2015-03-26 1:08 GMT+01:00 David Bellows :
>> Could you confirm that it works for you?
>
> I copy and pasted it directly in and it doesn't change the behavior.
> I've attached my file.
Silly me. Must be heavily overtired...
It needs to be put into \midi {}, like:
\score {
\new ChordNames \chordm
Thanks. That seems to have helped.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
thanks that helped: http://lilybin.com/tvja0h/3
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/how-to-move-upbow-inside-the-staff-tp173688p173692.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user ma
> Could you confirm that it works for you?
I copy and pasted it directly in and it doesn't change the behavior.
I've attached my file. And forgive the odd formatting, I have a
program that generates this code.
> Then I'll put up an issue on the tracker. Patch will follow soon.
Awesome. This isn'
2015-03-25 23:28 GMT+01:00 Nathan Ho :
> On Wed, Mar 25, 2015 at 2:08 PM, David Bellows wrote:
>> In the versions of Lilypond I've used up through 2.19.16 when I would
>> compile the attached file the resulting MIDI file would play the
>> entire chord. With 2.19.17 now only the root note is played
Try:
\once \override Script.Y-offset = #0
but I'm not sure what value works well for that. If you move the fingering
down and to the left, then maybe a value of #1 or so should work.
- Abraham
On Wed, Mar 25, 2015 at 5:29 PM, MarcM [via Lilypond] <
ml-node+s1069038n173688...@n5.nabble.com> wrot
You can see in this minimal sample
http://lilybin.com/tvja0h/1
that the upbow makes the trill span move much higher than desired.
I found ways to move the fingering inside the staff and other objects but
not for the upbow.
Is there a way to move upbow inside the staff to get the trill span clo
Lilyponders:
how to solve the dots after notehead and tie collides. 1. tie collide with
notehead -- treble staff sample2. place of dots look awful and not clear -
refer to bass staff
Immanuel,Ming.\version "2.19.17"
\language "english"
global = {
\key d \major
\numericTimeSignature
Hi Nathan, thanks for answering,
2015-03-25 22:48 GMT+01:00 Nathan Ho :
>
> I'm a little unclear on what you're asking for and what your
> motivations are. It seems that you want to enter { c f g } into
> \chordmode, and have the music events generated as if you entered { c
> f/a g/b }, but then
On Wed, Mar 25, 2015 at 2:08 PM, David Bellows wrote:
> In the versions of Lilypond I've used up through 2.19.16 when I would
> compile the attached file the resulting MIDI file would play the
> entire chord. With 2.19.17 now only the root note is played. I don't
> really know where to look for th
On Wed, Mar 25, 2015 at 8:40 AM, Calixte Faure wrote:
> Hello Lilyponders!
>
> Typing \chordmode{ c f g } produces { }, would it be
> possible to define that \chordmode{ f g } should be { } for
> all the piece?
> I know i could use \chordmode{ f/a g/b } but i wish to simplify the input,
> and Ch
Op Wed, 25 Mar 2015 00:02:41 +0100 (CET)
Martin Tarenskeen schreef:
> Ouch. Any chance this will be fixed soon, either for frescobaldi or
> for ly2video? I was just planning to try the ly2video utility.
Yes, we are working to fix this! ly2video will either rename the ly
module it installs in the
In the versions of Lilypond I've used up through 2.19.16 when I would
compile the attached file the resulting MIDI file would play the
entire chord. With 2.19.17 now only the root note is played. I don't
really know where to look for this kind of information but I can't
tell if this is the new expe
On Wed, Mar 25, 2015 at 1:37 PM, Stan Mulder wrote:
> For some reason a score I made won't fit all the text on the left side of
> the page. I cannot find anything different about this score than previous
> ones.
>
> The first page looks okay, but it's the subsequent pages with the instrument
> ab
Nathan Ho wrote Wednesday, March 25, 2015 9:01 AM
> On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
> wrote:
>>
>> The LilyPond notation reference, section 2.1.2,
>> (http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
>> contains the following example of how to
For some reason a score I made won't fit all the text on the left side of
the page. I cannot find anything different about this score than previous ones.
The first page looks okay, but it's the subsequent pages with the instrument
abbreviations that are getting cut off with no margin at all.
I'm
On Wed, Mar 25, 2015 at 2:31 PM, David Nalesnik
wrote:
>
>
> On Wed, Mar 25, 2015 at 2:27 PM, David Nalesnik
> wrote:
>
>> Hi Simon,
>>
>>
>> The problem with the last invocation is this. LilyPond considers whether
>> the first argument you give it--"deutsch"--is a symbol. It isn't, so it
>> u
On Wed, Mar 25, 2015 at 2:27 PM, David Nalesnik
wrote:
> Hi Simon,
>
>
> The problem with the last invocation is this. LilyPond considers whether
> the first argument you give it--"deutsch"--is a symbol. It isn't, so it
> uses 'general. Then, it looks further on for a suitable value for
> 'lan
Hi Simon,
On Wed, Mar 25, 2015 at 1:29 PM, Simon Albrecht
wrote:
> Hello,
>
> thanks a lot for your thoughts, David.
>
> Am 25.03.2015 um 16:33 schrieb David Nalesnik:
>
> Hi Simon,
>
> I can't judge whether this is getting closer to you want, but maybe my
> observations can help.
>
> On Wed,
Noeck wrote Wednesday, March 25, 2015 6:48 PM
> Here is a guess what happens (even if that contradicts the docs):
> The following pitches are perhaps not relative to the octave check but
> to the previous pitch corrected by the octave check.
That would be my explanation too.
> This would explai
Am 25.03.2015 um 18:38 schrieb tisimst:
> I think you are right, Nik. It should go to f' instead, based on the
> docs. Looks like a bug to me.
Here is a guess what happens (even if that contradicts the docs):
The following pitches are perhaps not relative to the octave check but
to the previous
Hi Abraham, Paul & Simon,
Thanks a lot to all of you for your great help & explanations!
I have been away from my computer since my mail and will only be able to go
over my code tomorrow, but from what I see in your replies, I'm sure all will
work great!
I'm also glad I was wrong about the remo
Hello,
thanks a lot for your thoughts, David.
Am 25.03.2015 um 16:33 schrieb David Nalesnik:
Hi Simon,
I can't judge whether this is getting closer to you want, but maybe my
observations can help.
On Wed, Mar 25, 2015 at 9:17 AM, Simon Albrecht
mailto:simon.albre...@mail.de>> wrote:
I think you are right, Nik. It should go to f' instead, based on the docs.
Looks like a bug to me. CC-ing the bug list.
- Abraham
On Wed, Mar 25, 2015 at 10:55 AM, Nik Repka [via Lilypond] <
ml-node+s1069038n17366...@n5.nabble.com> wrote:
> Hello all,
>
> I'm totally new to Lilypond... but while
Hello all,
I'm totally new to Lilypond... but while reading the manual, I have become
seriously confused by the following example of octave check:
\relative c'' {
c4 f g f
c4
\octaveCheck c'
f
\octaveCheck c'
g
\octaveCheck c'
f
}
I understand why the first and third octave chec
On Wed, Mar 25, 2015 at 11:13 AM, David Nalesnik
wrote:
> Hi again,
>
> On Wed, Mar 25, 2015 at 10:33 AM, David Nalesnik > wrote:
>
>> Hi Simon,
>>
>> I can't judge whether this is getting closer to you want, but maybe my
>> observations can help.
>>
>> On Wed, Mar 25, 2015 at 9:17 AM, Simon Alb
Hi again,
On Wed, Mar 25, 2015 at 10:33 AM, David Nalesnik
wrote:
> Hi Simon,
>
> I can't judge whether this is getting closer to you want, but maybe my
> observations can help.
>
> On Wed, Mar 25, 2015 at 9:17 AM, Simon Albrecht
> wrote:
>
>> Hello,
>>
>> I’m experimenting with an implementati
Oh, and in case it wasn't clear, this new context definition doesn't
inherit ANYTHING. It's a totally new context. You'll notice there are no
\remove statements (like for accidentals, clefs, etc.) Since \RhythmicLine
doesn't \accept certain engravers, there's no need to \remove them. :-)
- Abraham
Hello Lilyponders!
Typing \chordmode{ c f g } produces { }, would it be
possible to define that \chordmode{ f g } should be { } for
all the piece?
I know i could use \chordmode{ f/a g/b } but i wish to simplify the input,
and ChordName to print F G and not F/A G/B.
Thanks for your advices!
Rega
Hi Simon,
I can't judge whether this is getting closer to you want, but maybe my
observations can help.
On Wed, Mar 25, 2015 at 9:17 AM, Simon Albrecht
wrote:
> Hello,
>
> I’m experimenting with an implementation of automatic tagline language
> selection and currently have two problems with the
Robert,
Here's what I came up with that should do what you need. It is a
modification of the RhythmicStaff context with your settings as I
understood them:
%< SNIP --
\version "2.18.2"
scale = #-3
\layout {
\context{
\type "Engraver_
Paul Morris wrote
> \context { \Staff \accepts "RhythmicLine" }
Ah-ha! this should be
\context { \Score \accepts "RhythmicLine" }
since RhythmicLine is a kind of staff context (rather than a kind of voice
context). Then \remove works as expected.
-Paul
--
View this message in context:
Hi Robert,
Robert Schmaus wrote
> My second question is: In the manual, there's the \consists command.
> Afaics, there is no \remove command. It was my impression that the \alias
> command specifies a "frame of reference" to which content can be added and
> (??) removed. So that I could simply ch
Hello,
I’m experimenting with an implementation of automatic tagline language
selection and currently have two problems with the void function
\language that I adapted from music-functions-init.ly:
– I can’t get the first, optional argument to work; it needs to be
explicitly given or Lily will
Hi Robert,
I’m not really into the topic, but I have two remarks:
Am 25.03.2015 um 14:50 schrieb Robert Schmaus:
Hi Ponderers,
I have tried a couple of times now but can't get this to work. Maybe
someone sees my mistake ...
[snip]
So my first question is: why doesn't this work?
My second q
Hi Ponderers,
I have tried a couple of times now but can't get this to work. Maybe
someone sees my mistake ...
I've checked out section "Defining new contexts" of the manual
(http://lilypond.org/doc/v2.18/Documentation/notation/defining-new-contexts)
and tried to do the following: I'd like to cre
Hi all,
Just for the benefit of anyone reading this thread after the fact…
> you can specify a placement for the rest by indicating a note\rest. in this
> case i used g8\rest
While that is technically true, we should be encouraging the proper use of the
\voiceX commands, which (as I’ve shown)
Am 25.03.2015 um 10:01 schrieb Nathan Ho:
On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
wrote:
Dear List,
The LilyPond notation reference, section 2.1.2,
(http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
contains the following example of how to use lyrics
Thanks. A great help.
\set tupletFullLength = ##t
maybe of some help.
See
http://lsr.di.unimi.it/LSR/Item?id=705
as well.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Tue, Mar 24, 2015 at 7:42 PM, Peter Heisen
wrote:
> Dear List,
>
> The LilyPond notation reference, section 2.1.2,
> (http://www.lilypond.org/doc/v2.18/Documentation/notation/techniques-specific-to-lyrics)
> contains the following example of how to use lyrics in concert with repeat
> alternativ
On Tue, Mar 24, 2015 at 7:42 PM, Colin Campbell wrote:
> I can see that the problem seems to involve a lack of output, but perhaps a
> bit more input might clarify it a bit?
Now that's what I call a "minimal example"! \drummode { sn8 bd8 r8 cymc8 }
__
At 00:03 on 25 Mar 2015, Thomas Morley wrote:
>I disagree.
>\set Score.skipBars = ##t _is_ intended to affect notes _and_ useful!
>Don't limit your thoughts to modern music.
>
>Below I retyped (quick'n dirty) the last bar from Missa Papae
>Marcelli, Sanctus by Palestrina taken from an edition which
42 matches
Mail list logo
