Re: Slur over single note?

On Monday, July 18, 2016, Andrew Bernard [via Lilypond] < ml-node+s1069038n192810...@n5.nabble.com> wrote: > Hi Joel > > Use a laissezvibrer tie. I have a function to extend them, Away from the > computer right now. Will send later. Can't remember if it is on LSR. > > Andrew > > On Tuesday, 19 Jul

Re: Slur over single note?

Hi Joel Use a laissezvibrer tie. I have a function to extend them, Away from the computer right now. Will send later. Can't remember if it is on LSR. Andrew On Tuesday, 19 July 2016, Joel C. Salomon wrote: > Still from the John Crook’s Peter Pan score project, but a different > piece (“The Fly

Slur over single note?

Still from the John Crook’s Peter Pan score project, but a different piece (“The Flying Away”, page 12 in the score at ): As show in the attached image, there seems to be a slur drawn over a single whole-note. It’s very clearly over that note, not over the other

Slurs within & across \repeat tremolo

At is my current effort toward recreating the original score, but I’m having trouble with the opening bars (image attached). I can imitate the _look_ of the score simply enough: a16( gs a gs

Re: 17th century English kbd ornaments

Hi Pierre, Wouldn’t it be better to do these are actual ornaments instead of just markup? I say this because there is a page on the lilyond blog regarding this, but it is only partially complete. If we did them as ornaments the possibility would arise of being able to use them to set English Virgi

Re: 17th century English kbd ornaments

You're welcome Michael. However, I noticed I made a typo. So please change the code so: purcell = ^\markup\stencil #(make-path-stencil '(M -0.20 0.05 L 1.55 0.51 M -0.31 0.43 L 1.45 0.90 ;; uncomment the line hereunder if necessary: ;; M -0.69 -0.10 L -1.15 1.70

Re: funny construction

On Mon 18 Jul 2016 at 08:23:21 (-0700), tisimst wrote: > BGM & David, > On Mon, Jul 18, 2016 at 8:35 AM, David Wright [via Lilypond] < > ml-node+s1069038n192791...@n5.nabble.com> wrote: > > On Mon 18 Jul 2016 at 08:41:13 (-0500), Br. Gabriel-Marie | SSPX wrote: > > > I have a song that goes like th

Re: Behaviour of \paper and \layout in ly:book-process

Urs Liska writes: > Am 18.07.2016 um 13:46 schrieb David Kastrup: > >> The defaultpaper argument of ly:book-process is only consulted when the >> book argument does not already have a paper block of its own, and every >> \book block takes the global \paper block when nothing else is given. > > Th

Re: funny construction

On Mon, Jul 18, 2016 at 11:22 AM, David Wright wrote: > On Mon 18 Jul 2016 at 08:23:21 (-0700), tisimst wrote: > > BGM & David, > > On Mon, Jul 18, 2016 at 8:35 AM, David Wright [via Lilypond] > > > If the material is sufficiently heterogeneous, it can > > > make sense to concatenate multiple sco

Re: Behaviour of \paper and \layout in ly:book-process

Am 18.07.2016 um 13:46 schrieb David Kastrup: > Urs Liska writes: > >> I am once more experimenting with ly:book-process. The background is >> that I have managed to generate my complete score within a Scheme >> function, but now I need the function to produce more than just one >> \score (namel

Re: funny construction

BGM & David, On Mon, Jul 18, 2016 at 8:35 AM, David Wright [via Lilypond] < ml-node+s1069038n192791...@n5.nabble.com> wrote: > On Mon 18 Jul 2016 at 08:41:13 (-0500), Br. Gabriel-Marie | SSPX wrote: > > > I have a song that goes like this: > > -- > > soprano > > al

function to end melody with rests to end of measure

I need to fill in the end of a score (a melody) with rests to the end of the final measure, if needed. Any ideas for how to do that, like writing a new function or ...? Thanks, Jim ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.

Re: 17th century English kbd ornaments

That looks great. Thanks so much! -- View this message in context: http://lilypond.1069038.n5.nabble.com/17th-century-English-kbd-ornaments-tp148407p192792.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lil

Re: funny construction

On Mon 18 Jul 2016 at 08:41:13 (-0500), Br. Gabriel-Marie | SSPX wrote: > I have a song that goes like this: > -- > soprano > alto > 15 lyric verses in between > tenor > bass > > soprano > alto > just one lyric in between - it's the chorus > tenor > bass >

Cross staff stems between notes of different durations

If one wants to have cross staff stems between notes of different durations, found often in the contemporary music I set, is there a lilypond setting of some sort to do this? Currently I have to use the technique shown in the MWE here. This works fine - it is just when there are a large number of t

funny construction

I'm stuck, y'all. I have a song that goes like this: -- soprano alto 15 lyric verses in between tenor bass soprano alto just one lyric in between - it's the chorus tenor bass soprano alto 15 lyric verses in between \repeatOfFourWords tenor bass -

Re: Start music at specified measure without having to fill the previous.

Hi Jan-Peter, I think the \timespan code is enough for me. Thanks to all of you!!! -- View this message in context: http://lilypond.1069038.n5.nabble.com/Start-music-at-specified-measure-without-having-to-fill-the-previous-tp192758p192788.html Sent from the User mailing list archive at Nabb

Re: Vertical clash of contents

Mojca Miklavec writes: > On 18 July 2016 at 14:01, Andrew Bernard wrote: >> Hi Mojca, >> >> Why can’t you simply use the lilypond fingering instruction? You can stack >> fingerings as per your MWE, and they are easy to enter. > > 1.) I want to enter both finger number *and* button name. So someth

Re: Vertical clash of contents

Mojca Miklavec writes: > Hello, > > I'm experiencing a weird (ugly) vertical clash inside the scores and > don't quite understand why. > > I'm "misusing" lyrics above the stave to add button names. (I > initially tried with "^\markup{}", but didn't know how to vertically > align it.) > > The same

Re: Behaviour of \paper and \layout in ly:book-process

Urs Liska writes: > I am once more experimenting with ly:book-process. The background is > that I have managed to generate my complete score within a Scheme > function, but now I need the function to produce more than just one > \score (namely an alternation between multiple scores and top-level

Re: How to create a thick horizontal line (as its own staff)?

On 14 July 2016 at 23:59, David Nalesnik wrote: > On Thu, Jul 14, 2016 at 10:24 AM, Mojca Miklavec wrote: > >>> Ah, OK. Good. I assumed that the push applied to both staves and so >>> should be >>> centered like many piano dynamics. But as I say I know nothing about >>> accordion notation! >> >>

Re: Vertical clash of contents

On 18 July 2016 at 14:01, Andrew Bernard wrote: > Hi Mojca, > > Why can’t you simply use the lilypond fingering instruction? You can stack > fingerings as per your MWE, and they are easy to enter. 1.) I want to enter both finger number *and* button name. So something like "2 B4" (where 2 is the fi

Re: Vertical clash of contents

Hi Mojca, Why can’t you simply use the lilypond fingering instruction? You can stack fingerings as per your MWE, and they are easy to enter. It would seem to be a fine solution. I am sorry I have not been following your accordion thread as this is an instrument I know nothing about, so I apologis

Vertical clash of contents

Hello, I'm experiencing a weird (ugly) vertical clash inside the scores and don't quite understand why. I'm "misusing" lyrics above the stave to add button names. (I initially tried with "^\markup{}", but didn't know how to vertically align it.) The same trick works if the line with lyrics is fu

Behaviour of \paper and \layout in ly:book-process

I am once more experimenting with ly:book-process. The background is that I have managed to generate my complete score within a Scheme function, but now I need the function to produce more than just one \score (namely an alternation between multiple scores and top-level markups). But it seems some