Re: Full length tuplet brackets

2015-06-23 Thread Mark Knoop
At 11:41 on 24 Jun 2015, Andrew Bernard wrote: >Greetings All, > >I use this: > > \set tupletFullLength = ##t > \override TupletBracket.full-length-to-extent = ##t > >to set tuplet brackets to full length, and to extend to the barline. > >I require this globally for the whole score. Using

Re: Slightly OT: Help needed with asynchronuous function call in JavaScript

2015-06-23 Thread Johan Vromans
On Wed, 24 Jun 2015 04:08:55 +0200 Urs Liska wrote: > But I'm stuck with the problem of getting to the highlighted HTML out of > the function and back into the book. The problem is obviously related to > asynchronuous function calling, which I simply don't understand well > enough (well, I don't

Re: Bracketing verses

2015-06-23 Thread Pierre Perol-Schneider
Hi, Using Harm's link and Simon markup: \version "2.18.2" % After: http://lsr.dsi.unimi.it/LSR/Item?id=641 %% http://lilypond.1069038.n5.nabble.com/Different-markups-for-odd-and-even-lyrics-lines-stanzas-td58072.html #(define (lyricswitch context) (let ((cnt 0)) (make-engraver (list

Slightly OT: Help needed with asynchronuous function call in JavaScript

2015-06-23 Thread Urs Liska
Hey all, I'm testing a way to integrate syntax highlighted LilyPond code in a GitBook book. I'm quite happy so far with everything (particularly because I could finally pick up an idea that might eventually lead to colored code examples in the LilyPond manuals). But I'm stuck with the problem of g

Full length tuplet brackets

2015-06-23 Thread Andrew Bernard
Greetings All, I use this: \set tupletFullLength = ##t \override TupletBracket.full-length-to-extent = ##t to set tuplet brackets to full length, and to extend to the barline. I require this globally for the whole score. Using 2.19.22 I have noticed I have to place this at the star

Re: Bracketing verses

2015-06-23 Thread RomanticStrings
Thank you, Simon. It does indeed create a bracket to the left of the verse. It creates a space below the top verse, however, as well. Is there any way to prevent that? -- View this message in context: http://lilypond.1069038.n5.nabble.com/Bracketing-verses-tp178126p178131.html Sent from the

Re: Nashville notation as chord symbols

2015-06-23 Thread Thomas Morley
2015-06-23 23:08 GMT+02:00 Thomas Morley : > 2015-06-23 13:30 GMT+02:00 Amelie Zapf : >> Hi David, >> >>> Pop music in the U.S.A. may be the monetary epicentre of the musical >>> universe, but most of LilyPond's developer base are rather removed from >>> there. >> >> I must disappoint you, I'm a Be

Re: Bracketing verses

2015-06-23 Thread Thomas Morley
2015-06-23 22:54 GMT+02:00 RomanticStrings : > I am curious how I might achieve this bracket between two verses, one of > which is a translation of the other. > > > > While we're at it, how might one best achieve t

Re: Bracketing verses

2015-06-23 Thread Simon Albrecht
The most simple approach would probably be something like \set stanza = \markup { \translate #'(0 . -1) \left-brace #22 3. } (in the upper verse; adjust values to taste) Yours, Simon Am 23.06.2015 um 22:54 schrieb RomanticStrings: I am curious how I might achieve this bracket between two ve

Re: Nashville notation as chord symbols

2015-06-23 Thread Thomas Morley
2015-06-23 13:30 GMT+02:00 Amelie Zapf : > Hi David, > >> Pop music in the U.S.A. may be the monetary epicentre of the musical >> universe, but most of LilyPond's developer base are rather removed from >> there. > > I must disappoint you, I'm a Berlin jazz pianist that just happens to do > some stu

Bracketing verses

2015-06-23 Thread RomanticStrings
I am curious how I might achieve this bracket between two verses, one of which is a translation of the other. While we're at it, how might one best achieve the spacing between the verse couples? I added an "em

Re: written tremolo / subdivision of repeated pitch shortcut?

2015-06-23 Thread Simon Albrecht
PS. The second one is a little tricky; here’s what you get for both: { b'4:16 \tuplet 5/4 b'4*5/4:16 } Am 23.06.2015 um 20:57 schrieb Simon Albrecht: Am 23.06.2015 um 18:33 schrieb Avner Dorman: Hi All, Is there a quicker way to write out repeated notes? Yes, although unlike the one you propo

Re: appoggiatura that goes into acciaccatura

2015-06-23 Thread tisimst
Luca, On Tue, Jun 23, 2015 at 5:09 AM, Luca Danieli [via Lilypond] < ml-node+s1069038n178112...@n5.nabble.com> wrote: > Hello Lilypond-ers again! > > How can I write an appoggiatura, which goes into an acciaccatura, and then > into the main note? > More or less this is what I thought: > > appoggi

Re: written tremolo / subdivision of repeated pitch shortcut?

2015-06-23 Thread Simon Albrecht
Am 23.06.2015 um 18:33 schrieb Avner Dorman: Hi All, Is there a quicker way to write out repeated notes? Yes, although unlike the one you proposed: HTH, Simon Maybe something that conceptualizes the notes as a fraction of

Re[3]: \shape curves relative to NoteHead etc.

2015-06-23 Thread musicus
It seems to happen at the end of a line... -- Originalnachricht -- Von: "musicus" An: "Urs Liska" ; lilypond-user@gnu.org Gesendet: 23.06.2015 20:24:35 Betreff: Re[2]: \shape curves relative to NoteHead etc. Hi Urs, thanks for the \shapeII link! I think it's pretty much all i wanted.

Re: written tremolo / subdivision of repeated pitch shortcut?

2015-06-23 Thread Avner Dorman
subdivide (bes4, 5) - sorry about that. On Tue, Jun 23, 2015 at 12:33 PM, Avner Dorman wrote: > Hi All, > > Is there a quicker way to write out repeated notes? > > Maybe something that conceptualizes the notes > as a fraction of the total duration? > > I am thinking of a function like subdivide(

Re: written tremolo / subdivision of repeated pitch shortcut?

2015-06-23 Thread Avner Dorman
I meant subdivide (best4, 5) On Tue, Jun 23, 2015 at 12:33 PM, Avner Dorman wrote: > Hi All, > > Is there a quicker way to write out repeated notes? > > Maybe something that conceptualizes the notes > as a fraction of the total duration? > > I am thinking of a function like subdivide(pitch, rati

written tremolo / subdivision of repeated pitch shortcut?

2015-06-23 Thread Avner Dorman
Hi All, Is there a quicker way to write out repeated notes? Maybe something that conceptualizes the notes as a fraction of the total duration? I am thinking of a function like subdivide(pitch, ratio) which takes the complete duration and subdivides into equal parts. So instead of writing

Re: Nashville notation as chord symbols

2015-06-23 Thread David Kastrup
Amelie Zapf writes: > As long as you don't mind me asking questions, especially on > poorly-documented functions, I have the utmost admiration for our documentation writers but they still have to work with what the core developers (when still around) hand them, and the core developers are chroni

Re: Nashville notation as chord symbols

2015-06-23 Thread Amelie Zapf
Hi David, > Pop music in the U.S.A. may be the monetary epicentre of the musical > universe, but most of LilyPond's developer base are rather removed from > there. I must disappoint you, I'm a Berlin jazz pianist that just happens to do some studio work. Since, apart from the classical scene, Ger

appoggiatura that goes into acciaccatura

2015-06-23 Thread Luca Danieli
Hello Lilypond-ers again! How can I write an appoggiatura, which goes into an acciaccatura, and then into the main note?More or less this is what I thought: appoggiatura fis16\pp { \acciaccatura fis 8 fis2\mp } Luca _

Re: Nashville notation as chord symbols

2015-06-23 Thread David Kastrup
Amelie Zapf writes: > Hi all, > > I hope I didn't scare everybody away with my last message containing the > rhythmic specification of the Nashville Number System. That was not my > intention. But I think it would be great if Lilypond could also support > this kind of notation, since it is a quas

Re: Nashville notation as chord symbols

2015-06-23 Thread Amelie Zapf
Hi all, I hope I didn't scare everybody away with my last message containing the rhythmic specification of the Nashville Number System. That was not my intention. But I think it would be great if Lilypond could also support this kind of notation, since it is a quasi-standard for studio musicians a

Re: Frescobaldi - Enlarge font when writing

2015-06-23 Thread Federico Bruni
Il giorno mar 23 giu 2015 alle 11:10, Luca Danieli ha scritto: - if I want to enlarge the characters in my *.ly file (in Frescobaldi), how can I? I tried cmd+"+" but it enlarges the score presentation. Ciao Luca Open the menu Edit>Preferences>Fonts and colors. At the bottom you can change th

Re: Frescobaldi - Enlarge font when writing

2015-06-23 Thread Urs Liska
Am 23.06.2015 um 11:10 schrieb Luca Danieli: > Hello Lilypond-ers! > > Maybe it is a weird and naive question but I am getting blind, and I > cannot find the answer anywhere: > > - if I want to enlarge the characters in my *.ly file (in Frescobaldi), > how can I? Edit->Preferences->Fonts & Color

Frescobaldi - Enlarge font when writing

2015-06-23 Thread Luca Danieli
Hello Lilypond-ers! Maybe it is a weird and naive question but I am getting blind, and I cannot find the answer anywhere: - if I want to enlarge the characters in my *.ly file (in Frescobaldi), how can I?I tried cmd+"+" but it enlarges the score presentation. Luca

Re: Adding "lunga" text above rehearsal mark fermata

2015-06-23 Thread Simon Albrecht
Am 22.06.2015 um 23:43 schrieb Thomas Morley: 2015-06-22 23:29 GMT+02:00 Michael Rivers : Yes, exactly. Thank you! I have run into another problem in the meantime: fermatas over barlines appear at the end of lines, but the rehearsal marks appear at the beginning. Do you know a way to force them

Re: Specifying a different number of systems on pg 1 ?

2015-06-23 Thread Trevor Daniels
> On 23 Jun 2015, at 02:05, Larry Kent wrote: >> >> My apologies..I'm sure I've seen this in the documentation or on this >> list somewhere, but today when I actually need this, I can't find a way to >> do this. >> >> I want to have 3 systems per page, except only 2 systems on the first p