On 2/16/2018 7:52 PM, Joshua Nichols wrote:
Does anyone have any experience re-directing the writing and temporary
files created with Frescobaldi? I just received a new computer and it
contains an embedded SSD, and I don't want to wear it out prematurely
from constant writing of the drive.
--
On 2/16/2018 7:52 PM, Joshua Nichols wrote:
Does anyone have any experience re-directing the writing and temporary
files created with Frescobaldi? I just received a new computer and it
contains an embedded SSD, and I don't want to wear it out prematurely
from constant writing of the drive.
--
Does anyone have any experience re-directing the writing and temporary
files created with Frescobaldi? I just received a new computer and it
contains an embedded SSD, and I don't want to wear it out prematurely from
constant writing of the drive.
--
Josh
___
I'm hoping this is the right place to post a question about lyluatex,
since I can't find a mailing list in that project's site.
Anyway, I used lyluatex plenty of times in the past year in several
projects, without a problem, but now I can't seem to run a minimal example:
\documentclass[lette
Ok, so I updated my TeXlive to 2017 and now the errors are gone, but I
have no output.
El 16/02/18 a las 11:19, Víctor Cisneros escribió:
I'm hoping this is the right place to post a question about lyluatex,
since I can't find a mailing list in that project's site.
Anyway, I used lyluatex p
Lilyponders
How to generate the second chard name?
Thanks for the help
Ming
Sent from Mail for Windows 10
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On 2/16/2018 12:01 PM, msk...@ansuz.sooke.bc.ca wrote:
When it comes to fonts, at one point when I needed a nice-looking
simulated typewriter font I ended up licensing Underwood Typewriter from
Vintage Type, who used to be at vintagetype.com but now don't seem to be
on the Web.
Have you ever se
Hi,
Thanks for your suggestion!
I have been looking at edition-engraver and I tried to come up with something
which mimics what edition-engraver is doing. That something however crashes
Lilypond with a segmentation fault.
As I am doing my analysis on the finalize event, I can only add the mark
THANKS SFS!!!
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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On Fri 16 Feb 2018 at 12:01:10 (-0600), msk...@ansuz.sooke.bc.ca wrote:
> On Fri, 16 Feb 2018, Shane Brandes wrote:
> > Got it to work. Figured out you can change to what ever font you want
> > in the sty file. Lessening the the grayscale variability and some of
> > the other variables with the use
Agreed, however this does a bang up job of doing up very early period print
such especially incunabula period or really any type that was set where the
slugs were not exactly identical an therefore didn't fit in the form perfectly.
Sent from my T-Mobile 4G LTE Device
Original message
On Fri, 16 Feb 2018, Shane Brandes wrote:
> Got it to work. Figured out you can change to what ever font you want
> in the sty file. Lessening the the grayscale variability and some of
> the other variables with the use of a historical font yields really
> convincing period style documents. This is
Am 16. Februar 2018 18:22:54 MEZ schrieb Shane Brandes :
>Got it to work. Figured out you can change to what ever font you want
>in the sty file. Lessening the the grayscale variability and some of
>the other variables with the use of a historical font yields really
>convincing period style docum
Got it to work. Figured out you can change to what ever font you want
in the sty file. Lessening the the grayscale variability and some of
the other variables with the use of a historical font yields really
convincing period style documents. This is absolutely great.
Shane
On Fri, Feb 16, 2018 at
On Fri 16 Feb 2018 at 15:58:41 (+0100), Simon Albrecht wrote:
> On 16.02.2018 12:51, Peter Toye wrote:
> >2) In at least the Learning and Notation manuals, add an alphabet
> >with links at the head of each index. The indexes are (of
> >necessity) very long, and scrolling down them is a bit of a pai
On 16.02.2018 12:51, Peter Toye wrote:
2) In at least the Learning and Notation manuals, add an alphabet with
links at the head of each index. The indexes are (of necessity) very
long, and scrolling down them is a bit of a pain.
In the HTML versions, all the indices have this at the top and bo
Hi Maurits,
Have you looked at how the edition-engraver works? I use it to add markup to my
scores all the time. Either you can use it as is, or perhaps the code will give
you hints as to how to tweak your Scheme code to get the desired effect.
Hope that helps!
Kieren.
_
On 2/16/2018 5:51 AM, Peter Toye wrote:
I don't have access to a PDF editor as it's not the sort of thing I
usually do.
Well, you wouldn't need a PDF editor.
http://lilypond.org/doc/v2.19/Documentation/contributor/documentation-work
"There are currently 11 manuals for LilyPond, not including
Thanks Simon, that's a great tool.
I changed the function just a bit so that the stems of the eighth notes in
the lower voices aren't so long:
dummy =
#(define-music-function (mus) (ly:music?)
#{
\override NoteColumn.ignore-collision = ##t
\voiceTwo
\once \omit Stem
\o
On 2/16/2018 6:51 AM, Peter Toye wrote:
Two suggestions for documentation May I suggest two enhancements to
the documentation - neither should take too long to do.
1) In the "Octave check" section of the Notation manual, add a
reference to the \resetRelativeOctave command. It's hidden away in
May I suggest two enhancements to the documentation - neither should take too
long to do.
1) In the "Octave check" section of the Notation manual, add a reference to the
\resetRelativeOctave command. It's hidden away in the notation manual tables,
and is far too useful to be ignored, especially
Hi all,
I am doing some processing of musical material in order to detect certain music
conditions (such as certain types of intervals etc.)
The processing is done in Scheme, where I first collect all note information
through note-event listeners, then use the finalize event to do the actual
pr
It's not only about extenders, it's about aligning lyrics to a melody in
general.
Moreover, the associatedVoice property can be used to switch voice
assignment etc.
The difference between setting associatedVoice to a nonexistent voice and
setting it to ##f (resp. not setting it at all) is that in
Okay, that makes some amount of sense (but not much). But why doesn't it give a
warning or anything? And I still don't know why extenders need an associated
voice in the first place.
On 02/16/18 10:49, Torsten Hämmerle wrote:
> Hi,
>
> As soon as associatedVoice has been set to /anything/, Lily
Hi,
As soon as associatedVoice has been set to /anything/, LilyPond will pick
the next best voice it can find.
The actual value assigned to associatedVoice is only important if there are
multiple voices present to choose from.
Let me illustrate that with an amended example taken from the document
It doesn't seem that voice is actually used for anything; setting
assocatedVoice to "" lets extenders be used without any other apparent effects.
So why is there such a difference between having no associated voice and having
a nonexistent one?
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li
Am 2018-02-16 um 08:35 schrieb Johan Vromans :
> What I also recall is that on a dual-colour typewriter (typically black/red)
> you could get black letters that were partly red in descenders.
Oh yes, the super bold (or punched-through) dots are the one thing that I’m
missing in this package.
Som
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