Thanks Jean.
This does of course work, but leaves the bar numbers a lot higher than
previously. Using a value of 1 is almost the same as before, even 2 is a lot
higher.
However overnight I had a thought -- moving Bar_number_engraver from the Score
context into the ChoirStaff context restores t
On 5/9/23 11:52, Gianmaria Lari wrote:
[...]
How can I move the discant symbol and the accordion pull symbol
to avoid them to stack on top of each other?
[...]
I just learned from Jean how to use \overlay and \translate-scaled
together to control exactly where text an
>
> [...]
> How can I move the discant symbol and the accordion pull symbol to avoid
> them to stack on top of each other?
>
> [...]
>
> I just learned from Jean how to use \overlay and \translate-scaled
> together to control exactly where text and glyphs are placed, and make them
> scale with chan
On 5/9/23 06:51, Gianmaria Lari wrote:
Sorry, trivial question:
How can I move the discant symbol and the accordion pull symbol to
avoid them to stack on top of each other?
\version "2.25.2"
#(use-modules (lily accreg)) %to use \discant
pull = \markup {\musicglyph "accordion.pull"
Wow, what an adorable solution!
Merci beaucoup, Jean! You have a gift!
F.
El mar, 9 may 2023 a las 11:35, Jean Abou Samra ()
escribió:
> Le mardi 09 mai 2023 à 11:10 -0300, Federico Sarudiansky a écrit :
>
> Hi everyone! Please consider the following problem: a work for a soloist
> and accompa
Le mardi 09 mai 2023 à 11:10 -0300, Federico Sarudiansky a écrit :
> Hi everyone!
> Please consider the following problem: a work for a soloist and accompaniment
> in which there is an «alternative» part. For instance, a work for flute and
> guitar which the composer allows to be played on viol
Hi everyone!
Please consider the following problem: a work for a soloist and
accompaniment in which there is an «alternative» part. For instance, a work
for flute and guitar which the composer allows to be played on violin. The
solo parts are almost identical, and differ only in isolated places.
F
Sorry, trivial question:
How can I move the discant symbol and the accordion pull symbol to avoid
them to stack on top of each other?
\version "2.25.2"
#(use-modules (lily accreg)) %to use \discant
pull = \markup {\musicglyph "accordion.pull" }
\score {
\fixed c'' {
\discant "20" \tempo Viv
Le mardi 09 mai 2023 à 08:14 +, Werner LEMBERG a écrit :
> Yes, evaluated, sorry.
It is evaluated when baz is executed.
```
(define (foo bar)
(define (baz)
(if bar "yes" "no"))
(set! bar #t)
(baz))
(foo #f) ⇒ "yes"
```
signature.asc
Description: This is a digitally signed mess
>>
>> D'oh, this should be
>>
>> ```
>> (define (foo bar)
>> (define (baz)
>> ...
>> (if bar) ; Is 'bar' visible here? If yes, when is
>> ... ; 'bar' expanded? At the time 'baz' is
>> ; defined? At the time 'baz' is executed?
>> ```
>
> I do
On 5/9/23 03:22, Jean Abou Samra wrote:
Le lundi 08 mai 2023 à 22:55 -0400, dfro a écrit :
Jean,
I think \translate-scaled will work for me! This is a wonderful
tool. In the following example, \concat allows me to get the symbols
closer together. The -.2 values for x in /translate-scaled o
On 5/9/23 03:22, Jean Abou Samra wrote:
Le lundi 08 mai 2023 à 22:55 -0400, dfro a écrit :
Jean,
I think \translate-scaled will work for me! This is a wonderful
tool. In the following example, \concat allows me to get the symbols
closer together. The -.2 values for x in /translate-scaled o
Le mardi 09 mai 2023 à 17:21 +1000, Kevin Pye a écrit :
> However, when this is done the bar numbers are lowered, and conflict with the
> ChoirStaff bracket:
> (Normally the bar numbers would be higher so as not to collide with the
> bracket.) Presumably this is because the Bar_number_engraver
Le lundi 08 mai 2023 à 22:55 -0400, dfro a écrit :
>
> Jean,
>
> I think \translate-scaled will work for me! This is a wonderful tool. In the
> following example, \concat allows me to get the symbols closer together. The
> -.2 values for x in /translate-scaled on the third \markup example d
I often generate vocal scores with multiple staves in a ChoirStaff and two
staves in a PianoStaff. Typically such scores have the tempo markings both
above the ChoirStaff and above the PianoStaff.
This is easily done in Lilypond by moving the Metronome_mark_engraver and
Staff_collecting_engrave
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