Works like a charm! Thanks Mats.
Catalin
On 1/26/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Could you please try to update to the latest stable version and see
if things have changed there. I know that there have been some
related bug fixes recently.
/Mats
Catalin Francu wrote
Hi,
Appended is an excerpt from my current work where I'm seeing some
strange behavior of extenders. All three voices use \melisma and
\melismaEnd, so together with the __ extenders I expected the
underlines in the lyrics to span measures 2-4 and 6-8 entirely in all
three voices. However, what I'
rStaff.
This will restrict all the barlines to just the music staves and avoid all
clashes with the lyrics.
Trevor
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] Behalf Of
> Catalin Francu
> Sent: 23 October 2006 22:58
> To: lilypond-use
Hi,
I have typeset over 100 pages of music with Lilypond 2.8.6 last month
and there's only one thing that I could not figure out how to do.
Every now and then, lyrics will collide with barlines. See for
example:
http://catalin.francu.com/Music/colinde/
(some Romanian carols). Look at la_vitleem
Please disregard my question -- I've managed to find the answer (but I
swear I googled for at least an hour before I asked here). I just have
to set \clef "G_8" and transpose the score down one octave for tenors.
Sorry for the disturbance :)
Catalin
On 9/25/06, Catalin Francu &l
Hi,
I'm typesetting some choral music. It is written in four staves, SATB,
with the S, A and T staves in the G clef and the B staff in the base
cleff. The problem is that when I generate the midi from that score,
the tenor is sung as written, which is one octave too high. Therefore
the midi sound
