On Fri, Nov 27, 2015 at 05:32:37PM -0700, Gilberto Agostinho wrote:
> Hello all,
>
> I would like to ask if anyone knows how to control the speed of the trills
> in the MIDI output when using articulate.ly. Currently, the articulate.ly
> simply converts a note with a trill into a bunch of 32nd not
Hello all,
I would like to ask if anyone knows how to control the speed of the trills
in the MIDI output when using articulate.ly. Currently, the articulate.ly
simply converts a note with a trill into a bunch of 32nd notes, regardless
of the tempo of the piece. This works very well for slow tempi
Thomas Morley writes:
> 2015-11-27 23:45 GMT+01:00 David Kastrup :
>>>
>>> How to get all Voices looking down from Score?
>>
>> You could have an engraver listen for AnnounceNewContext and
>> RemoveContext events and keep tally of the Voice contexts among them in
>> a hash table or something like
2015-11-27 23:45 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> Hi,
>>
>> for some engraver I need to look at all Voices, comparing them in some
>> regard.
>>
>> If I put the engraver in every Voice, then every Voice is processed,
>> yes, but I can't find a method to compare them.
>> So I
Thomas Morley writes:
> Hi,
>
> for some engraver I need to look at all Voices, comparing them in some regard.
>
> If I put the engraver in every Voice, then every Voice is processed,
> yes, but I can't find a method to compare them.
> So I thought the way might be to put the engraver in Score, g
Hi,
for some engraver I need to look at all Voices, comparing them in some regard.
If I put the engraver in every Voice, then every Voice is processed,
yes, but I can't find a method to compare them.
So I thought the way might be to put the engraver in Score, get the
Voices and do nasty things ..
There have been some discussions about this in the past (e.g.
https://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00930.html,
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00040.html). I
can't find a thread with a good resolution though.
In any case the main two simple option
Klaus Blum wrote
> The sequence is (from left to right) root note, slash, bass note.
> [...]
> It would be necessary to modify the function that puts together those
> ingredients
I've tried to modify "chord-ignatzek-names.scm" where this function is
located (see attached).
chord-ignatzek-names.s
Am 27.11.2015 um 21:10 schrieb Craig Dabelstein:
and get the tempo marks to be moved a little to the
right.
Just do that ;) (\once) \override MetronomeMark.X-offset = 3 or
something similar.
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ht
[image: Screen Shot 2015-11-28 at 6.06.47 am.png]
Hi Lilyponders,
Any idea how I can prevent the rehearsal marks from being pushed upwards by
the tempo indication, and get the tempo marks to be moved a little to the
right.
I have been experimenting with:
\override MetronomeMark.extra-spacing-wid
Andrew,
I have seen similar hit-and-miss results with text fonts when exporting to
SVG. I can't tell what's driving the inconsistent results.
Best,
Abraham
On Friday, November 20, 2015, Andrew Bernard [via Lilypond] <
ml-node+s1069038n183886...@n5.nabble.com> wrote:
> More investigation on font
Hi Peter,
Peter Crighton-4 wrote
> Could this snippet be adapted to having the bass note appearing directly
> beneath the root note, separated by a horizontal line?
unfortunately not (see below).
The sequence is (from left to right) root note, slash, bass note. Therefore
the horizontal placement
On Fri, 16 Oct 2015 20:10:14 +0200
Yann wrote:
> Hello all !
>
> Is there a way to modify 7dim
C#7dim is not correct. The standard name is C#m7b5. Not elegant,
but unambiguous as concerns the minor 7th or dim. 7th interval.
It is called a leading tone seventh or a half-diminished 7th.
The symb
2015-11-23 11:48 GMT+01:00 jmechmech :
> Perfect for a snippet :
>
>
>
> \version "2.18.2"
>
> #(define (lower-extension pitch chbass)
>"Return lowered markup for pitch note name."
>#{
> \markup \raise #-1.9 \halign #0.2
> #(note-name->markup pitc
> On Nov 27, 2015, at 4:48 AM, Kieren MacMillan
> wrote:
>
> Hi Tim,
>
> On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote:
>> Given an Am(sus) chord on a chart I would wonder whether the composer wants
>> a suspended chord (A D E) or a triad with a 4th- or much more likely 11th-
>> ad
Hi Tim,
On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote:
> Given an Am(sus) chord on a chart I would wonder whether the composer wants a
> suspended chord (A D E) or a triad with a 4th- or much more likely 11th-
> added (A C E D).
In most of the scores I read (and write), that’s A(add4)
Hi all,
I'm poking around in the reference but don't find a simpler solution.
I have a function that returns an integer that represents the semitones
over a reference (by default the middle c). From this I want to
construct a pitch so that e.g.
(pitch 2) would return the equivalent to (ly:make-p
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