Bertalan wrote:
> What if you set the gs command to the full path of gs, and the python
respectively?
This does not help.
Mats wrote:
> I guess this should rather be: /usr/local/bin/
This did help for lilypond. For convert-ly I now get an "Error running
external command".
But it works from consol
Kubuntu 8.04
LilyPond 2.11.57
jEdit 4.3pre15
LilyPondTool 2.10.5
--
Hello list,
1)
When I use LilyPondTool for running LilyPond, I get an error message, no
pdf is produced (ps is there!).
Running LilyPond directly works as expected.
2)
Running convert-ly from inside LilyPondTool does not work e
would be interested in reading your bezier documentation -
I have another un-lilypond-related reason for wanting to understand
them.
>----Original Message
>From: [EMAIL PROTECTED]
>Date: 01/08/2008 21:55
>To: "David Pounder"<[EMAIL PROTECTED]>
>Cc:
>Subj:
Good morning list.
Apologies for the cryptic subject header, but what I need to do is
difficult to express in words.
In short, I need to show two notes tied, where the tie forms a circle
in the middle, performing a 'loop the loop' before ending at the second
note. I realise that this probably
Hello Valentin,
> Thanks Victor (nice to see you again :-)
you too!
>
> I have added your example to the LSR:
> http://lsr.dsi.unimi.it/LSR/Item?id=475
excellent!
>
> Your workaround with the tuplets (on the other thread) is really nice,
> feel free to add it to the LSR if you want (I'd have
n takes long, don't know why.
hope this is useful,
Victor.
On 5/23/08, Brian Kidd <[EMAIL PROTECTED]> wrote:
> is there a way to define or import custom note heads? i'm interested
> in using specific symbols to indicate rhythmic notation in hand
> drumming. a picture of t
xt = #(markup #:italic "3:2" #:fontsize
-5 #:note "8" 1)
\times 2/3 {c'8 c' c'}
\times 2/3 {c' c' c'}
\times 2/3 {c' c' c'}
\times 2/3 {c' c' c'}
}
END
hope this helps,
Victor Adan.
On Thu, M
Thank you very much
Two of your advice were necessary: First I didn't replace X.Y.Z by the
version-numer, second I tried to execute the
installation in an other folder than the installation file was placed.
have a nice evening
Silvan
Ursprüngliche Nachricht
Von: [EMAIL PROT
mCount = #2
c'16
c'16]
c'4.
}
}
% END EXAMPLE
On Wed, Mar 12, 2008 at 6:55 PM, irenicus <[EMAIL PROTECTED]> wrote:
>
> Hi,
> I have a question regarding beam behavior: With 6/8 rhythm, I have the
> following pattern:
Afternoon.
I have been tidying up my lilypond source files and decided to try to
be clever and define an 'ossia' context in one of my layout template
files. I started to regret the decision when I realised I had to list
every single engraver I would need to use (I thought that \alias Staff
wou
he manual.
best,
Victor.
On 10/27/07, Trevor Daniels <[EMAIL PROTECTED]> wrote:
>
>
> I've been unable to discover how to permit line-breaking
> when there is a long sequence of tuplets which cross
> barlines. Beams and Glissandos subscribe to the
> unbreakable-
ght slurs, hack bowing etc.
StraightSlur = { \once \override Slur #'height-limit = #0 }
\score { \new Staff \relative c'' { \time 2/4 a8. c16 \StraightSlur d-
. ( f8.-. ) } }
>Original Message
>From: [EMAIL PROTECTED]
>Date: 15/10/2007 0:44
>To: "[EMAIL
Hi,
I'm wanting to go back and forth between different ClusterSpanner #'style
(s) in the middle of a score, but Lilypond seem to ignore all but the first
style setting.
Is it not possible to change the style once it's been set? Am I doing
something wrong?
Here's an example of what I'm trying to d
Thanks for the suggestion, but glissandi go between the two notes,
whereas I'm needing the line to be above or below - exactly where a
slur would be.
Is there a way to control the curvature of a slur?
>Original Message
>From: [EMAIL PROTECTED]
>Date: 12/10/2007 18:49
Hi,
Is there a way to slur two notes with a straight line, as is often
seen in Scottish fiddle music? I can make them go up, go down, even go
dotted - but can't see how to get a straight slur.
Would be grateful for any pointers to the part of the manual I've
missed.
- Dave P.
hello Mats,
thanks for your reply. I didn't know about m4 or cpp. Will take a look.
victor.
On 8/29/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
>
> In any text editor, it's trivial to automatically replace all occurences
> of
> something like
> \lilystart
>
hello lilyponders,
I've been using lilypond-book for the first time. love it!
There's one thing that I'd like to have though. I'd love to be able to
define macros in a similar way as in latex. Is this possible?
>From what I've read in the documentation, lilypond-book only knows to look
for \begi
cs_01.png
Play | on, Hal -- lelu
#2 http://koboldnet.hu/~pasic/lyrics_02.png
Play | on, Hal -- le -- lu
how can i solve it?
thanks,
--
Üdv: [EMAIL PROTECTED]
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what you want.
Hope this helps,
Victor.
On 5/31/07, Laura Conrad <[EMAIL PROTECTED]> wrote:
I'm discussing a project with a friend. He would like to make some
pedagogical material on reading different clefs. His idea is that if
he had a Grand Staff with 11 lines (the four for th
of being happy.
- R.L. Stevenson.
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Further to this, I now have a perfect score. The double underscore is not
necessary. If it is there, it prints. If it is not there, it doesn't print,
but the melisma is still honored. To my mind, that looks better, but I have
seen plenty of scores with the underscores printed. I no longer n
Doug.
On Wednesday 04 April 2007 17:18, Brett Duncan wrote:
> [EMAIL PROTECTED] wrote:
> > Well, the line worked perfectly until I put Line 2 in. Now I am back
> > where I
> > was. There were a couple of instances of two spaces where there should
> > have
> > been 1,
ther ideas please let us know.
best,
Victor.
On 4/4/07, Andrea Valle <[EMAIL PROTECTED]> wrote:
Thanks Victor,
yes, I implemented the method 2, this time not in Python but in
SuperCollider.
Just a note. If I understood the method, it works pretty well in the case
in which
the notes ar
melisma is ignored, and there is a single underscore
after "me".
Doug.
On Tuesday 03 April 2007 10:59, [EMAIL PROTECTED] wrote:
> Thanks. That worked perfectly. I thought that I had the spacing right, but
> must not have.
>
> Using version 2.6.3 here as provided by Man
a2 d,4 | e2. ~ | e |}
> \addlyrics
> {Let it be -- gin with me __ }
>
> Be careful about the syntax. If you want an extender line, use a double
> underline separated from the previous syllable by a space. Similarly, I
> recommend to use a -- to get a hyphen that's typeset ce
Hello Andrea,
This may be possible, but I'm affraid I'm pretty much a Scheme illiterate
myself. I'd suggest you doing it in python (which is a language you seem to
know well). This is what i do.
best,
Victor.
On 4/1/07, Andrea Valle <[EMAIL PROTECTED]> wrote:
Tha
gt; 2007/4/1, [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
> > I am trying to add lyrics to a tune which has a note tied across two
> > measures. The usual method of adding a double underscore after the word
> > doesn't work. Since all the examples given happen entirely wi
I am trying to add lyrics to a tune which has a note tied across two measures. The usual method of adding a double underscore after the word doesn't work. Since all the examples given happen entirely within one measure, perhaps the command doesn't apply here. I tried using \melisma and \melismaE
Hello.
I am having trouble using certain unicode characters, namely up and down
arrows, in
my lilypond files. If these arrows are in my ly's, they don't compile
correctly.
When I open the resultant ps file with ghostview
I get an error message (lots of --nostringval --nostringval)
and there ar
from the staff's center line, f' should be
Y-offset by 1.25+0.5 down. i.e. -1.75
% This gives exact placement of f'.
\new Staff="staff2"{
\new Voice="one"{
c'8[\glissando
\once \override Voice.NoteHead #'transparent =##t
Hello to everybody!
I'm typesetting a Mozart's aria with a preceding recitativo and I would like
to add some "ossia" measures to suggest appoggiature. Most of these measures
are actually only bits of a measure (such as the first two quaters).
I've followed the manual suggestion about ossia measur
3:44:44 +0100
Subject: Re: Lyrics Problem
From: Mats Bengtsson <[EMAIL PROTECTED]>
To: 9-bert <[EMAIL PROTECTED]>
Basically, what you have to do is to provide a name to the
corresponding
voice of music and then refer to that with \lyricsto, see the sections
on
lyrics in the manua
s lilypond already
has. This would allow for a finer pitch resolution.
Here's a png of what i'm thinking. Pay no attention to the style though;
this is secondary.
.. ideas?
Victor
On 1/27/07, Trevor Bača <[EMAIL PROTECTED]> wrote:
On 1/27/07, Orm Finnendahl <[EMAIL PROTE
why, but
I guess you would have to make a \once tweak of this too.
Let me know if you find a better way.
Victor.
On 1/19/07, Trevor Bača <[EMAIL PROTECTED]> wrote:
Hi,
The black diamond shape notehead carries a different shape than the
white diamond harmonic notehead.
%%% BEGIN %%%
a tutorial on proportional
notation and temporal spacing issues in general.
Victor.
On Tue, 5 Dec 2006 09:44:15 -0600, "Trevor Bača"
<[EMAIL PROTECTED]> said:
> On 12/5/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> > Trevor Bača escreveu:
> > >
sorry for such a trivial question:
if i tape
/home/silvio/bin/lilypond
the shell answers:
GNU LilyPond 2.10.0
Usage: lilypond [OPTION]... FILE...
Typeset music and/or produce MIDI from FILE.
LilyPond produces beautiful music notation.
For more information, see http://lilypond.org
(...)
so I
Hi,
The information in the manual should be all you need.
Just make sure the runtimepath variable is set to the correct directory. What
operating system are you using?
In windows XP I have it set to :
set runtimepath+=/cygdrive/c/Program\
Files/LilyPond/usr/share/lilypond/current/vim/
because I
Thanks Han-Wen and Trevor for your responses.
On Tue, Aug 22, 2006 at 10:25:05PM -0500, Trevor Ba?a wrote:
> On 8/21/06, Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote:
> >V!ctor [EMAIL PROTECTED] wrote:
> >> Currently, Lily assumes a glissando will always connect adjacent
hi all,
I've been using Lilypond's proportional notation since the beginning and never
had problems until I downloaded v.2.9.14 (windows XP). Now, Lilypond crashes
almost always immediately after saying "Calculating line breaks..." in the
compilation process.
The simple snippet below crashes.
V!ctor [EMAIL PROTECTED]
[EMAIL PROTECTED]
--
http://www.fastmail.fm - Accessible with your email software
or over the web
non_contiguous_gliss..pdf
Description: Adobe PDF document
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lilypo
Hello Markus,
thanks for your reply. Indeed, the sideways numbering works well, but if you
want the numbers to be above the beams, it seems to me that Lilypond should be
able to do this automatically. After all it is an engraving problem and I would
think a frequent situation.
Your final solu
a-2 c'''-2 >32
< a-1 c'''-1 >32
< a-2 c'''-2 >32
< a-1 c'''-1 >32
< a-2 c'''-2 >32
< a-1 c'''-1 >32
< a-2 c'''-2 >32
}
}
%
solution my have to do with it.
>
> Regards,
>
> Eduardo
>
> ----- Original Message -
> From: "V!ctor [EMAIL PROTECTED]" <[EMAIL PROTECTED]>
> To:
> Sent: Thursday, June 22, 2006 8:02 PM
> Subject: proportional grace notes
>
>
>
On Fri, Jun 23, 2006 at 02:16:40PM -0500, Trevor Ba?a wrote:
> On 6/23/06, V!ictor [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> >On Thu, Jun 22, 2006 at 10:47:02PM -0500, Trevor Ba?a wrote:
> >> On 6/22/06, V!ctor [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
On Thu, Jun 22, 2006 at 10:47:02PM -0500, Trevor Ba?a wrote:
> On 6/22/06, V!ctor [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> >Hi,
> >
> >I would like to have grace notes spaced proportionally to their
> >durations, like this:
> >ht
*
>From looking at 6.5.7 in the manual (2.9), I can see it should be
possible, maybe somehow changing the 'grace note timing', but I can't
figure out how.
How could I do this? Is there an easier way?
Thanks,
Hello All,
I am a new and very grateful lilypond user.
Just wanted to introduce myself and share my (short) lilypond discovery story:
I have been working with computers for some years now, doing mostly high level
music structure (score-level data) processing. Very early on I realized that,
bec
I am using lily 2.4.5 on Debian.
For some unknown reason grace notes specified with \appoggiatura or
\acciaccatura do not show up in the .ps file where only a short vertical bar is
visible instead.
Do you have any suggestion about what to do to identify the cause of this
malfunctioning?
Thank yo
Is there a simple way to filter a lilypond file trough a preprocessor so that
some lilypond instructions are executed or not according to some general
directive?
For example, if I have lilypond source written for F horn and wont to run it for
Eb horn also I would like to have a macro directive lik
As far as I can search there is no ec-fonts-mftraced package in sarge nor is
there a dependency of lilypond from this package.
Did I miss something?
Tanks,
Antonio
-- Initial Header ---
>From : "D Josiah Boothby" [EMAIL PROTECTED]
To : "Anton
.
Antonio Palamà
-- Initial Header ---
>From : "François Pinard" [EMAIL PROTECTED]
To : "Antonio PALAMA'" [EMAIL PROTECTED]
Cc : [EMAIL PROTECTED],"Mats Bengtsson"
[EMAIL PROTECTED],lilypond-user@gnu.org
Date : Tue,
-- Initial Header ---
>From : [EMAIL PROTECTED]
To : "Mardi Girard" [EMAIL PROTECTED]
Cc : lilypond-user@gnu.org
Date : Mon, 14 Mar 2005 15:03:02 -0500
Subject : Re: MIDI plugins?
> >>>>> "MG" == Mardi Gira
Is there any workaround to get accents rendered in MIDI out?
Thanks in advance for help. Roberto
6X velocizzare la tua navigazione a 56k? 6X Web Accelerator di Libero!
Scaricalo su INTERNET GRATIS 6X http://www.libero.it
__
tavia bassa, as in
|
o|
8va---'
I know the command #(set-octavation -1) ... gives the 8va bassa
notation, but it is still printed on top of the note. I want it printed
under the note.
Hope this is clear enough.
Samuel Weston
[EMAIL
http://mail2web.com/ .
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place above the
lyrics.)
What is the easiest way to do this?
Thanks,
Patrick
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.
Do you have any idea how to fix this problem ,
thanks Riccardo
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Here is a lillte example of the latex document. I will
attach also
the lilypond-file that I want to include.
Sorry, but the document is in Italian.
Thank you for your help!
Flo
> [EMAIL PROTECTED] wrote:
>
> >Dear friends,
> >I'm using lilypond inside a latex text. I tr
e lilypond file I have no problem with those fonts.
Only when both lilypond and tex files are combined together it
happens.
How I can solve it?
Thank you for your help!
Flo
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Ce que la méthode a également (ist).
Si vous deviez ressentir les Mail comme un ennui, je voudrais m'excuser
par ceci pour cela!
Spam l'hystérie artificielle peut,on utilise,pour empêcher la
possibilité,en cas de violation des droits de l'homme,public créer?
Interne
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Are you trying to introduce or sell your new product?
Are you planning to present your new service or technology?
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