Ciao Thomas,
thank you for your code, I made some test and it works perfectly! But it
also scares me :)
g.
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Harm,
> markup can't create midi, but I looked for a method to extract
> the scores from markup and to reprocess them as midi.
You're my spirit animal. =)
Best (and thanks),
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@ki
Hi Pierre-Luc,
> Oooh, so you mean that grobs now containing mostly a
> textedit:///path/to/file:line:column:something could then include much
> more stuff. A sort of dictionary containing lots of information (voice staff
> and
> so many possible mores! ;-) ) that some editor could fetch and
> in
2017-06-14 18:58 GMT+02:00 David Wright :
> On Mon 12 Jun 2017 at 09:17:31 (+0200), Thomas Morley wrote:
>> 2017-06-12 6:43 GMT+02:00 David Wright :
>> > I can't figure out how to make crossStaff work when one component
>> > has been displaced by the interval of a second. I came up with a
>> > hack
2017-06-14 17:34 GMT-04:00 Kieren MacMillan :
>> How could the editor know?
>> What if VariableA is used by two voices? Which one should it refer to?
>
> The one you clicked on in the PDF. ;)
Oooh, so you mean that grobs now containing mostly a
textedit:///path/to/file:line:column:something could
Am 14.06.2017 um 23:14 schrieb Johan Vromans:
> On Wed, 14 Jun 2017 15:44:24 -0400, Kieren MacMillan
> wrote:
>
>> Hi Johan,
>>
>>> When I visit https://openliliylib.org/ I get a page with text but
>>> nothing to click on. No links (except for the generic links (github
>> Clicking on the GitHu
2017-06-14 17:47 GMT+02:00 Gianmaria Lari :
> Why this code does not generate any midi file?
>
> \version "2.19.60"
> \markup {
> \score {
> {c' d'}
> \midi{}
> \layout{}
> }
> }
As others already said, markup can't create midi, but I looked for a
method to extract the scores fro
Hi Pierre-Luc,
> How could the editor know?
> What if VariableA is used by two voices? Which one should it refer to?
The one you clicked on in the PDF. ;)
I suppose in the *extremely rare* circumstance that a single grob is contained
at exactly the same [physical] spot in the same parent (e.g.
Hi Johan,
> The OpenLilyLib web page talks about "Learn how to get up and running with a
> few steps" and "Browse the package list and search the full online
> documentation" but there is no way to actually achieve this.
>
> In particular, "Learn how to get up and running with a few steps" would
On 14.06.2017 23:14, Johan Vromans wrote:
The OpenLilyLib web page talks about "Learn how to get up and running with a
few steps" and "Browse the package list and search the full online
documentation" but there is no way to actually achieve this.
In particular, "Learn how to get up and running w
>>> Maybe something like: right-click on a grob to get a list of possible
>>> targets in the code (e.g., "Staff, Voice, quoted source, Lilypond
>>> definition of 'acciaccatura'"), select item and be taken to that 'level'.
>>
>> IFAIK, no such information are contained in the PDF itself which woul
On Wed, 14 Jun 2017 15:44:24 -0400, Kieren MacMillan
wrote:
> Hi Johan,
>
> > When I visit https://openliliylib.org/ I get a page with text but
> > nothing to click on. No links (except for the generic links (github
>
> Clicking on the GitHub link will take you to the current repository.
>
>
> "David" == David Kastrup writes:
David> pe...@chubb.wattle.id.au writes:
>>
>> It'd be fairly easy to write a music function that does this, but I
>> wanted to ask first if there was one already existing I could use.
David> \shiftDurations #1 #0 { music ... }
Thanks David! That's exactl
Hi Johan,
> When I visit https://openliliylib.org/ I get a page with text but nothing
> to click on. No links (except for the generic links (github
Clicking on the GitHub link will take you to the current repository.
Hope this helps!
Kieren.
Kieren MacMillan, co
On Wed, 14 Jun 2017 15:01:19 +0200, Jan-Peter Voigt wrote:
> It is designed as an openlilylib-plugin so you should clone it next to
> oll-core (if you want to try it) It comes with one example file that
> shows the core commands.
Which reminds me...
When I visit https://openliliylib.org/ I ge
2017-06-14 12:34 GMT+02:00 Rutger Hofman :
> Good morning list,
>
> in Berg's Violin Concerto, bar 93, there is a vertical arrow between the
> solo violin and the first violins. See attached. I am convinced this is a
> voice follower indication. This construct occurs numerous times in this
> score,
Hi Rutger,
> I cannot make it draw *vertical* lines/arrows, is there anything I overlook?
If the staves are guaranteed to be adjacent, maybe you can hack Arpeggio?
Here's a start:
%%% SNIPPET BEGINS
\version "2.19.62"
arpfix = {
\once \override GrandStaff.Arpeggio.stencil = #ly:arpeggio::br
I wanted to try to avoid to split the midi in a different "block" but I
will go in this way.
Thank you Kieren and Guy!
g.
On 14 June 2017 at 19:02, Kieren MacMillan
wrote:
> Hi Gianmaria,
>
> > Ok, something more real:
> >
> > \version "2.19.60"
> > \markup \fill-line {
> > \score {
> >
Hi Gianmaria,
> Ok, something more real:
>
> \version "2.19.60"
> \markup \fill-line {
> \score {
> {c' d'}
> \midi{}
> \layout{}
> }
> \score {
> {c' d'}
> \midi{}
> \layout{}
> }
> }
Hmm… maybe something like this (WARNING: didn't try it myself!)?
\version "2.1
On Mon 12 Jun 2017 at 09:17:31 (+0200), Thomas Morley wrote:
> 2017-06-12 6:43 GMT+02:00 David Wright :
> > I can't figure out how to make crossStaff work when one component
> > has been displaced by the interval of a second. I came up with a
> > hack (a hidden note) in example 3, but it has the si
I see what you're trying to do, but I don't think (others on this list can
correct me if I'm wrong) that \markup is intended for this kind of use:
A \markup block is used to typeset *text* with an extensible syntax called
“markup mode”
From: http://lilypond.org/doc/v2.19/Documentation/notation
Hi Juan,
OP: "Obviously, an arrow can be drawn in markup, but that is not really
portable. Its length would be fixed, and need to be retuned for each different
situation, or score/parts, or whatever. I would love to stay away from that."
=)
Cheers,
Kieren.
> How about this
>
> \version "2.18
How about this
\version "2.18.2"
<<
\new Staff {
c1
_\markup {
\combine
\draw-line #'(0 . 4)
\arrow-head #Y #DOWN ##f
}
}
\new Staff c1
>>
http://lilypond.org/doc/v2.18/Documentation/notation/formatting-text#graphic-notation-inside-markup
> On Jun 14, 2017, at
>
> How about using \justify-line?
>
fantastic! This work perfectly! Thank you!
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Hi Gianmaria,
> Is there any way I can avoid overlapping but use all the line?
How about using \justify-line?
Hope this helps,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
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I'm playing with the \fill-line command:
Please have a look to the following example:
\version "2.19.60"
\markup \fill-line {Word Super_super_super_long_word
Another_super_super_super_long_word}
As you can see there are three words in the markup:
(1)Word (2)Super_super_super_long_word
(3)Anoth
yes, but that was just a "distilled" (concise) example :)
Ok, something more real:
\version "2.19.60"
\markup \fill-line {
\score {
{c' d'}
\midi{}
\layout{}
}
\score {
{c' d'}
\midi{}
\layout{}
}
}
On 14 June 2017 at 18:01, Guy Stalnaker wrote:
>
> On Wed, Jun
On Wed, Jun 14, 2017 at 10:47 AM, Gianmaria Lari
wrote:
> \version "2.19.60"
> \markup {
> \score {
> {c' d'}
> \midi{}
> \layout{}
> }
> }
>
This does - note no \markup required:
\version "2.19.60"
\score {
<<
{c' d'}
>>
\midi{}
\layout{}
}
Guy Sta
Peter,
In Frescobaldi:
Tools, rhythm, double/half duration
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
pe...@chubb.wattle.id.au
Sent: Wednesday, June 14, 2017 3:02 AM
To: lilypond-user@gnu.org
Subject: Halving/doubl
Why this code does not generate any midi file?
\version "2.19.60"
\markup {
\score {
{c' d'}
\midi{}
\layout{}
}
}
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Hi Pierre-Luc,
>> On a related note: Do you use Frescobaldi?
>
> Mainly yes.
> Although I am using emacs more and more on a daily basis and I expect
> to migrate my LilyPond workflow into it the following years.
Interesting!
>> I imagine the implementation of a really good solution to this prob
Thanks for the reply Kieren,
> On a related note: Do you use Frescobaldi?
Mainly yes.
Although I am using emacs more and more on a daily basis and I expect
to migrate my LilyPond workflow into it the following years.
> I imagine the implementation of a really good solution to this problem would
Hi Pierre-Luc,
> where does the "point-and-click"
> embedded reference (li . col) points to? and how could I make point it
> shallower (i.e. make it point to "the finger" and not the moon)
This is something I'm struggling with, as well.
On a related note: Do you use Frescobaldi? I imagine the im
Hi Jan-Peter,
> I have been working on an export module for lilypond. […]
> you have a command and a context-mod in place to export music with or without
> typesetting it
This is very exciting! Thanks for the great work.
> I appreciate any feedback and maybe someone likes to collaborate?
I wi
Hello there,
I guess my question would be, where does the "point-and-click"
embedded reference (li . col) points to? and how could I make point it
shallower (i.e. make it point to "the finger" and not the moon)
Since am I using lots of \quoteDuring and \cueDuring, I often get in
the situation whe
Hi list-members,
I have been working on an export module for lilypond. The last month
there was no time to work on it. So I send you this link despite its
pre-alpha state, because otherwise the project might fall asleep ;-)
https://github.com/jpvoigt/lilypond-export
It is designed as an open
Am 14.06.2017 1:15 nachm. schrieb Rutger Hofman :On 06/14/2017 12:47 PM, Marc Hohl wrote:
> Am 14.06.2017 um 12:34 schrieb Rutger Hofman:
>> Good morning list,
>
> [...]
>
> Does
>
> http://lsr.di.unimi.it/LSR/Item?id=962
>
> what you want?
>
> Marc
This LSR snippet uses VoiceFo
pe...@chubb.wattle.id.au writes:
> Hi Folks,
>Lots of older music is written in 4/2 or 3/2 time, and uses minims
>as the standard note. I'd like to be able to enter it exactly for
>proof reading, then halve all the note values (and the time
>signature) so the main melody is in cro
On 06/14/2017 12:47 PM, Marc Hohl wrote:
Am 14.06.2017 um 12:34 schrieb Rutger Hofman:
Good morning list,
[...]
Does
http://lsr.di.unimi.it/LSR/Item?id=962
what you want?
Marc
This LSR snippet uses VoiceFollower and Glissando. I cannot make it draw
*vertical* lines/arrows, is there anyt
Am 14.06.2017 um 12:34 schrieb Rutger Hofman:
Good morning list,
[...]
Does
http://lsr.di.unimi.it/LSR/Item?id=962
what you want?
Marc
Rutger Hofman
Amsterdam
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Good morning list,
in Berg's Violin Concerto, bar 93, there is a vertical arrow between the
solo violin and the first violins. See attached. I am convinced this is
a voice follower indication. This construct occurs numerous times in
this score, as in many other works by Berg.
I don't know ho
Hi Peter,
if you use Frescobaldi for writing your music (and I very much can
recommend that!!), it has a lot of such things built in.
http://www.frescobaldi.org/index.html
Best,
Robert
Am 14.06.17 um 12:02 schrieb pe...@chubb.wattle.id.au:
Hi Folks,
Lots of older music is written in
Hi Folks,
Lots of older music is written in 4/2 or 3/2 time, and uses minims
as the standard note. I'd like to be able to enter it exactly for
proof reading, then halve all the note values (and the time
signature) so the main melody is in crotchets instead of minims.
Example, the
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