> When staves are part of a group (such as PianoStaff), then it is
> important to use staff-staff-padding, not
> default-staff-staff-padding. So I goofed there.
>
> As penance, try out the following: [...]
Very nice, thanks! Attached is my slightly modified version.
* It uses `alignBelowContex
There's an option in the preferences to always save a file before
compiling, in case you want to be safe.
The issue with the network drive is known, I think. Probably this one:
https://github.com/frescobaldi/frescobaldi/issues/1053
I should double-check...
Il giorno gio 28 mar 2019 alle 3:20,
Trocado,
Which do you want the tuplet brackets all the same or the bracket omitted on
the last three notes?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
trocado
Sent: Wednesday, March 27, 2019 4:35 PM
To: lilypond-u
Where are the physical locations of the fonts used by lilypond?
Thank you,
ƒg
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Abraham,
Thank you for the info. Now I use folder in C-drive. Save and compile solve my
problem..I was trying to use router network drive. I can the lily file but not
pdf and mid even I did save and compile. I have no idea. So i switch back using
C-drive.
Thanks,Ming
On Wednesday, March 2
On Wed 27 Mar 2019 at 21:19:47 (-0400), Kieren MacMillan wrote:
> Hi David,
>
> OH!
>
> >> (Ironically, most of the things I used to use \relative for I now handle
> >> with the edition-engraver!)
>
> That was a typo/brainfart: I meant most of the things I used to use \tag for…
>
> Sorry!
No
Setting tupletFullLength makes LP stop omitting he tuplet bracket for tuplets
"with all the notes filled in". Is it possible to change this behavior?
For example:
\version "2.19.82"
\score {
\new Staff {
\set tupletFullLength = ##t
\tuplet 3/2 { a8 a4 }
\tuplet 3/2 { a8 a a }
\u
Hi David,
OH!
>> (Ironically, most of the things I used to use \relative for I now handle
>> with the edition-engraver!)
That was a typo/brainfart: I meant most of the things I used to use \tag for…
Sorry!
Kieren.
Kieren MacMillan, composer
‣ website: www.kier
Hi David,
> My understanding of the EE (which I've never used) is close to zero,
> but I thought it was conceptually a late part of the LP process,
> whereas \relative is just about the earliest. So I'm not sure
> I understand how you use the former to substitute for the latter.
Well, for example
On Wed 27 Mar 2019 at 19:19:10 (-0400), Kieren MacMillan wrote:
> Hi Aaron,
>
> > I tend to think of something like \relative to be a lower-level construct,
> > intended to be used as close as possible to the pitches in question. Since
> > I try to keep things organized in variables where conte
Hi Aaron,
> I adopted \relative simply because pitches on the treble staff would
> otherwise require at least one apostrophe.
> […] I desire more to avoid excessive redundancy.
Look at \fixed. =)
Hope that helps!
Kieren.
Kieren MacMillan, composer
‣ website:
Am Mi., 27. März 2019 um 09:27 Uhr schrieb Werner LEMBERG :
>
>
> Folks,
>
>
> for a solitary bass note I want to have a bass clef, not affecting
> anything else in the staff. How can I fix the attached example?
>
> I guess I need a music function that adjusts the vertical note offset
> of the upp
On 2019-03-27 4:19 pm, Kieren MacMillan wrote:
That’s great… But essentially all of the documentation has \relative
at the top-level. So what is a newbie to think, other than "My code
should look like
\paper { … }
\header {…}
\relative c' { … }
But then they start to cut and paste code bits,
Am Do., 28. März 2019 um 00:10 Uhr schrieb Kieren MacMillan
:
>
> Hi there,
>
> > The issue is not \relative, per se. I wish people would stop maligning it.
>
> If it didn’t cause so many problems (especially for newbies) that are easily
> avoided by not using it,
I disagree (partly).
I remembe
Hi Aaron,
> I tend to think of something like \relative to be a lower-level construct,
> intended to be used as close as possible to the pitches in question. Since I
> try to keep things organized in variables where content and structure are not
> intermixed, \relative never appears at a highe
Hi there,
> The issue is not \relative, per se. I wish people would stop maligning it.
If it didn’t cause so many problems (especially for newbies) that are easily
avoided by not using it, I wouldn’t keep getting up on my soapbox. Believe me:
I’d prefer not to get my exercise that way. ;)
>
On 2019-03-27 3:35 pm, Flaming Hakama by Elaine wrote:
-- Forwarded message --
From: Kieren MacMillan
To: Guy Stalnaker
Cc: Tim Slattery , Lilypond-User Mailing List <
lilypond-user@gnu.org>
Date: Tue, 26 Mar 2019 15:16:03 -0400
Subject: Re: Tangled up in Lilypond syntax
Hi Guy
>
> -- Forwarded message --
> From: Kieren MacMillan
> To: Guy Stalnaker
> Cc: Tim Slattery , Lilypond-User Mailing List <
> lilypond-user@gnu.org>
> Date: Tue, 26 Mar 2019 15:16:03 -0400
> Subject: Re: Tangled up in Lilypond syntax
> Hi Guy,
>
> > While I don't use \relative
>
>
On 2019-03-27 6:46 am, Werner LEMBERG wrote:
for a solitary bass note I want to have a bass clef, not
affecting anything else in the staff. How can I fix the attached
example? I guess I need a music function that adjusts the
vertical note offset of the upper voice...
Could you use an "ossia"
Hi, Ming!
On Wed, Mar 27, 2019 at 4:01 PM MING TSANG wrote:
> Hi lilyponder:
>
> I have my ipro4 computer hacked. I reinstall window 10 on ipro4. I down
> load lilypond 2.19.83 & 2.18.2 and also frecobaldi v3.0.1
>
> Then I run frescobaldi to create new lily scroe sheet. It complies OK, but
> no
Hi lilyponder:
I have my ipro4 computer hacked. I reinstall window 10 on ipro4. I down load
lilypond 2.19.83 & 2.18.2 and also frecobaldi v3.0.1
Then I run frescobaldi to create new lily scroe sheet. It complies OK, but no
pdf, mid files saved onto the same folder of lily file.
Help is appreciate
Hello,
I would like to force a finger position in a tablature for a particular
note in a chord, but the "\set TabStaff.minimumFret = #3 " seems to apply
to the whole chord.
In this example I would like the b to be in string 3 (g), 4th position.
[image: image.png]
I've tried to separate the voic
Perfect ! Thank you to both of you !
[image: image.png]
symbols={ 1}
\score {<< \new Staff { \clef "treble_8" \symbols }\new TabStaff { \symbols
}>>}
\layout { \omit Staff.StringNumber }
Le mer. 27 mars 2019 à 21:23, Federico Bruni a écrit :
> Il giorno mer 27 mar 2019 alle 18:25, Malte Meyn
Il giorno mer 27 mar 2019 alle 18:25, Malte Meyn
ha scritto:
You can use \3 for placing it on the third string:
symbols = 1
... and string numbers on Staff can be removed:
\layout {
\omit Staff.StringNumber
}
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Am 27.03.19 um 16:55 schrieb Anthony Rushforth:
Hello,
I would like to force a finger position in a tablature for a particular
note in a chord, but the "\set TabStaff.minimumFret = #3 " seems to
apply to the whole chord.
In this example I would like the b to be in string 3 (g), 4th positi
Hello,
I would like to force a finger position in a tablature for a particular
note in a chord, but the "\set TabStaff.minimumFret = #3 " seems to apply
to the whole chord.
In this example I would like the b to be in string 3 (g), 4th position.
[image: image.png]
I've tried to separate the voic
for a solitary bass note I want to have a bass clef, not
affecting anything else in the staff. How can I fix the attached
example? I guess I need a music function that adjusts the
vertical note offset of the upper voice...
>>>
>>> Could you use an "ossia" that overlaps the st
>> for a solitary bass note I want to have a bass clef, not affecting
>> anything else in the staff. [...]
>
> I would try to write a music function that replaces the given music
> with a transposed version (c, => a (maybe optional, depending on the
> given clef)) and prints the clef as a markup.
> Can you not use LSR 326? That is what I use quite often.
I started with that, however, it doesn't work with my particular, more
complicated music.
Werner
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Hi Werner,
Can you not use LSR 326? That is what I use quite often.
Andrew
On Wed, 27 Mar 2019 at 19:27, Werner LEMBERG wrote:
>
> Folks,
>
>
> for a solitary bass note I want to have a bass clef, not affecting
> anything else in the staff. How can I fix the attached example?
>
> I guess I n
On 2019-03-27 3:01 am, Werner LEMBERG wrote:
for a solitary bass note I want to have a bass clef, not affecting
anything else in the staff. How can I fix the attached example? I
guess I need a music function that adjusts the vertical note offset
of the upper voice...
Could you use an "ossia"
>> for a solitary bass note I want to have a bass clef, not affecting
>> anything else in the staff. How can I fix the attached example? I
>> guess I need a music function that adjusts the vertical note offset
>> of the upper voice...
>
> Could you use an "ossia" that overlaps the staff? [...
On 2019-03-27 1:22 am, Werner LEMBERG wrote:
Folks,
for a solitary bass note I want to have a bass clef, not affecting
anything else in the staff. How can I fix the attached example?
I guess I need a music function that adjusts the vertical note offset
of the upper voice...
Could you use a
Am 27.03.19 um 09:22 schrieb Werner LEMBERG:
Folks,
for a solitary bass note I want to have a bass clef, not affecting
anything else in the staff. How can I fix the attached example?
I guess I need a music function that adjusts the vertical note offset
of the upper voice...
I would try t
Folks,
for a solitary bass note I want to have a bass clef, not affecting
anything else in the staff. How can I fix the attached example?
I guess I need a music function that adjusts the vertical note offset
of the upper voice...
Werner
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