Are Bezier curves practical for making inter-voice and cross-staff
phrase marks in LilyPond? It looks as though this could be quite
labour-intensive, so any pointers or examples before I start could be
useful.
It's for a piano piece where a long melody moves between soprano, alto
and tenor voices.
Hello all,
Is it possible to have slurs start at the “4:30” position of the left notehead,
and end at the “7:30” position of the right notehead (where “textbook slurs”
would begin and end at the “6:00” position of both noteheads)?
If so, what is the general setting that would make this happen a
Hi Paul,
If you are using 2.19 you might want to use "make-path-stencil” instead. (It
is not in 2.18 and so not in the LSR yet. Although maybe we should add it
commented out?) It calculates the extents of the stencil for you so you don’t
have to specify them. See below.
Cheers,
-Paul
\ve
Hello all,
I’m hoping to control the padding of accidentals within a KeySignature —
specifically, I want to loosen/increase the spacing a little bit — but I can’t
seem to find the right incantation. Any hints/links would be appreciated.
Thanks,
Kieren.
Kieren M
Hello,
I am working on a Scheme function that improves ties when writing in
rhythmic notation (improvisationOn). Now I have the problem that I
don’t know how many post events a duration might have – my current
function works only for one event (the tie).
Can this function be made more general for
Hello,
I'm trying to access the information of the values in the \header section.
I would like to use these values (if defined) to generate automatically a
markup.
More specifically, given a value for the copyright in the header, I wanted
to generate a variable with the copyright notice (in the
Graham,
Have you tried putting each score inside it’s own \bookpart?
The documentation for ragged-last-bottom says:
ragged-last-bottom
<> <>If this is set to false, then the last page, and the last page in each
section created with a \bookpart block, will be vertically justified in the
same w
On Wed, 2016-02-17 at 00:20 +0100, David Kastrup wrote:
> Graham King writes:
>
> > On Tue, 2016-02-16 at 19:15 +0100, David Kastrup wrote:
> >
> >
> >>
> >> However, your original posting stated:
> >>
> >> > (Alternatively, if there's a way to make book-titling.ily do a
> >> > ragged-last-bo
Graham King writes:
> On Tue, 2016-02-16 at 19:15 +0100, David Kastrup wrote:
>
>
>>
>> However, your original posting stated:
>>
>> > (Alternatively, if there's a way to make book-titling.ily do a
>> > ragged-last-bottom for each piece, that would save even more work).
>>
>> Have you actuall
On Tue, 2016-02-16 at 19:15 +0100, David Kastrup wrote:
>
> However, your original posting stated:
>
> > (Alternatively, if there's a way to make book-titling.ily do a
> > ragged-last-bottom for each piece, that would save even more work).
>
> Have you actually tried
>
> \layout {
> ragged-
> Done.
> http://lsr.di.unimi.it/LSR/Item?id=623
> Cheers,
> Harm
That's great,
Thanks Thomas.
Paul
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2016-02-16 13:34 GMT+01:00 Robert Blackstone :
> Hi Klaus,
>
> Thanks for this tip. Indeed these are all very small score blocks and
> inserting them as a markup element gave the best result in the "real" file.
> Concerning your second tip, inserting \markup \vspace #-1, I must confess
> that wha
2016-02-16 19:40 GMT+01:00 Paul Booker :
> Paul Morris paulwmorris.com> writes:
>
>>
>> > On Feb 16, 2016, at 8:35 AM, Paul Booker homebass.net> wrote:
>> >
>> > I've only narrowed the problem down to the function
>>
>> Hi Paul, Can you send a full but tiny example that we can run/test with
> Li
2016-02-16 21:40 GMT+01:00 Thomas Morley :
> The LSR-snippet is wrong in this regard.
> But 2.18.2 was more lax tolerating such things than new devel-versions.
> I'll correct the LSR-snippet.
Done.
http://lsr.di.unimi.it/LSR/Item?id=623
Cheers,
Harm
_
Am 16. Februar 2016 20:44:30 MEZ, schrieb Esko Teerilahti :
>I also made a quick test with Finale Songwriter.
>I created a simple woodwind-quintet composition from the template and
>exported to midi file. Key signature is in the control track and has
>only one value,
>eventhough there is e.g. on
I also made a quick test with Finale Songwriter.
I created a simple woodwind-quintet composition from the template and exported
to midi file. Key signature is in the control track and has only one value,
eventhough there is e.g. one Bb instrument in the quintet.
Finale Songwriter then fails to
Paul Morris paulwmorris.com> writes:
>
> > On Feb 16, 2016, at 8:35 AM, Paul Booker homebass.net> wrote:
> >
> > I've only narrowed the problem down to the function
>
> Hi Paul, Can you send a full but tiny example that we can run/test with
LilyPond? See:
>
> http://lilypond.org/tiny-examp
Graham King writes:
> On Tue, 2016-02-16 at 18:36 +0100, David Kastrup wrote:
>
>> Graham King writes:
>>
>> > oops, just found the simple fix (I think):
>
>
>
>> Have you actually _read_ your question?
>>
>
> Yes, read the question, but failed to read the rubbish I put forward as
> a "simple
On Tue, 2016-02-16 at 18:36 +0100, David Kastrup wrote:
> Graham King writes:
>
> > oops, just found the simple fix (I think):
> Have you actually _read_ your question?
>
Yes, read the question, but failed to read the rubbish I put forward as
a "simple fix". Too much going round in circles
Graham King writes:
> oops, just found the simple fix (I think):
>
>
> \version "2.19.35"
>
> music = { \relative { c' d e f }}
>
> \book {
> \score {
> \music
> }
> }
>
> One extra pair of braces around the music
oops, just found the simple fix (I think):
\version "2.19.35"
music = { \relative { c' d e f }}
\book {
\score {
\music
}
}
One extra pair of braces around the music expression.
Apologies for the noise.
Am 16.02.2016 um 17:29 schrieb Phil Holmes:
> - Original Message - From: "David Kastrup"
> To: "Esko Teerilahti"
> Cc:
> Sent: Tuesday, February 16, 2016 4:09 PM
> Subject: Re: There is no key signature in the generated Midi file ?
>
>
>> Esko Teerilahti writes:
>>
>>> David Kastrup
- Original Message -
From: "David Kastrup"
To: "Esko Teerilahti"
Cc:
Sent: Tuesday, February 16, 2016 4:09 PM
Subject: Re: There is no key signature in the generated Midi file ?
Esko Teerilahti writes:
David Kastrup kirjoitti 16.2.2016 kello 15.30:
Your screen shot of MidiY
> On Feb 16, 2016, at 8:35 AM, Paul Booker wrote:
>
> I've only narrowed the problem down to the function
Hi Paul, Can you send a full but tiny example that we can run/test with
LilyPond? See:
http://lilypond.org/tiny-examples.html
That will make it easier to see what’s going on.
-Paul
___
Esko Teerilahti writes:
> David Kastrup kirjoitti 16.2.2016 kello 15.30:
>
>>
>> Your screen shot of MidiYogi _clearly_ shows you looking in the control
>> track. WHEREAS THE KEY (WHICH NEEDS NOT BE THE SAME ACROSS TRACKS) IS
>> IN THE INDIVIDUAL INSTRUMENTS' TRACKS.
>>
>> DID YOU BOTHE
Small addition to this.
When I added the Key signature into the control track, now also Finale
Songwriter can read it.
t. Esko
Esko Teerilahti kirjoitti 16.2.2016 kello 16.28:
>
> David Kastrup kirjoitti 16.2.2016 kello 15.30:
>
>>
>> Your screen shot of MidiYogi _clearly_ shows y
BB wrote:
With stringed instruments a playing technique (mainly in Rock, Pop,
Blues, Jazz) to get some acoustic effect is to slide up a string to a
defined fret without a real starting fret.
Have a look at
http://lists.gnu.org/archive/html/lilypond-user/2014-01/msg01191.html
This was probably
David Kastrup kirjoitti 16.2.2016 kello 15.30:
>>>
>
> Your screen shot of MidiYogi _clearly_ shows you looking in the control
> track. WHEREAS THE KEY (WHICH NEEDS NOT BE THE SAME ACROSS TRACKS) IS
> IN THE INDIVIDUAL INSTRUMENTS' TRACKS.
>
> DID YOU BOTHER TO CHECK THIS?
>
I Did many time
I'm working on a book containing twelve short single-movement quintets,
originally with the intention of assembling them into a single volume
with book-titling.ily. However, being unable to make book-titling.ily
deliver a ragged-last-bottom margin for each of the twelve quintets, I'm
now trying to
Regarding LSR item 623:
http://lsr.di.unimi.it/LSR/Search?q=623
I'm sure I had this working with v2.18.2 but not having any luck with v2.19.36
In Win 8.1 I get an error message:
/lily/grob-property.cc, Line 243
Expression: scm_is_null(value) || scm_is_eq(value, marker)
I've only narrow
Teerilahti Esko writes:
> Always something missing, when I try to be short.
> I also have there definition
> \language ”suomi” (finnish)
> so ”h" is same as b, please do not stick to that.
>
> I didn’t yet get the lilymidi to work (missing midi.py, for some reason)
>
> I looked at the hex dump,
Always something missing, when I try to be short.
I also have there definition
\language ”suomi” (finnish)
so ”h" is same as b, please do not stick to that.
I didn’t yet get the lilymidi to work (missing midi.py, for some reason)
I looked at the hex dump, and Yes, there is
FF 59 02 03 = Key si
With stringed instruments a playing technique (mainly in Rock, Pop,
Blues, Jazz) to get some acoustic effect is to slide up a string to a
defined fret without a real starting fret. I tried a noatation:
% 1st trial
{e'4
r4
\glissando e'''2 |
}
% glissando does not work
For optical reasons
Hi Klaus,
Thanks for this tip. Indeed these are all very small score blocks and inserting
them as a markup element gave the best result in the "real" file.
Concerning your second tip, inserting \markup \vspace #-1, I must confess that
whatever I tried, I could not get it to do something. I reall
Hello Federico,
Thanks for your tip.
I did play a bit with \paper {score-markup-spacing.basic-distance = 7} and I
found that it worked quite well in the ME but a bit less so in my "real" file
(which also contains a larger score) even when I set the value to 0.
But I'll keep it in my "toolbox"
On 16.02.2016 07:22, Helge Kruse wrote:
Maybe I'm wrong. But how are slurs related to stccatos?
This was only a typo, corrected by Devin in a parallel post.
Best, Simon
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On Tue, 16 Feb 2016 10:40:58 +0100
David Kastrup wrote:
q> Parsing...
> gaga.ly:9:30: error: unrecognized string, not in text script or \lyricmode
> e4. e8~ e4. d8 r4 r8 e8 a4
> h4 \bar ".|:"h4 cis8 cis8 r2|
Oh dear :)
> I'm not really interested in fixing this u
Many thanks for all help. Works nice!
On 16.02.2016 11:24, Thomas Morley wrote:
(fret-count . 5)
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Works! Try:
%#(set-default-paper-size "a4" 'landscape)
\markup {
" "
\override #'(size . 10 )
\override #'(fret-diagram-details . ((finger-code . in-dot) (orientation
. #'landscape)))
\fret-diagram-verbose #`(
(place-fret 6 5 "R/3")
(place-fret 5 4 "III/2")
(place-fret 4 2 "V1/1")
)
}
2016-02-16 10:46 GMT+01:00 BB :
> Sorry for my late response. Thanks for your help!
>
>
> On 15.02.2016 16:44, Pierre Perol-Schneider wrote:
>
> 1) try \override #'(fret-diagram-details . ((finger-code . in-dot)
> (orientation . #'landscape)))
>
> Thank you (orientation . #'landscape) works nice!
>
oops:
\override #'(fret-diagram-details . ((finger-code . in-dot) (orientation .
landscape)))
... it did work acually
2016-02-16 11:16 GMT+01:00 David Kastrup :
> Pierre Perol-Schneider writes:
>
> > 1) try \override #'(fret-diagram-details . ((finger-code . in-dot)
> > (orientation . #'landsca
Pierre Perol-Schneider writes:
> 1) try \override #'(fret-diagram-details . ((finger-code . in-dot)
> (orientation . #'landscape)))
#'landscape ?
Can't imagine that to work.
--
David Kastrup
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http
Sorry for my late response. Thanks for your help!
On 15.02.2016 16:44, Pierre Perol-Schneider wrote:
1) try \override #'(fret-diagram-details . ((finger-code . in-dot)
(orientation . #'landscape)))
Thank you (orientation . #'landscape) works nice!
2) How should it look like?
I found I can do
Esko Teerilahti writes:
> Sorry, missed the point, here it is as a whole
Parsing...
gaga.ly:9:30: error: unrecognized string, not in text script or \lyricmode
e4. e8~ e4. d8 r4 r8 e8 a4
h4 \bar ".|:"h4 cis8 cis8 r2|
I'm not really interested in fixing this up sin
Sorry, missed the point, here it is as a whole
Esko
global = {
\time 4/4
\tempo 4=120
\key a\major
}
melody = \relative c'' {
\global
e4. e8~ e4. d8 r4 r8 e8 a4 h4 \bar ".|:"h4 cis8 cis8 r2|
r4 r8 e,8 a4 h8 c8~ c1~ c8 r8 r8 d,8 g4 a4 a4
h8 h8 r2 r4 r8 d,8 g4 a8 b8~ b2 d8 b8 f8 e8 r
Esko Teerilahti writes:
> Thnks for the answer !
> Interesting, I have it in here, taken from some example
>
> global = {
> \time 4/4
> \key a \major
> \tempo 4=120
> }
That's not an output producing example. Nobody can guess where you are
going to call \global.
> Time and tempo are there in
Thnks for the answer !
Interesting, I have it in here, taken from some example
global = {
\time 4/4
\key a \major
\tempo 4=120
}
Time and tempo are there in midi but not the key.
David Kastrup kirjoitti 16.2.2016 kello 10.48:
> Esko Teerilahti writes:
>
>> Hi !
>>
>> I noticed tha
Esko Teerilahti writes:
> Hi !
>
> I noticed that there is no key signature in the midi file.
It is here.
The file
\version "2.18.2"
\score {
{
\key a\major
c1
}
\midi { }
}
produces a Midi file that, printed with lilymidi --pretty, shows
Filename: gaga.midi
MIDI format:
I'm probably the only one who can help here. Can you send me the file that
is causing the problem and show me a picture of what you are seeing? That
will help a lot to diagnose and fix this properly.
Thanks,
Abraham
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