question about multi measure rests from a blind user

2015-06-15 Thread Daniel Contreras
Hello all, I was just curious as to what the difference is between the commands \compressFullBarRests and \set Score.skipBars = ##t ? I arranged some salsa charts that were performed over the weekend, My friend who played trumpet mentioned that I had a rest that was 32 bars long. He told me th

Re: Control which voice if shifted left

2015-06-15 Thread Keith OHara
Simon Albrecht mail.de> writes: > > Am 15.06.2015 um 16:50 schrieb Knute Snortum: > > I haven't had any replies to this. How can I ask the question better? > Probably that’s because there is no way to automate this. At least I’d > be very surprised if there were one. It’s so much of a standard

Re: Control which voice if shifted left

2015-06-15 Thread Urs Liska
Am 16.06.2015 um 01:05 schrieb Simon Albrecht: > I see. Nice score, and it’s definitely an element of style that it’s > done this way. On p.5, 2nd system, it might also improve legibility, I > think – but then the following staff is deliberately difficult to read > again, as Satie sometimes made

Re: Control which voice if shifted left

2015-06-15 Thread Simon Albrecht
I see. Nice score, and it’s definitely an element of style that it’s done this way. On p.5, 2nd system, it might also improve legibility, I think – but then the following staff is deliberately difficult to read again, as Satie sometimes made it. So it’s unfortunate that Lily doesn’t provide an

Re: Input for "\chords": What data type?

2015-06-15 Thread Thomas Morley
2015-06-16 0:10 GMT+02:00 Klaus Blum : > Dear list fellows, > > I am trying to write a function which outputs chord symbols after > transposing them. > But what type of data do I need for the input of the "\chordmode" or > "\chords" function, i.e stuff like > { c1 d:m f g:7 } > ? > > > > \c

Input for "\chords": What data type?

2015-06-15 Thread Klaus Blum
Dear list fellows, I am trying to write a function which outputs chord symbols after transposing them. But what type of data do I need for the input of the "\chordmode" or "\chords" function, i.e stuff like { c1 d:m f g:7 } ? \chords { c1 d:m f g:7 } returns: C Dm F G7 a

Re: Control which voice if shifted left

2015-06-15 Thread Knute Snortum
Here is the PDF I got the Satie piece from https://drive.google.com/file/d/0B_aEseOV9KTXbmdiU0ROU01aeDQ/view?usp=sharing First movement, right at the beginning of the piece and all through it. On Mon, Jun 15, 2015 at 1:43 PM Simon Albrecht wrote: > Am 15.06.2015 um 20:45 schrieb Knute Snortum:

Re: Control which voice if shifted left

2015-06-15 Thread Simon Albrecht
Am 15.06.2015 um 20:45 schrieb Knute Snortum: Thanks for your reply. This score is from 1916 so maybe it didn't adhere to the standard or maybe it wasn't well established then. Oh, this kind of standards are definitely older than 1916. Would you mind sending an example (or link)? I imagine that

Re: Control which voice if shifted left

2015-06-15 Thread Knute Snortum
Thanks for your reply. This score is from 1916 so maybe it didn't adhere to the standard or maybe it wasn't well established then. I'll try engraving it with the modern standard. On Mon, Jun 15, 2015 at 10:24 AM Simon Albrecht wrote: > Am 15.06.2015 um 16:50 schrieb Knute Snortum: > > I haven'

Re: point-and-click from PDF viewer to lilypond editor

2015-06-15 Thread Simon Albrecht
Am 15.06.2015 um 16:37 schrieb Trevor: Not that it'll help your particular workflow, but somebody might be interested to learn that LilyBin now does point-and-click. Bravo! Thank you :-) Simon ___ lilypond-user mailing list lily

Re: Q: How to resize a VaticanaVoice Staff ?

2015-06-15 Thread Michael Gerdau
Hello David, > You can perfectly well do this in a \with block, but your problem is > that you are doing it in the \with block for \VaticanaVoice. Try using > \VaticanaStaff instead. StaffSymbol, clefs, keys and so on all are > engraved at staff level, so overriding matter at _voice_ level only

Re: Control which voice if shifted left

2015-06-15 Thread Simon Albrecht
Am 15.06.2015 um 16:50 schrieb Knute Snortum: I haven't had any replies to this. How can I ask the question better? Probably that’s because there is no way to automate this. At least I’d be very surprised if there were one. It’s so much of a standard to shift columns in the directions they are

Re: Q: How to resize a VaticanaVoice Staff ?

2015-06-15 Thread David Kastrup
Michael Gerdau writes: > Thank you David, > > [sample snipped] > >> You need to override StaffSymbol outside of the \with block. You also >> need to specify its context: >> >> % bigger size >> \new VaticanaVoice \with { >> fontSize = #5 >> } { >> \override Staff.StaffSymbol.staff-space = #(

Re: Nashville notation as chord symbols

2015-06-15 Thread David Kastrup
Paul Morris writes: > Hi Amy, > >> On Jun 15, 2015, at 9:34 AM, Amelie Zapf wrote: >> >> the remaining problem of the Scheme function is: how to access the >> current root of the key signature in the function definition. For even >> if we explicitly state the root again in the definition, it wo

Re: Control which voice if shifted left

2015-06-15 Thread Knute Snortum
I haven't had any replies to this. How can I ask the question better? On Sat, Jun 13, 2015 at 8:10 AM Knute Snortum wrote: > Hello LilyPonders, > > I have a piece where I want the lower right-hand voice to be shifted left > whenever the chord is too crowded, but instead the default is for it to

Re: point-and-click from PDF viewer to lilypond editor

2015-06-15 Thread Trevor
Not that it'll help your particular workflow, but somebody might be interested to learn that LilyBin now does point-and-click. On Sat, Jun 6, 2015 at 1:40 AM Federico Bruni wrote: > Hi all > > Does anybody here use point-and-click from an external PDF viewer > (either Evinc

Re: Nashville notation as chord symbols

2015-06-15 Thread Paul Morris
Hi Amy, > On Jun 15, 2015, at 9:34 AM, Amelie Zapf wrote: > > the remaining problem of the Scheme function is: how to access the > current root of the key signature in the function definition. For even > if we explicitly state the root again in the definition, it would be > immensely problematic

Re: Nashville notation as chord symbols

2015-06-15 Thread David Kastrup
Amelie Zapf writes: > Dear David, > >> You can move MIDI playback by using \transposition > > This is well-known, but reintroduces the problem of double transposition. What is that supposed to mean? >> (which only works on MIDI). > > I'm sorry it doesn't. It prints a clef, key and time signatu

Re: Q: How to resize a VaticanaVoice Staff ?

2015-06-15 Thread Michael Gerdau
Thank you David, [sample snipped] > You need to override StaffSymbol outside of the \with block. You also > need to specify its context: > > % bigger size > \new VaticanaVoice \with { > fontSize = #5 > } { > \override Staff.StaffSymbol.staff-space = #(magstep 5) > \clef "vaticana-fa2" >

Re: Nashville notation as chord symbols

2015-06-15 Thread Amelie Zapf
Hi all, the remaining problem of the Scheme function is: how to access the current root of the key signature in the function definition. For even if we explicitly state the root again in the definition, it would be immensely problematic if the piece contained a key change. Since Lilypond does have

Re: Nashville notation as chord symbols

2015-06-15 Thread Amelie Zapf
Dear David, > You can move MIDI playback by using \transposition This is well-known, but reintroduces the problem of double transposition. > (which only works on MIDI). I'm sorry it doesn't. It prints a clef, key and time signature, IIRC. Not what you need in a row of chord symbols. Given tha

Re: Nashville notation as chord symbols

2015-06-15 Thread David Kastrup
Amelie Zapf writes: > Dear Klaus, Stan, > > the following code moves the transposition into the > #note-name->international-markup routine, thereby eliminating MIDI > playback problems. You can move MIDI playback by using \transposition (which only works on MIDI). -- David Kastrup ___

Re: Nashville notation as chord symbols

2015-06-15 Thread Amelie Zapf
Dear Klaus, Stan, the following code moves the transposition into the #note-name->international-markup routine, thereby eliminating MIDI playback problems. Downside: we still cannot pass the tonic to the routine directly, but have to state it there anew. And, of course, the rhythmic elements of N

Re: Q: How to resize a VaticanaVoice Staff ?

2015-06-15 Thread David Nalesnik
Hi Michael, On Mon, Jun 15, 2015 at 4:40 AM, Michael Gerdau wrote: > Hi list, > > I'm trying to resize a gregorian style engraving. However what works > nicely for "normal" Staffs does not seem to work for gregorian. > > See the following example: > <-- snip -- snip -- snip -- snip --> > \versio

Re: Nashville notation as chord symbols

2015-06-15 Thread Klaus Blum
Hi Amy, hmm... sounds difficult. My first idea would be: Take the whole chord sequence and transpose it back to C major. However, this will also affect the MIDI output. I hope this helps: % - \version "2.18.2" % Chords #(define (note-name->intern

Q: How to resize a VaticanaVoice Staff ?

2015-06-15 Thread Michael Gerdau
Hi list, I'm trying to resize a gregorian style engraving. However what works nicely for "normal" Staffs does not seem to work for gregorian. See the following example: <-- snip -- snip -- snip -- snip --> \version "2.18.2" \include "gregorian.ly" music = \relative c { e e \[ d\melisma \flexa c

Re: Nashville notation as chord symbols

2015-06-15 Thread Amelie Zapf
Hi Stan, Klaus, the following snippet does Nashville numbers correctly for the key of C (except for the rhythmical symbols). In order to adapt this to other keys we'd need to hand the routine two pitches, the chord root and the current key, and have it compute the difference between the two, which

Re: avoid merging stems

2015-06-15 Thread Simon Albrecht
Am 15.06.2015 um 01:43 schrieb musicus: Ok, this sounds indeed very interesting. I understand your explenation regarding nesting of <<>> in following way: << {"layerOne"} \\ << {"layerOne"} \\ {"layerTwo"} >> >> which leads to the problem: \version "2.19.17" << {a' a' a