A side note: it seems to me that one of Abraham's root causes for wanting
to commercialize the substantial work he's done making engraving fonts is
his own financial situation. If this is the case, it might be worth
considering some of the crowd-funding mechanisms that support development
work. For
This is common in guitar music (upper note left). So I asked this same
question some time ago
found here
https://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00010.html
I did look at
http://lsr.di.unimi.it/LSR/Item?id=861
But it didn't work as I needed so I ended up with
%
Please I need some help..this code doesn't work for me. Version 2.19.38
Thanks,
Dimitris
--
View this message in context:
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_
Andrew,
On Saturday, March 26, 2016, Andrew Bernard
wrote:
> What I am concerned about is how would a lawyer or the owner know if you
> were using the open source font or the commercial one? There is no way to
> tell the difference from a published score as far as I would know. There
> are now
What I am concerned about is how would a lawyer or the owner know if you were
using the open source font or the commercial one? There is no way to tell the
difference from a published score as far as I would know. There are now many
concerns. Hopefully the developed will clarify for us soon.
A
Andrew, et al,
On Sat, Mar 26, 2016 at 6:26 PM, Andrew Bernard [via Lilypond] <
ml-node+s1069038n189008...@n5.nabble.com> wrote:
> Hi Abraham,
>
> With your announcement of the commercialisation of your fonts and the
> taking down of the website, there is clearly a lot of speculation and
> uncert
2016-03-27 1:30 GMT+01:00 David Raleigh Arnold :
> On Sat, 26 Mar 2016 20:42:39 +0100
> David Kastrup wrote:
>
>> Jason Silver writes:
>>
>> > Anyone have thoughts on how to notate a A minor add 9?
>> >
>> > I've tried this:
>> >
>> > chExceptionMusic = {
>> > 1-\markup { \super "add9" } % 1.3.
Andrew Bernard wrote
> I for one am quite concerned that the huge effort I have invested in
> scores using your fonts will become nullified.
The fonts are licensed openly; you are free to keep using them if you
have them. It's the newer versions that may have restrictions, so
there may not be need
OK- I was trying to make it easier for you to see the section by editing
the content.
Below is the whole piece.
Jason
\language "english"
> \version "2.16.2"
> \header {
> title = "The General Confession"
> composer = "Jason Silver"
> copyright = "Silver Ink. 2016"
> tagline = "Permissio
On Sat, 26 Mar 2016 20:42:39 +0100
David Kastrup wrote:
> Jason Silver writes:
>
> > Anyone have thoughts on how to notate a A minor add 9?
> >
> > I've tried this:
> >
> > chExceptionMusic = {
> > 1-\markup { \super "add9" } % 1.3.5.9
> > 1-\markup { "m" \super "add9" } % 1.3.5.9
> > }
> >
Hi Abraham,
With your announcement of the commercialisation of your fonts and the taking
down of the website, there is clearly a lot of speculation and uncertainty in
the user community. Would you be so kind as to lay out for the list a full
explanation of your approach going forward so as to a
Hi altogether,
some time ago I had the idea to write a kind of harmony analyzer. It works in the following manner: you enter some notes (myMusik) and you get a list of chords which contain these notes.
I had no idea of Scheme, so I studies several manuals, and Harm from the German Lilypond forum
I don't think I read any where that Abraham was making the fonts
"proprietary" .. I do believe he said "Some fonts are becoming commercial".
And proprietary doesn't necessarily mean closed source. Although in most
cases it does, because proprietary software if modified holds ownership
"usually" wit
On Sat 26 Mar 2016 at 23:23:51 (+0100), Gianmaria Lari wrote:
> Very sorry David and Robert my example was not at all clear.
>
> I have a long lilypond source that is shifted of three sixteenth note (the
> file has been generated using the midi to lilypond conversion tool).
Well, I did wonder tha
Am 27. März 2016 00:19:38 MEZ, schrieb Andrew Bernard
:
>Which fonts may I ask?
>
>What if I have been using one that is now commercial?
>
>a
You have obtained them under a free license and that can't be revoked. You will
just not receive free updates anymore.
That's also what Abraham regerre
Which fonts may I ask?
What if I have been using one that is now commercial?
a
On 27/03/2016, 00:13, "Abraham Lee"
wrote:
Some fonts are becoming commercial, so there have been a lot of decisions to
make as well.
___
lilypond-user mailing list
li
Very sorry David and Robert my example was not at all clear.
I have a long lilypond source that is shifted of three sixteenth note (the
file has been generated using the midi to lilypond conversion tool). Here
it is a small fragment of it:
% \time 4/4
...
... d16 ~ | % 31
d8. d16 ~ d8 b'16 b16 ~
Jason Silver writes:
> Anyone have thoughts on how to notate a A minor add 9?
>
> I've tried this:
>
> chExceptionMusic = {
> 1-\markup { \super "add9" } % 1.3.5.9
> 1-\markup { "m" \super "add9" } % 1.3.5.9
> }
>
> with this:
>
> chordNames = \chordmode {
> \set chordNameExceptions = #chEx
Am 26. März 2016 19:58:01 MEZ, schrieb Carl Sorensen :
>On 3/26/16 12:09 PM, "Abraham Lee" wrote:
>
>>
>>
>>If there are no objections, I will provide you with the latest files
>that
>>existed at the time I closed up shop. I can't stop you from hosting
>them,
>>but if I can request one thing, I'
On 3/26/16 12:09 PM, "Abraham Lee" wrote:
>
>
>If there are no objections, I will provide you with the latest files that
>existed at the time I closed up shop. I can't stop you from hosting them,
>but if I can request one thing, I'd appreciate it. Would you please stop
>hosting when my new site i
Anyone have thoughts on how to notate a A minor add 9?
I've tried this:
chExceptionMusic = {
1-\markup { \super "add9" } % 1.3.5.9
1-\markup { "m" \super "add9" } % 1.3.5.9
}
with this:
chordNames = \chordmode {
\set chordNameExceptions = #chExceptions
| a:1.3.5.9 | a:1.3f.5.9 |
}
I ge
Carl,
On Saturday, March 26, 2016, Carl Sorensen wrote:
> Dear users,
>
> As many of you are aware, we have lost the repository of the libre fonts
> formerly available on fonts.openlilylib.org.
>
> In order to preserve access to these fonts, I'm willing to host a
> repository consistent with the
Dear users,
As many of you are aware, we have lost the repository of the libre fonts
formerly available on fonts.openlilylib.org.
In order to preserve access to these fonts, I'm willing to host a
repository consistent with the license of the fonts as they were hosted at
that time.
However, I don
Christoph,
On Sat, Mar 26, 2016 at 9:25 AM, Christoph Friedrich [via Lilypond] <
ml-node+s1069038n188981...@n5.nabble.com> wrote:
> I just noticed my example is far too long, i am sorry.
> this is a small example of the graphical result
>
If the lilyjazz-text and -chords fonts are in the LilyPon
On Sat, Mar 26, 2016 at 9:04 AM, tyronicus [via Lilypond] <
ml-node+s1069038n188979...@n5.nabble.com> wrote:
> Is it necessary that the site be down while you are making these
> decisions? I could easily throw your old site up on a server while
> you're working on it. So many people have asked, an
Good Morning
i am (like some others) also trying use lilyjazz with LP 2.19.32 and
Frescobaldi on a Mac. It seems to run and i am getting a result, but for some
reasons the title /composer /piece and also the chord letters appear in a
„normal“ font, not in lilyjazz-text. Did anybody have simila
I just noticed my example is far too long, i am sorry.
this is a small example of the graphical result.
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lilypond-user@gnu.org
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Is it necessary that the site be down while you are making these
decisions? I could easily throw your old site up on a server while
you're working on it. So many people have asked, and the fonts are
completely unavailable. I'm sure people wouldn't mind using an older
version of the fonts while you
On 26-03-16 14:16, Malte Meyn wrote:
Am 26.03.2016 um 14:03 schrieb Peter O'Doherty:
Hi,
Is it possible to notate a grace note group, with both a slash and a
slur?
Thanks,
Peter
Yes, see http://lsr.di.unimi.it/LSR/Item?id=721
P.S.: This was your third email with this content.
Thank y
Am 26.03.2016 um 14:03 schrieb Peter O'Doherty:
Hi,
Is it possible to notate a grace note group, with both a slash and a slur?
Thanks,
Peter
Yes, see http://lsr.di.unimi.it/LSR/Item?id=721
P.S.: This was your third email with this content.
___
Martin,
On Saturday, March 26, 2016, Martin Neubauer wrote:
> Unfortunately my enthusiasm for these new possibilities got dampened
> somewhat by the current absence of the distribution site for these fonts (
> fonts.openlilylib.org, of course.) This made me wonder, are there any
> news regarding
Hi,
Is it possible to notate a grace note group, with both a slash and a slur?
Thanks,
Peter
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi all,
What is the current situation with alternative fonts in lilypond? By
which I mean the font for all notational elements, not just text. I
notice that Abraham Lee did work on this but the site is currently down:
https://fonts.openlilylib.org/
Many thanks,
Peter
//=
Hi,
Is it possible to notate a grace note group, with a slash and a slur?
Thanks,
Peter
//=
// Peter O'Doherty
// http://www.peterodoherty.net
// m...@peterodoherty.net
// skype: peter_o_doherty
//=
Hi,
Is it possible to notate a grace note group, with both a slash and a slur?
Thanks,
Peter
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi all,
What is the current situation with alternative fonts in lilypond? By
which I mean the font for all notational elements, not just text. I
notice that Abraham Lee did work on this but the site is currently down:
https://fonts.openlilylib.org/
Many thanks,
Peter
On 26/03/16 00:18, Andrew Bernard wrote:
LSR 861
Looks complicated, but OK, is possible.
Thanks :-)
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Hi all,
Because I did no (serious) music typesetting for quite some time, I got a
bit out of touch with what was going on in the lilypond world. Because I
have some upcoming projects ahead of me, I took the opportunity to try and
catch up a little. So I became now aware of the mechanism for choosi
Hi Gianmaria,
In addition to the completion head engraver (David's mail), I'd pack the notes
without shift in a variable, like
variable = { a2 b2 }
And use
r4 \variable r4
or
r8 \variable r8 r4
Or whatever you'd like in the score.
Just leave out the bar checks, they'll throw warnings ...
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