Walt North writes:
> I occasionally write out Tab notation parts for 6 or 8 string lap
> steel guitar. I have created tuning entries for these and it works
> well using Minimum fret and max fret difference values. Here is my
> question. 90% of the time I only need the upper six strings and just
I occasionally write out Tab notation parts for 6 or 8 string lap steel
guitar. I have created tuning entries for these and it works well using
Minimum fret and max fret difference values. Here is my question. 90%
of the time I only need the upper six strings and just occasionally dip
down to
Thank you so much William,
yes indeed whatever problem I was experiencing has been resolved in a
recent update to lilypond.
regards,
g.r.e.
On Wed, Jun 5, 2024 at 8:39 PM William Rehwinkel <
will...@williamrehwinkel.net> wrote:
> On MacOS x86, When running your file on 2.25.7, only one tuplet is
On MacOS x86, When running your file on 2.25.7, only one tuplet is
shown, but when running 2.25.16, both tuplets are shown. Seems like
there was a bug that has recently been fixed. Can you try running on
2.25.16?
Thanks,
-William
On 6/5/24 22:26, David Wright wrote:
On Wed 05 Jun 2024 at 19:
On Wed 05 Jun 2024 at 19:24:48 (-0600), Gregory Evans wrote:
> Hi Mark thanks for the reply,
> so my mwe didn’t show, but the measure is 2/5 which means the duration of
> the measure is that of a half note prolated by 5:4, so that is where the 8
> in 9:*8* comes from.
>
> Regardless of this discre
Hi Mark thanks for the reply,
so my mwe didn’t show, but the measure is 2/5 which means the duration of
the measure is that of a half note prolated by 5:4, so that is where the 8
in 9:*8* comes from.
Regardless of this discrepancy, lilypond is perfectly happy to display
"incomplete" tuplets. see:
Gregory,
As I read it the inner 8/9 is equal to two beats of a 4/4 measure.
That is insufficient to complete an entire 4/5 measure.
Look at
\version "2.24.3"
\times 4/5 {
\times 8/9 {
c'16 c' c' c' c' c' c' c' c'
} c'4 c' c'
}
Mark
From: lilypond-u
Hello everyone,
I need help engraving a unique rhythm structure relevant to “irrational”
meters (or perhaps non-dyadic meters or non-power-of-2-denominated meters).
In many cases of such meters, it is assumed that the unique meter prolates
the contained values as is sometimes done in a score which
On 6/3/24 17:13, Paul Scott wrote:
Is there a way to do this with Segno repeat structure?
By “this”, do you mean “play bars 1, 2, 3, then 2, 3, 4”, or do you mean
how to customize display of the repeat structure with the overbars as
your example shows?
—Joel
I'm using the nvim-lilypond-suite plugin, which works beautifully, but that's
for neovim... I suppose you're referring to "regular" vim?
Best,
Kenneth
Stefan Thomas, Jun 05, 2024 at 10:13:
> Dear community,
> did any of You manage to get the autoload-function for lilypond of vim
> to
> work?
> T
Hello William,
the problem here is that a markup may depend on the context it is rendered in.
For example if you change font size or even font for Staff.InstrumentName then
the dimensions of the stencil will change.
You can of course render the markup using some "default" settings, as long as
Add the || bar type to the list of bar symbols that require a volta hook
with
#(allow-volta-hook "||")
at the top level of the ly file.
On 04/06/2024 20:12, Paul Scott wrote:
I have tried several variations of (volta #f) and end-repeat with the
following code:
\version "2.25.16"
xDS = \mar
Dear community,
did any of You manage to get the autoload-function for lilypond of vim to
work?
Thanks for Your help,
Stefan
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