Hi Craig,
It's worth reinforcing what David referred to, which is that although most
distros provide versions of lilypond and frescobaldi, they are generally
older. You will have the advantage of stability but lose the newer
features. For myself, I find the development versions highly reliable in
On Fri, Dec 23, 2016 at 2:30 PM, Alexander Kobel wrote:
> it seems that there is some interest in integrating your scheme engraver for
> merged rests into Lilypond core. Do you mind this idea? If not, are you
> interested in submitting a patch for review yourself, or do you want someone
> to take
Hi, I am Seng and I am using Lilypond 2.18.2 in Windows 10. I am trying to
construct a music with cue notes during multi-measure rests. Here is an example:
\version "2.18.2"
\score { \relative c' { \time 4/4 R1 <<
{ R1-\tweak Y-offset #-5 _\markup A \override TextScript.staff-padding = #4
R1_\
On Sat 24 Dec 2016 at 13:06:23 (+1000), Craig Dabelstein wrote:
> Hi Lilyponders,
>
> Just a quick question. I'm taking the plunge and moving to Linux. Which
> distro would you recommend for running Lilypond and Frescobaldi?
I don't know where you're moving from, but I think you should choose
you
Craig Dabelstein wrote
> Hi Lilyponders,
>
> Just a quick question. I'm taking the plunge and moving to Linux. Which
> distro would you recommend for running Lilypond and Frescobaldi?
>
> All the best,
>
> Craig
>
> ___
> lilypond-user mailing list
>
Hi Craig,
Good move. Most distros are good now. I can recommend Linux Mint, built on
Ubuntu, or Ubuntu itself. For some time I used OpenSuse Leap 42.1 but it
did have oddities in relation to lilypond.
Some like Debian for its high stability, but I find its graphical
appearance sub-par - this is w
Hi Lilyponders,
Just a quick question. I'm taking the plunge and moving to Linux. Which
distro would you recommend for running Lilypond and Frescobaldi?
All the best,
Craig
___
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https://lists.gnu.org/mail
Thanks, well, i made a markup function "\harm-arrow" that needs three
arguments (length, displacement, dash)
ith this i draw manually the start point and the stop point.
Ex: \lyricmode {I2 \markup \harm-arrow #9.3 #0 ##t Vs II \markup
\harm-arrow #5 #0 ##f V I1}
Now i would like to have a functio
On Fri, Dec 23, 2016 at 7:13 PM, David Nalesnik
wrote:
> Like Simon, I fear that the notehead-alignment stuff will be difficult
> to tackle, and we shouldn't hold up improving LilyPond against the
> possibly remote day when the issue is fixed.
>
The part beginning with "and" I only claim for mys
On Fri, Dec 23, 2016 at 6:55 PM, Andrew Bernard
wrote:
> Hi David,
>
> On 24 December 2016 at 07:42, David Nalesnik
> wrote:
>>
>>
>>
>> Oh, that wasn't clear. Patch LilyPond with what of \shapeII works;
>> keep the function as-is in openlilylib.
>
>
> Essential. I depend on the (h x x) function
Hi David,
On 24 December 2016 at 07:42, David Nalesnik
wrote:
>
>
> Oh, that wasn't clear. Patch LilyPond with what of \shapeII works;
> keep the function as-is in openlilylib.
>
Essential. I depend on the (h x x) function hugely in my code. [And it
works fine for me, so this is an interestin
Hi Nicky,
You can draw with postscript in a markup. This is described in the Notation
Reference. Any PostScript is allowed, and positioning is simple.
Is that not suitable for what you want? Can you show an example of what you
desire?
Andrew
___
lilypo
Hello Harm,
> \once \set StaffGroup.connectArpeggios = ##t
Excellent, thanks!
JM
> Le 24 déc. 2016 à 00:48, Thomas Morley a écrit :
>
> Hi,
>
> 2016-12-24 0:30 GMT+01:00 Menu Jacques :
>>
>> Hello folks,
>>
>> In the example below, I can’t get the 2 one-note chord in voice
>> P_POne_S_On
Hi,
2016-12-24 0:30 GMT+01:00 Menu Jacques :
>
> Hello folks,
>
> In the example below, I can’t get the 2 one-note chord in voice
> P_POne_S_One_V_One to display with an arpeggio alongside it.
>
> How can I get this fixed?
>
> Thanks for the help!
>
> JM
>
>
>
>
> %
>
> \version "2.19.44"
Hello folks,
In the example below, I can’t get the 2 one-note chord in voice
P_POne_S_One_V_One to display with an arpeggio alongside it.
How can I get this fixed?
Thanks for the help!
JM
%
\version "2.19.44"
P_POne_S_One_V_One = \relative {
\clef "treble"
\key a \major
\t
Hi Jay,
it seems that there is some interest in integrating your scheme engraver
for merged rests into Lilypond core. Do you mind this idea? If not, are
you interested in submitting a patch for review yourself, or do you want
someone to take care of it?
Thanks and merry holidays,
Alexander
On 2016-12-23 08:07, Br. Samuel Springuel wrote:
[...]
While \translate works, and I can manipulate the offsets via trial and
error, I'm stumped as to the units. I found the documentation for the
function (lilypond.org/doc/v2.18/Documentation/notation/align) and
it's companion \translate-scaled
On Fri, Dec 23, 2016 at 2:38 PM, David Nalesnik
wrote:
> On Fri, Dec 23, 2016 at 2:29 PM, Simon Albrecht
> wrote:
>
>>
>> My ‘minimal’ example file is the attached one. Last time I tried to get
>> to the source of the problem I found this tracker issue [1] and came to
>> the conclusion that a fi
On Fri, Dec 23, 2016 at 2:29 PM, Simon Albrecht wrote:
>
> My ‘minimal’ example file is the attached one. Last time I tried to get
> to the source of the problem I found this tracker issue [1] and came to
> the conclusion that a fix would require integration of shapeII deep in
> the C++ LilyPond
Did the mail not get through? I didn’t receive it from the list. (It
can’t possibly have been due to a 180kB image?) This gives me
opportunity to fix the attachments – I only just noticed that the image
belonged to a previous state of the file. (Also, with 100dpi, the image
has only 21kB…)
I
Miroslaw,
2016-12-23 19:06 GMT+01:00 Mirosław Doroszewski
:
> Vertical spacing titles and highest staff in LilyPond version 2.18.2.
> I have received:
> "Of course they are "automatically calculated": according to the rules
> set in markup-system-spacing".
why do you always open new threads and
Hi Miroslaw,
may I ask you to use the reply function of your mail interface to answer
mails? Similar to how you organize your Lilypond input in several
folders, I file my mails in several places; if you do not use the reply
function, no In-Reply-To header is inserted in your mails. So no mail
2016-12-23 19:55 GMT+01:00 Nicky Maldonado :
> Hi
>
> Text spanners draw customizable straight lines between \startTextSpan and
> \stopTextSpan
>
> Is there a form to use the two points of a text spanner to draw a new
> postscript graphic? lets say a curve line (like slurs) attached to the
> lyrics
Hi
Text spanners draw customizable straight lines between \startTextSpan and
\stopTextSpan
Is there a form to use the two points of a text spanner to draw a new
postscript graphic? lets say a curve line (like slurs) attached to the
lyrics?
Regards
___
I owe at least one of those blog posts myself since I have fallen behind
(or really, off) the GSoC scholarLY project since the summer ended. I'll be
contributing a few touch-ups to the code (in particular the LaTeX
package) in the coming weeks, and will follow that up with a blog
post/announcement/
Urs Liska:
> I just scrolled through a few pages of the Scores of Beauty
> (http://lilypondblog.org) site and find that - in addition to the facth
> that the rate of posts has substantially dropped - my name appears just
> too exclusively. This isn't "my" blog but the "semi-official LilyPond" blog.
Vertical spacing titles and highest staff in LilyPond version 2.18.2.
I have received:
"Of course they are "automatically calculated": according to the rules
set in markup-system-spacing".
1. I was testing setting markup-system-spacing before my e-mail, and
without any effect (print was unchanged)
Staff breaking in unmetered music in LilyPond version 2.18.2.
1. I have proposed, on the basis of solution received, new variables
to automated staff breaking in unmetered music:
unmeteredOn = {
\cadenzaOn
\set Score.defaultBarType = #""
\set Score.barAlways = ##t
}
unmete
A term double slurs in LilyPond version 2.18.2.
1. In the reply has been wtitten, that the term double slurs is true
and a proposition to change the term into a new one: multi slurs — is
false. It has been explained: it happens that somtimes composer wants
to link not every notes between chords or
On 23.12.2016 18:19, Jan-Peter Voigt wrote:
I propose this to be part of lilypond proper when its tested.
+1. The current behaviour is weird and difficult to read.
Best, Simon
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lilypond-user@gnu.org
https://lists.gnu.or
Am 23.12.2016 um 17:19 schrieb liang seng:
My questions is, is there a way to change the size of augmentation dots to make
it bigger or smaller?
Yes, there is:
\version "2.18.2"
{
c'4.
\override Dots.font-size = 3
c'
}
The default font-size is 0, negative values give smaller dots, po
Hi David,
thank you very much. I'll have a closer look later, but for I see now it seems
to be exactly what I am looking for!
I propose this to be part of lilypond proper when its tested.
All the best
Jan-Peter
Am 23. Dezember 2016 18:01:34 MEZ, schrieb David Nalesnik
:
>Hi Jan-Peter,
>
>On F
Hi Jan-Peter,
On Fri, Dec 23, 2016 at 5:52 AM, Jan-Peter Voigt wrote:
> Hello list,
>
> in my current scores I have to deal with a lot of MultiMeasureRests. I am
> facing the following layout-problem:
>
> If there is one line filled with (for example) a three measure long mm-rest
> (and maybe one
Hi, my name is Seng and I am using Lilypond 2.18.2 on Windows 10.
I am using the Bravura font by adding the command:
\paper{
#(define fonts
(set-global-fonts
#:music "profondo"
#:brace "profondo"
#:factor (/ staff-height pt 20) ))
My questions is, is there a way to change the s
On Fri 23 Dec 2016 at 11:02:59 (+0100), Gianmaria Lari wrote:
> On 23 December 2016 at 10:39, ptoye wrote:
> > Not exactly, I think. In a chord \relative controls the first note as typed.
Quite right, my mistake, late nights... s/top/first/ [saves me a post]
> > [...] I really didn't mean to st
\combine works great.
While \translate works, and I can manipulate the offsets via trial and
error, I'm stumped as to the units. I found the documentation for the
function (lilypond.org/doc/v2.18/Documentation/notation/align) and it's
companion \translate-scaled, but some idea as to the units
Hi all,
I just scrolled through a few pages of the Scores of Beauty
(http://lilypondblog.org) site and find that - in addition to the facth
that the rate of posts has substantially dropped - my name appears just
too exclusively. This isn't "my" blog but the "semi-official LilyPond" blog.
So I str
Hello list,
in my current scores I have to deal with a lot of MultiMeasureRests. I
am facing the following layout-problem:
If there is one line filled with (for example) a three measure long
mm-rest (and maybe one bar with a few cue-notes) the measure-symbol
consisting of two or the rectangl
Hi Thomas,
Thomas Morley-2 wrote
> I had a look into your code here:
> http://lsr.di.unimi.it/LSR/Item?u=1&id=1047
> and now come up with the shortened version below.
> What do you think?
Thanks a lot for the feedback, the shortened versions you posted are looking
very nice. It's quite clever to
Hi All,
I just want to say that I make very heavy and extensive use of the \shapeII
function in openlilylib in my dense new complexity school scores and it
behaves perfectly. This is contrary to what Simon reports, so I am
mystified. I mention this so that the experience of Simon does not put you
2016-12-14 14:04 GMT+01:00 Gilberto Agostinho :
> SoundsFromSound wrote
>> Thank you for this very useful code! I can use this in my electro-acoustic
>> works for sure.
>
> I am glad to hear you found this useful! And because the function has a
> markup section, it should also be easily hackable de
Am 23.12.2016 um 11:49 schrieb Simon Albrecht:
> Maybe try \shapeII from openlilylib as well, it’s much more comfortable
> to use, though in my experience sadly it messes with system/staff
> placement in a way that makes it unusable.
Could you please elaborate a little bit on that, possible with e
On 23.12.2016 11:29, Shevek wrote:
My question was specifically if there is a way to fix this behavior*without*
manually tweaking each slur. Or failing that, if this is a known bug.
It is known that the slur and tie and phrasing slur printing algorithms
aren’t very good in difficult situations
My question was specifically if there is a way to fix this behavior *without*
manually tweaking each slur. Or failing that, if this is a known bug.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Ugly-slur-with-large-leap-help-tp198395p198403.html
Sent from the User maili
See:
http://lilypond.org/doc/v2.18/Documentation/notation-big-page#modifying-ties-and-slurs
- Original Message -
> From: "Shevek"
> To: "Lillypond Users Mailing List"
> Sent: Friday, December 23, 2016 10:18:12 AM
> Subject: Re: Ugly slur with large leap - help?
> Flipping the slur av
Flipping the slur avoids the worst problems, but it's not really correct.
Ideally, it should bend dramatically underneath the stem then upwards
towards the grace note.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Ugly-slur-with-large-leap-help-tp198395p198401.html
Sent
How's this?
\version "2.18"
\language "english"
\relative c''' {
\grace { f8^( } c,8 b c2.) % added '^' to flip the slur
}
- Original Message -
> From: "Shevek"
> To: "Lillypond Users Mailing List"
> Sent: Friday, December 23, 2016 8:47:13 AM
> Subject: Ugly slur with large leap - he
On 23 December 2016 at 10:39, ptoye wrote:
> [...] I really didn't mean to start a theological discussion about how one
> should
> type in music, but obviously some people feel much stronger about it than I
> do. There are three ways of telling LilyPond what the pitch of a particular
> note shoul
On 23 December 2016 at 09:59, Shevek wrote:
> I compose in \relative mode, and my practice is to use \resetRelativeOctave
> at the beginning of every new phrase. It is a lot of characters to type,
> but
> I've found that creating unnecessary aliases makes code harder to read and
> libraries harde
David Wright wrote
> The whole point about the way that chords work is that:
> Within the chord, \relative is local to the chord,
> Between chords (and solitary notes), \relative controls the top notes.
Not exactly, I think. In a chord \relative controls the first note as typed.
That's only the to
I compose in \relative mode, and my practice is to use \resetRelativeOctave
at the beginning of every new phrase. It is a lot of characters to type, but
I've found that creating unnecessary aliases makes code harder to read and
libraries harder to maintain.
I even use \resetRelativeOctave at the b
I have a passage similar to the following:
\version "2.18"
\language "english"
\relative c''' {
\grace { f8( } c,8 b c2.)
}
In context, the automatic slur ends up looking very disconnected from the
grace note, and in some instances colliding with a downward stem. Is this a
bug? Is there a way
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