Hi Urs, I had a moment of free time and converted it to (what I think) is
Github-usable Markdown. It's attached to this email. There was a typo or
two and I also took the liberty of fixing those. I tried to add headings,
but the way it's written, they're nested pretty deep, so some more editing
mig
\repeat percent is not as "smart" as I was hoping it would be. When dealing
with repeats longer than two bars, there are two issues:
1. The percent symbol is not centered, but placed in the left-most
measure; and
2. The slashes of the percent symbol do not reflect the number of
measure
Thanks, Pedro, this is some interesting code! There's definitely something
for me to learn here.
On Wed, Feb 13, 2019 at 4:13 AM Pedro Pessoa wrote:
> Hello John,
> I took this task as a way of learning a bit more about moments and
> durations
> (and also, I wanted to achieve this a while ago).
les with rests, I
guess.
Thanks,
Randy
On Thu, Feb 7, 2019 at 11:52 PM David Kastrup wrote:
> 智樂喬 writes:
>
> > I'd also like to avoid defining two variables, to keep things a little
> > DRYer.
> >
> > What I imagine might be idea would be a function which works s
>
> Hope that helps!
>
Yes, it does. I have no idea what the edition-engraver is, but I'm curious
to read more about it when I have time.
Thanks!
Randy
On Thu, Feb 7, 2019 at 11:44 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Randy,
>
> > I'm looking for a clean, way to ali
Thanks!
Randy
On Thu, Feb 7, 2019 at 11:34 PM Mats Bengtsson
wrote:
>
> On 2019-02-07 15:08, 智樂喬 wrote:
> > I'm sure I'm not the first person to ask this, but I'm looking for a
> > clean, way to align music variables which begin with partial measures.
>
> *Valentin:*
>
If you really want to keep your variables separate, you’ll have to use
> simultaneous music instead of sequential expressions :
>
That's what I was afraid of…
{\oneVoice s1*15/4 \partB}
>
I'd like to avoid having to count bars/beats because it's kind of
inefficient and makes us
ctually be in the last beat of partA's rest. If you run the code above,
you should see that the G in partB gets its own one-beat measure instead of
what I explained.
On Thu, Feb 7, 2019 at 10:53 PM Gianmaria Lari
wrote:
>
> On Thu, 7 Feb 2019 at 15:24, 智樂喬 wrote:
>
>> I&#x
Ok, thanks for the clarification. That's something to keep in mind,
although I've never used tags in my scores before. (Only made one score
before, though, so…) I'll keep this in mind if I ever have any strange
issues when I'm using it.
Randy
___
lilypon
I'm sure I'm not the first person to ask this, but I'm looking for a clean,
way to align music variables which begin with partial measures. For example,
\version "2.19.82"
partA = { c'2 b | R1*3 }
partB = { \partial 4 g4 | \bar "||" c'1 }
\score { { \partA \partB } }
In reality, there would be m
Thanks a lot, David. It works as advertised. I do think I read about this
somewhere in the manuals, but I couldn't find it.
This uses really involved code to simulate something that does not
> really map well to LilyPond's internals so it may interfere with other
> tricky code.
>
I'm pretty sure
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