Re: merging different voices

Hi Frederico, > I attached the first 4 bars of one instrument “flute_one”. I don’t want > something very musically orthodox here... I need to generate musical > material for composition by combining/merging different scores. Maybe you could also provide the result of your merging/combining proces

Re: Crescendo in the first beat misaligned to the others

Am 01.03.2017 um 16:18 schrieb Son_V: PS how to put "Adagio" above the staff? It is very much recommended to have read and understood all of the Learning Manual. Best, Simon _

tweaking Clefs

Is it possible to tweak clef properties in the same way that you can tweak color and notehead style of a ly:pitch? Object. Ie ;rebuild the pitch and if a changed pitch add the color tweak (if (ly:pitch? p) (let ((new-pitch (naturalize-instrument-range p instrument))) (l

Re: Crescendo in the first beat misaligned to the others

On Wed, Mar 1, 2017 at 9:18 AM, Son_V wrote: > I mean the vertical misalignment that can be seen in this screenshot: > > > Not having your ly source, I can't say for sure/try anything out, but I think you wil

Re: \ottava without bracket

On Wed, Mar 1, 2017 at 11:08 AM, David Nalesnik wrote: > On 2/28/17, David Nalesnik wrote: >> Hi Harm, >> >> On Tue, Feb 28, 2017 at 1:02 PM, Thomas Morley >> wrote: >>> 2017-02-28 16:09 GMT+00:00 David Nalesnik : Hi Andrew, On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard wr

Re: \ottava without bracket

On 2/28/17, David Nalesnik wrote: > Hi Harm, > > On Tue, Feb 28, 2017 at 1:02 PM, Thomas Morley > wrote: >> 2017-02-28 16:09 GMT+00:00 David Nalesnik : >>> Hi Andrew, >>> >>> On Mon, Feb 27, 2017 at 6:52 PM, Andrew Bernard >>> wrote: Hi David, This is excellent and useful. Also wo

Re: merging different voices (Federico Camara Halac)

Am 01.03.2017 um 17:21 schrieb Federico Camara Halac: > Hello list, > > thank you Joe, Urs, Son V > > I have a much better understanding of my problem now! Huge thanks > > I think that at least for now, the solution is to work *before* > passing the input to Lilypond. This is actually where I spe

Re: merging different voices (Federico Camara Halac)

Hello list, thank you Joe, Urs, Son V I have a much better understanding of my problem now! Huge thanks I think that at least for now, the solution is to work *before* passing the input to Lilypond. This is actually where I spend most of my time, anyways. I am working with Jaime Oliver's [note

RE: merging different voices (Federico Camara Halac)

This is the kind of things that Musescore can make in a snap, and one of the reasons why I will continue using it for writing scores (the main is my ignorance in LP). -- View this message in context: http://lilypond.1069038.n5.nabble.com/RE-merging-different-voices-Federico-Camara-Halac-tp20062

Re: Crescendo in the first beat misaligned to the others

I mean the vertical misalignment that can be seen in this screenshot: PS how to put "Adagio" above the staff? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Crescendo-in-the

RE: merging different voices (Federico Camara Halac)

> On Feb 28, 2017, at 5:06 PM, lilypond-user-requ...@gnu.org wrote: > > Hello list, > > This is my first post here and I?m fairly new to Lilypond, but I need some > help. I am using Lilypond to compose, and I need to merge 4 scores into one. > All four scores have the same 6 instruments and t

Re: Bar counts and repeats in repetitive music

Peter Toye writes: > David, > > Z80 - far too modern for me. I was using machine code in the 1960s! Ta, you win. I only started with computers in the 70s and then the most contact I had with machine code was reading the post mortem dumps of my Fortran programs on the Cyber 175 containing a fair

Re: Bar counts and repeats in repetitive music

David, Z80 - far too modern for me. I was using machine code in the 1960s! Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Tuesday, February 28, 2017, 8:18:55 PM, you wrote: > Peter Toye writes: >> David and other, >> All of which makes me think that it

Re: merging different voices

Am 01.03.2017 um 11:45 schrieb Federico Camara Halac: > > Hi Jeffery, thanks for you response! > > >> it is unclear what exactly you want. Can >> you provide a small snippet of code >> (http://lilypond.org/tiny-examples.html) or a (small size) image or >> anything else to maybe illustrate what yo

Re: Crescendo in the first beat misaligned to the others

Am 01.03.2017 um 10:59 schrieb Son_V: That happened when I added \override Score.BarNumber #'break-visibility = #'#(#t #t #t) so the score changed to } PartPOneVoiceOne = \relative g' { \override Score.BarNumber #'break-visibility = #'#(#t #t #t) \clef "treble" \key es \major \time 2/2

Re: merging different voices

Hi Urs, Do you mean you have four scores that have some kind of similar "outline" or formal structure and you want to process them along the lines of (to mention just one example) "I want a sound at this 16th note if there is a sound in all four scores at that point" or similar kinds of operation

Re: merging different voices

Hi Jeffery, thanks for you response!it is unclear what exactly you want. Canyou provide a small snippet of code(http://lilypond.org/tiny-examples.html) or a (small size) image oranything else to maybe illustrate what you want?I attached the first 4 bars of one instrument “flute_one”. I don’t want

Crescendo in the first beat misaligned to the others

That happened when I added \override Score.BarNumber #'break-visibility = #'#(#t #t #t) so the score changed to } PartPOneVoiceOne = \relative g' { \override Score.BarNumber #'break-visibility = #'#(#t #t #t) \clef "treble" \key es \major \time 2/2 | % 1 et cetera. Se

Re: Diminuendo goes over subdìseqyent rests

Hi Simon, thanks for your answer. I succeeded JUST ADDING "\!" after the rest, so es1 \> \breathe | % 21 R1*2 | % 23 d2 \! e4 \< fis4 | % 24 has become es1 \> \breathe | % 21 R1*2\! | % 23 d2 \! e4 \< fis4 | % 24 That has worked also for some Crescendo I didn't noticed when I posted my quest