Hello Valentin,
Thanks a lot for the solution!
I thought this markup could be placed right inside the staff, but that would be
more confusing that useful, so I’ll use that.
A nice w-e!
JM
> Le 11 mars 2022 à 14:04, Valentin Petzel a écrit :
>
> Hello Jacques,
>
> I’m not exactly sure what
Hello everyone,
I am developing a custom music notation in which distance between notes is
different from the standard one. Instead of the tipical distance from C to D of
1, in mine for example this distance is 2/3.
This of course causes notes in the same chord that are 1 tone away to overlap.
Hello Calvin,
I don’t know, but you can check that with Sarah, who is in charge of the
Webinar setup. I send the invitation privately.
JM
> Le 3 mars 2022 à 14:08, Calvin Ransom a écrit :
>
> Hi JM,
> Will we be able to watch a recording of the webinar? I'm not able to attend
> it live becau
As a repeat is not involved, I didn't look there. I searched for things like
"divided tie" or "split tie" (thinking of the part of a tie after a line break,
but that's automatic so nothing came up). I'm not aware that there is even a
name for this item. I knew about laissez vibrer, so maybe I
This is a good place to start if you have patched a bug:
https://lilypond.org/bug-reports.html
or
https://lilypond.org/help-us.html
--
Knute Snortum
On Fri, Mar 11, 2022 at 3:29 AM Martín Rincón Botero
wrote:
>
> Hi all,
>
> I stumbled into this bug
> https://marc.info/?l=lilypond-user&m=142
Hello Paul,
a slightly different approach at this could be something like this.
Cheers,
Valentin
Am Freitag, 11. März 2022, 12:38:31 CET schrieb Paul Hodges:
> Perfect - Thank you! I'd never have thought of looking there
>
>
> I can even use it for selected notes of a chord and control th
Jean Abou Samra writes:
> Le 11/03/2022 à 12:38, Paul Hodges a écrit :
>> Perfect - Thank you! I'd never have thought of looking there
>
> Where did you look? As this question comes up fairly frequently, I'd
> like to know if there is a better structure we can give to the manual
> on this to
Hello Jacques,
I’m not exactly sure what you want, but maybe something like this?
Cheers,
Valentin
Am Freitag, 11. März 2022, 11:24:11 CET schrieb Jacques Menu:
> Hello folks,
>
> I’d like to display the following as though it were in C major using
> \naturalizeMusic from the LSR (https://lsr.d
Le 11/03/2022 à 12:38, Paul Hodges a écrit :
Perfect - Thank you! I'd never have thought of looking there
Where did you look? As this question comes up fairly frequently, I'd like
to know if there is a better structure we can give to the manual on this
topic to help people find their wa
On Fri, 11 Mar 2022 at 13:14, John McWilliam wrote:
>
> Hi,
>
> I wonder if anyone can help me code a cautionary
accidental, as in (#). If I am working with a key signature in G and write
fis no accidental is shown. Sometimes, however, I want to remind myself by
forcing an accident
I wonder if anyone can help me code a cautionary
accidental, as in (#). If I am working with a key signature in G and
write fis no accidental is shown. Sometimes, however, I want to remind
myself by forcing an accidental shown inside brackets, (#). How do I do
this?
Have you
Hi, I wonder if anyone can help me code a cautionary accidental, as in (#). If I am working with a key signature in G and write fis no accidental is shown. Sometimes, however, I want to remind myself by forcing an accidental shown inside brackets, (#). How do I do this? John McWillia
Perfect - Thank you! I'd never have thought of looking there
I can even use it for selected notes of a chord and control the directions
individually.
Paul
From: Xavier Scheuer
To: Paul Hodges
Cc: Lilypond-User Mailing List
Sent: 11/03/2022 11:12
Subject: Re: Oppo
Hi all,
I stumbled into this bug
https://marc.info/?l=lilypond-user&m=142300498620076&w=2 which I solved
with this patch https://marc.info/?l=lilypond-user&m=142477756707049&w=2
(the line numbers seem to be different nowadays). I'm using Lilypond 2.22.
Is there any chance that this small patch get
On Fri, 11 Mar 2022 at 12:06, Paul Hodges wrote:
>
> I need to set a passage for piano which consists of an extended melisma
all of whose notes tie to a chord at the end. As using actual ties would
become an illegible mess, the composer wrote a laissez vibrer after each
note, and then short "pick
I need to set a passage for piano which consists of an extended melisma all of
whose notes tie to a chord at the end. As using actual ties would become an
illegible mess, the composer wrote a laissez vibrer after each note, and then
short "pickup" ties in front of the chord. I can't see any o
Hello folks,
I’d like to display the following as though it were in C major using
\naturalizeMusic from the LSR (https://lsr.di.unimi.it/LSR/Item?id=266), but
still display the original key.
Original:
Naturalized, with \key commented out in the Lily code:
Is there a way to display the E
Hello Rich,
text-to-music toolchain : what is your use case? Creating scores with a
text-based tool such as LilyPond, or converting existing texts such as MusicXML
or MEI to scores?
The DAISY consortium (https://daisy.org) is currently financing two projects
aiming at modern, powerful music sc
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