On Sat 15 Apr 2017 at 23:12:36 (+0100), Wols Lists wrote:
> On 15/04/17 21:55, Kieren MacMillan wrote:
> > Hi Wol,
> >
> >> > most of the music I see from the turn of last century does NOT.
>
> > Does not repeat the key signature? Fascinating! What field/genre are you
> > working in?
>
> Mostly
On 15/04/17 21:55, Kieren MacMillan wrote:
> Hi Wol,
>
>> > most of the music I see from the turn of last century does NOT.
> Does not repeat the key signature? Fascinating! What field/genre are you
> working in?
Mostly published by either Boosey, or Hawkes. They merged about 1920 ... :-)
I th
Hi Wol,
> most of the music I see from the turn of last century does NOT.
Does not repeat the key signature? Fascinating! What field/genre are you
working in?
I studied, and now work in the classical (both “old” and “new”), jazz
(instrumental and vocal/choral), and musical theatre worlds, and
On 15/04/17 15:55, Malte Meyn wrote:
May I ask how much sheet music you have seen so far? All (!) classical
sheet music repeats key signature at every line. And many editions of
pop/jazz/… do that also.
And most of the music I see from the turn of last century does NOT.
However, imho, it makes
Am 15.04.2017 um 18:02 schrieb Malte Meyn:
Am 15.04.2017 um 17:32 schrieb Marc Hohl:
Hi list,
I am working on a little piece that's played as written;
after that, the musician has to turn the page upside down and play the
resulting notes.
I managed to get the clef displayed at the beginning
Am 15.04.2017 um 18:11 schrieb Son_V:
Hi list,
I am working on a little piece that's played as written;
after that, the musician has to turn the page upside down and play the
resulting notes.
I'm sorry, I'm just adding noise, but the thing you're working on seems
interesting for me.
I reme
Am 15.04.2017 um 16:14 schrieb Son_V:
to have every beat numbered could help when in a
choir the Maestro calls to sing from a given beat.
The vast majority of scores available have bar numbers at the start of
each system. So if you don’t want the trouble of writing bar numbers in
each and eve
Hey, I'm working on re-typing some educational notes and I'm wondering if
maybe someone had this problem and also came up with some Scheme to deal
with this.
http://i.imgur.com/T7z8Ty7.png - this is the source;
http://i.imgur.com/IGocUKW.png - this is what I came up with (nevermind
wrong notes)
On Sat, 2017-04-15 at 07:14 -0700, Son_V wrote:
> I understand (maybe), but to have every beat numbered could help when
> in a
> choir the Maestro calls to sing from a given beat.
> That's the reason why I want them to be visible.
>
> Sorry to be such an humble learner.
This reminds me of an old
> Hi list,
> I am working on a little piece that's played as written;
> after that, the musician has to turn the page upside down and play the
> resulting notes.
I'm sorry, I'm just adding noise, but the thing you're working on seems
interesting for me.
I remember that JS Bach made some work of
Am 15.04.2017 um 17:32 schrieb Marc Hohl:
> Hi list,
>
> I am working on a little piece that's played as written;
> after that, the musician has to turn the page upside down and play the
> resulting notes.
>
> I managed to get the clef displayed at the beginning and the end of each
> line, and
Hi list,
I am working on a little piece that's played as written;
after that, the musician has to turn the page upside down and play the
resulting notes.
I managed to get the clef displayed at the beginning and the end of each
line, and I can flip the clef ;-)
Unfortunately, overriding the Cl
Wouldn't try to write a minimum example now! :-)
As in object! :-)
And thanks for the patience.
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[...]
>But yes, it’s self-explaining this time.
Thank's God! :-)
>> On my scores, the key signature appears on every beginning of a staff.
>Not only on yours.
>> I wonder if it's right or if it SHOULD be avoided. In the latter case,
>> what
>> should I do?
> May I ask how much sheet music you
Am 15.04.2017 um 16:41 schrieb Son_V:
> I dare to try a minimal example! :-)
> But I hope it's self-explaining.
\version "2.18.2"
{
\key d \major
R1*20
}
That’s not too hard ;)
But yes, it’s self-explaining this time.
> On my scores, the key signature appears on every beginni
I dare to try a minimal example! :-)
But I hope it's self-explaining.
On my scores, the key signature appears on every beginning of a staff.
I wonder if it's right or if it SHOULD be avoided. In the latter case, what
should I do?
Thanks.
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http://lilypond.10690
I understand (maybe), but to have every beat numbered could help when in a
choir the Maestro calls to sing from a given beat.
That's the reason why I want them to be visible.
Sorry to be such an humble learner.
--
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Thanks for your kind lesson. I hope I will make a good use of this (bu I'm
unsure of).
Thnx again
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On Sat, 2017-04-15 at 13:04 +0200, Thomas Morley wrote:
> 2017-04-15 10:35 GMT+02:00 Richard Shann :
> > Is it documented anywhere what the units used in the markup command
> > \hspace are?
>
> The general doc is at NR 5.4.3 Distances and measurements
ah, I see - the headings on the left only ext
Am 15.04.2017 um 15:47 schrieb Son_V:
>> \override Score.BarNumber.break-visibility = #end-of-line-invisible
>
> Thanks! That was successful.
>
> But I'm still in doubt of what should be the correct way.
There is no single correct way. In classical music traditionally you
have bar numbers onl
> \override Score.BarNumber.break-visibility = #end-of-line-invisible
Thanks! That was successful.
But I'm still in doubt of what should be the correct way.
Is it right to show the last number in the staff, or is it not?
IMHO I prefer not to leave the last number visible (and I am going to chan
Am 15.04.2017 um 15:40 schrieb Son_V:
>> And a solution
>
> Sorry but I wasn't able to find it, surely, my fault. I tried some of your
> code without success. I'm using version "2.18.2" on Linux.
Maybe try all code, not some code ;)
___
lilypond-user
Am 15.04.2017 um 14:30 schrieb Son_V:
> I'm not able to make a truly "minimum example", that's what I could do:
I’ll show you how this can be simplified.
> \version "2.18.2"
> \header {
> }
You don’t need an empty \header, \paper, \layout, … block.
> PartPOneVoiceOne = \relative a' {
> \ov
> And a solution
Sorry but I wasn't able to find it, surely, my fault. I tried some of your
code without success. I'm using version "2.18.2" on Linux.
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Am 15.04.2017 um 13:54 schrieb Son_V:
> Hi all, Lilypond (using \override Score.BarNumber #'break-visibility = #'#(#t
> #t #t) ) writes at the end of a score, the number of the next beam, that is
> written at the beginning of the subsequent score; and it writes at the end
> of the last score the
Hi,
> I'm not able to make a truly "minimum example", that's what I could do:
I showed you a much smaller example.
And a solution.
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
__
I'm not able to make a truly "minimum example", that's what I could do:
\version "2.18.2"
\header {
}
PartPOneVoiceOne = \relative a' {
\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\clef "treble" \key c \major \numericTimeSignature\time 4/4 a1 | % 2
a1 a1 a1 a1 a1 a1 a1 a1
Hi,
Please include tiny compilable examples with your questions.
> Lilypond (using \override Score.BarNumber #'break-visibility = #'#(#t
> #t #t) ) writes at the end of a score, the number of the next beam, that is
> written at the beginning of the subsequent score; and it writes at the end
> of
On Sat, 2017-04-15 at 12:34 +0200, Rutger Hofman wrote:
> On 04/13/2017 03:37 PM, David Sumbler wrote:
> >
> > On Thu, 2017-04-13 at 09:19 -0400, Kieren MacMillan wrote:
> > >
> > > Hi David,
> > >
> > > >
> > > >
> > > > At the moment I cannot really see how to deal with this sort of
> > > >
Hi all, Lilypond (using \override Score.BarNumber #'break-visibility = #'#(#t
#t #t) ) writes at the end of a score, the number of the next beam, that is
written at the beginning of the subsequent score; and it writes at the end
of the last score the number that should be at the beginning of an
ine
On Fri, 2017-04-14 at 17:40 -0400, Kieren MacMillan wrote:
> Hi David,
>
> >
> > That thread is now 8 months old, and I wondered what has happened
> > since.
> Unfortunately, not as much as one would hope…
>
> >
> > Is some of it yet incorporated into the development version of
> > LilyPond?
>
Hi Andrew,
2017-04-15 13:14 GMT+02:00 Andrew Bernard :
> Hi All,
>
> It would be great if the documentation could actually state that.
We have
LM 4.3.3 Length and thickness of objects
and
NR 5.4.3 Distances and measurements
Also, I did a quick glance over the available markup-commands, seems
to
Hi All,
It would be great if the documentation could actually state that. The
average user is not going to be able to cook up that code to probe the size.
I am great believer in reference manuals being terse (e.g. UNIX man pages),
but they lilypond ones tend to err on the side of being too terse
2017-04-15 10:35 GMT+02:00 Richard Shann :
> Is it documented anywhere what the units used in the markup command
> \hspace are?
The general doc is at NR 5.4.3 Distances and measurements
>
> the documentation is:
>
> \hspace amount (number)
>
> Create an invisible object taking up horizont
On 04/13/2017 03:37 PM, David Sumbler wrote:
On Thu, 2017-04-13 at 09:19 -0400, Kieren MacMillan wrote:
Hi David,
At the moment I cannot really see how to deal with this sort of
problem, other than having completely separate input for the score
and
the part at these points, controlled by tags
Is it documented anywhere what the units used in the markup command
\hspace are?
the documentation is:
\hspace amount (number)
Create an invisible object taking up horizontal space amount.
The "amount" appears to be smaller than the width of the "m", but larger
2017-04-15 2:36 GMT+02:00 Stan Mulder :
> Thomas,
>
> Got it. I used your first solution with the addendum. If at some point in
> the future I need more chords, I will construct a more extensive file for
> guitar chords. I did construct a fingering file for plectrum banjo a while
> back. It's got 2
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