On Sat 31 Dec 2016 at 13:36:15 (+0200), Risto Vääräniemi wrote:
> Hi all,
>
> I'm porting a project I made on 2.11 to 2.19 and every now and then I
> encounter some things that worked with the old version but not anymore with
> the new one.
>
> The most recent one is the behaviour of the LyricExt
On Fri 30 Dec 2016 at 22:19:43 (-0800), H. S. Teoh wrote:
> On Sat, Dec 31, 2016 at 01:15:08PM +1100, Andrew Bernard wrote:
> [...]
> >Debian example lags behind the leading edge to focus on stability.
> [...]
>
> To be fair, though, most home Debian users use the testing / unstable
> releases
On Thu, Dec 29, 2016 at 01:12:21AM +0100, UCas wrote:
[...]
> For scores with more than 3 or 4 instruments I would find it useful,
> if I could put a short for the instrument-name in front of every line.
> The first system has the instruments in front, but I do not find a way
> to put an abbreviati
On Sat, Dec 31, 2016 at 11:27 AM, David Nalesnik
wrote:
> On Sat, Dec 31, 2016 at 11:20 AM, David Nalesnik
> wrote:
>> Hmmm
>>
>> I'm having misgivings about the idea of fixed space between symbols.
>>
>> Looking at several Breitkopf & Härtel parts, I see rests spaced to
>> fill available spa
On Sat, Dec 31, 2016 at 11:20 AM, David Nalesnik
wrote:
> Hmmm
>
> I'm having misgivings about the idea of fixed space between symbols.
>
> Looking at several Breitkopf & Härtel parts, I see rests spaced to
> fill available space. Though, because spacing is compact, we never
> see the awful b
Hmmm
I'm having misgivings about the idea of fixed space between symbols.
Looking at several Breitkopf & Härtel parts, I see rests spaced to
fill available space. Though, because spacing is compact, we never
see the awful behavior Jan-Peter's example reveals.
http://imslp.org/wiki/Symphony_
Here's one alternative method, which might suit you better, but it's even more
hacky. Note the space in " ".
\version "2.19.49"
% \version "2.11.65"
music = \relative c' \new Voice = "music" {
\repeat volta 2 { c4 c c c ~ }
\alternative {{ c2 c }{
\once \hideNotes c2*1/4~ c2*3/4 a4( c) }}
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On Sat, Dec 31, 2016 at 4:57 AM, Malte Meyn wrote:
>
> \aikenHeads is a shorthand for \set shapeNoteStyles = ##(do re miMirror fa
> sol la ti) which affects only the current Voice context. \partcombine uses
> sometimes one and sometimes two voices so it’s not always the same Voice
> context. This
Am 31.12.2016 um 11:55 schrieb Phil Holmes:
I think it's documented in
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#automatic-part-combining
You’re right. (I didn’t notice that my browser chose the german
translation which hasn’t included this change yet.) However it wo
Hi all,
I'm porting a project I made on 2.11 to 2.19 and every now and then I
encounter some things that worked with the old version but not anymore with
the new one.
The most recent one is the behaviour of the LyricExtender in the alternate
endings. In 2.11 you could fool the system to add the a
I think it's documented in
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#automatic-part-combining
--
Phil Holmes
- Original Message -
From: "Malte Meyn"
To:
Sent: Saturday, December 31, 2016 10:04 AM
Subject: Re: Problem with partcombine and shape notes
A
Am 31.12.2016 um 10:57 schrieb Malte Meyn:
By the way: what’s this optional \partcombine argument introduced in
2.19? I haven’t found any documentation.
Found it. It’s an two year old addition that has been documented only in
appendix A.18 of the NR (which seems to be generated directly from
Am 30.12.2016 um 07:27 schrieb Bumby Hymnal:
I've run into a problem with using \partcombine while using
\aikenHeads. The problem is that under certain circumstances the aiken
shape note heads are not used in the output of \partcombine. The
strange thing is that it sometimes works.
\aikenHe
Hi T,
On 31 December 2016 at 17:19, H. S. Teoh wrote:
>
> More pertinently to the OP, though, Lilypond seems to run quite well on
> pretty much all the major distributions, so the choice on which one to
> use really isn't dependent on whether or not one can use Lilypond on it,
> but rather on t
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