it appears followed by " # ", should give its
gender to sostenida, or else the abstract gender of un sostenido would
be correct, una nota sostenido. I think the last is right.
What I'm sayin
Manuel wrote:
"la nota sostenida más larga"
I would use the masculine here. It could be the longest tenuto note.
Possibly, an enquiry at RAE's services will shed light upon this.
Manuel
That was an example culled from an internet site in Spanish. My point
was that there are easy ways to ind
tu). My point was that in a comparison or simile, it does not bear a
written accent.
No sé cómo hacer
This is an interrogative usage (even though it's not a direct question).
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Christopher A. LaFond [EMAIL PROTECTED] http://
ted languages.
We can skip the details, since it's off topic.
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Chris°
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><°>
Christopher A. LaFond
Asst. Coordinator of Intermediate Spanish
Lyons 311A
Boston College, Chestnut Hill MA
[EMAIL PROTECTED], http://www2.bc.edu/~lafond
Office hours Fall 2006: MWF 11-1 (1-2 for gr
in the United States of America.
Under "Scots"
*2.* Of language: *a.* The distinguishing epithet of the dialect of
English spoken by the inhabitants of the Lowlands of Scotland. Also
/absol./ as /n./, the Scottish dialect.
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Chris°
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><°&
American English and let people who don't understand the terminology
spend 30 seconds on google.
Why not just add a short glossary of equivalents at the end and refer
the reader to it?
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Chris°
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Christopher A. LaFond [EMAIL PR
Manuel wrote:
"Add full stops (called "periods" in american English) for dotted or
double dotted notes"
What do you think?
Manuel
That is fine, but you need to capitalize "American" as well as "English".
--
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Chris °
°
dotted or double
dotted notes:"
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
"To communicate with Mars, converse with spirits, To report the
behaviour of the sea monster, Describe the horoscope, ha
In a related issue - I haven't had any success with the \parenthesize
command, unless the note in question is stacked in a chord.
--
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Christopher A. LaFond [EMAIL PROTECTED] http://www.lafond.us
"This seems like a case wh
Is there an archive anywhere to search for answers to certain questions,
so as not to repeat the same questions all the time?
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
One tentacle,
r of the verse,
but I haven't figured out a way to do that.
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
Evolution is a harsh mistress.
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ons of the tool because of it. Any
ideas?
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Christopher A. LaFond [EMAIL PROTECTED] http://www.celticharper.net
Some people have one of those days. I have one of those lives.
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Is there a way to initiate a slur on one staff and have it end on
another? For example, in a piano or harp arpeggio that starts in the
bass cleff and moves into the treble clef?
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ut can't get it to unbeam. Here is the line:
c4. c8 b8 a8
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