nested tuplet problem

Hello everyone, I recently began working with Lilypond and am very excited about the possibilities. I have however encountered a problem I can't seem to work around and wonder if this is a bug. If you have a nested tuplet that begins as the first event of the enveloping tuplet, any options of

Lilypond and LaTeX - margins

Hello all I try to print a songbook with gregorian and modern songs. For the gregorian part I use gregorio, for the modern songs I use lilypond. The main document is a (Lua)LaTeX-file that has text and scores in it. My example (Versuch.lytex): \documentclass[a5paper,pagesize,DIV=13,12pt]{s

Re: sharping naturals

Hi David, > What _is_ the current key signature? > \key a \major \transpose c d { \key f \major \transpose d f { a b c d e f g } > } > What should the result be? Well, when I run that code in Lilypond, the visible key signature has three sharps. Whether or not that is the key signature the OP w

Re: sharping naturals

Kieren MacMillan writes: > Hi all, > > I’m no Scheme expert, of course… but it seems there should be a > relatively easy way to code a music function which says “take all > pitches [entered as ’naturals’] and add any accidentals which exist in > the corresponding key signature entry for that pitc

Re: sharping naturals

Hi all, I’m no Scheme expert, of course… but it seems there should be a relatively easy way to code a music function which says “take all pitches [entered as ’naturals’] and add any accidentals which exist in the corresponding key signature entry for that pitch class”, no? i.e., if the input is

Re: difficult question to ask about spacing

not sure why you put the top score - that's do to ragged-last-bottom = ##f >The most prevalent problem with the score heights not being synchronized over the markups can, of course, be corrected >without too much trouble, e.g. by adding hidden notes such that the "optical ambitus" is identical in

Re: sharping naturals

J Martin Rushton writes: > Perhaps your approach is causing you problems? I tend to think of > Lilypond in the same way that I would regard other markup scripts: > LaTeX, DSR, Postscript and HTML come to mind. They are not > programming languages like C or FORTRAN, and to expect them to have >

Re: sharping naturals

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Perhaps your approach is causing you problems? I tend to think of Lilypond in the same way that I would regard other markup scripts: LaTeX, DSR, Postscript and HTML come to mind. They are not programming languages like C or FORTRAN, and to expect the

Re: sharping naturals

> On 25 Jul 2015, at 00:18, Brother Gabriel-Marie wrote: > > My problem was a coding issue, not a musical issue. > I wanted a coding solution to save keystrokes but everyone wanted to talk > music theory. If you use \language "english" then flats are suffix “f” and sharps “s”, so that saves

Re: sharping naturals

Mr. Schmaus, My problem was a coding issue, not a musical issue. I wanted a coding solution to save keystrokes but everyone wanted to talk music theory. So I thought I would ask here where everyone knows both. In the end, I've learned that there's no easy coding solution and that I'm going to

Re: difficult question to ask about spacing

Hi Stephen, hi everybody. On 07/24/2015 07:50 PM, Stephen MacNeil wrote: 1.) Use \stopStaff, spacer rests, and \startStaff, or 2.) Use a markup line with two scores and a horizontal space in between. Version 2 theoretically offers full flexibility, but all spacing (in particular, vertical spa

Re: difficult question to ask about spacing

sorry forgot to post to list >1.) Use \stopStaff, spacer rests, and \startStaff, or >2.) Use a markup line with two scores and a horizontal space in between. >Version 2 theoretically offers full flexibility, but all spacing (in >particular, vertical spacing) is computed separately from the ove

Re: difficult question to ask about spacing

attached is an example (created with musescore) IX, Josh On Fri, Jul 24, 2015 at 3:36 AM, Jacques Menu wrote: > Hello Josh, > > Can you send a view of what you’re aiming at, even hand drawn? > > JM > > Le 24 juil. 2015 à 04:06, Nick Baskin a écrit : > > > On Thu, Jul 23, 2015 at 6:35 PM, Jos

Re: difficult question to ask about spacing

Thanks, I feel this particularly nails my problem on the head. I don't know what to do at this point. IX, Josh On Fri, Jul 24, 2015 at 4:08 AM, Alexander Kobel wrote: > Hi all, > > On 2015-07-24 04:06, Nick Baskin wrote: > >> [...] some piano music [...] >>> >> > aha! > > [...] Anywho, I'm

Re: sharping naturals

Robert Schmaus writes: > I wasn't being rude, Rudeness is determined at the receiving end of a communication. The best you can say is that you did not intend to be rude. > just reminding the guy what his patron saint considers to be > "objective, absolute, and immutable truth". Which everyone'

Re: Align instrumentName baseline (?) to Lyrics baseline

Thank you! I haven't had a chance to implement your change, but I wanted to let you know I got it and to extend my appreciation for the prompt response. On Tue, Jul 21, 2015 at 4:28 PM, Klaus Blum [via Lilypond] < ml-node+s1069038n178930...@n5.nabble.com> wrote: > Hi Conor, > > not the most beau

Re: sharping naturals

Mark 11:23/24: Truly, I say to you, whoever says to this mountain, ‘Be taken up and thrown into the sea,’ and does not doubt in his heart, but believes that what he says will come to pass, it will be done for him. Therefore I tell you, whatever you ask in prayer, believe that you have received i

Re: sharping naturals

Am 24.07.2015 um 09:47 schrieb Robert Schmaus: So, here's how you get rid of your accitentals: Just pray them away. You might possibly be right in general but there’s no need to be so rude! It might be that you don’t understand religion but be tolerant and don’t offend anyone.

Re: sharping naturals

Am 24.07.2015 um 10:12 schrieb Peter Bjuhr: I think you misunderstood Malte's (not completely properly worded) question. He didn't use 'lead' in the sense of leading note. What he meant is: "If a key signature of b major (five sharps) is given and in a notation system typing 'g' would be interp

Re: sharping naturals

On 2015-07-24 09:59, Urs Liska wrote: By the way, how would one write a g natural in b major, if ‘g’ lead >>to a g sharp? ‘ges’? But if so, how to write a ges? > >I assume you mean g# minor with the same accidentals in the key >signature as b major. The lead tone to gis (g sharp) is fisis (f >

Re: difficult question to ask about spacing

Hi all, On 2015-07-24 04:06, Nick Baskin wrote: [...] some piano music [...] aha! [...] Anywho, I'm trying to break a system mid line and re start another one on the same line with a small amount of space between where the last one let off. I'm also trying to do it in a vocal context with l

Re: sharping naturals

Am 24.07.2015 um 09:52 schrieb Peter Bjuhr: > On 2015-07-23 19:29, Malte Meyn wrote: >> By the way, how would one write a g natural in b major, if ‘g’ lead >> to a g sharp? ‘ges’? But if so, how to write a ges? > > I assume you mean g# minor with the same accidentals in the key > signature as b

Re: sharping naturals

On 2015-07-23 19:29, Malte Meyn wrote: By the way, how would one write a g natural in b major, if ‘g’ lead to a g sharp? ‘ges’? But if so, how to write a ges? I assume you mean g# minor with the same accidentals in the key signature as b major. The lead tone to gis (g sharp) is fisis (f do

Re: sharping naturals

Seriously? You've asked the exact same thing on stack exchange! Did you actually ignore all the helpful comments from users there? A couple of days ago, you complained on this list how SE users give you a hard time - like suggesting to get a at least rudimentary understanding of musical notatio

Re: difficult question to ask about spacing

This is not what you're looking for? { c''1 \bar "|." \stopStaff s1 \startStaff c''1 } (of course there's more to be done for the restart (clef, barNumber), but it should be a start.) HTH Urs Am 24.07.2015 um 03:35 schrieb Joshua Nichols: > attached is a picture of what I'm attemptin

Re: difficult question to ask about spacing

Hello Josh, Can you send a view of what you’re aiming at, even hand drawn? JM > Le 24 juil. 2015 à 04:06, Nick Baskin a écrit : > > > On Thu, Jul 23, 2015 at 6:35 PM, Joshua Nichols > wrote: > attached is a picture of what I'm attempting (created with MuseSco