Stuart A. Harvey gmail.com> writes:
> The snippet of code below used to work in 2.14.0. Now that I have
installed 2.18.2 I get “Bars in parallel music don’t have the same length”.
Is there any way to accomplish this in 2.18.2 where the lead line, chords,
and tabs are written in parallel?
>
Robin Bannister wrote
> A more workable approach is to modify similar snippets.
Maybe this is a good example of music-map to add to the LSR?
http://lsr.di.unimi.it/LSR/Search
Cheers,
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Scheme-function-to-affect-a-comp
Hi Sam,
On Fri, Oct 24, 2014 at 5:39 PM, Samuel DA MOTA
wrote:
> Hi,
>
> I'm trying to write a scheme engraver and I'm blocked at some point.
> I'm trying to determine if the left-neighbor of a grob is a (semi-)tie
> or not.
>
> Can someone provide some help on how to achieve that, or point me a
Hi,
I'm trying to write a scheme engraver and I'm blocked at some point.
I'm trying to determine if the left-neighbor of a grob is a (semi-)tie
or not.
Can someone provide some help on how to achieve that, or point me a link
that explain it?
Regards,
--
Sam
_
2014-10-24 16:54 GMT+02:00 Robin Bannister :
> So it looks like LilyPond wants to merge the rests,
> but will do this only if they seem identical.
>
>
> Having read through the regression snippet
> and been inspired by the way it removes things,
> we can modify bgr to make it remove rests:
>
> bgr
2014-10-24 21:19 GMT+02:00 Simon Albrecht :
[...]
> I tried to, but somehow an
> extender line inside a music function body gives a syntax error and I’ve got
> no clue how to circumvent that. You’ll find the current function attached.
> Can anyone help, please?
No attachment ;)
-Harm
___
David has pointed out to me that what was tripping me up with this file
was a CR character (0x0D) which is white space and is treated as such,
but editors should not treat it as starting a line, which the
GtkSourceView widget was doing.
So looked at in (for example) gedit, the line count was wrong,
On Fri, 24 Oct 2014 10:10:34 -0700 (PDT) tisimst
wrote:
> Internally, when you call set-global-staff-size, it resets the text fonts.
> Thus, if you want to use a different staff size, that must go PRIOR to where
> you define the fonts. Kinda weird, I know, but that's how it works.
... and one o
\version "2.18.2"
\language "deutsch"
global = {
\key c \major
\time 2/2
}
soprano = \relative c' {
\global
% Die Noten folgen hier.
\dynamicUp
e2.\< \mark "Langsam" e4\! f2 e2\once \override DynamicLineSpanner
#'staff-padding = #1.35 d1\> e2\! h'2\rest
h1\rest h1\rest h1\rest h1\rest
Hello Noeck, hello everybody,
at least you can save a lot of typing from v2.18 on:
Am 24.10.2014 um 09:25 schrieb Noeck:
Hi,
when I write choir pieces I like to have one song text for all voices
and to use tags.
Often, the differences are only whether there is an extender line or not
\tag "A"
Am 24.10.2014 um 13:59 schrieb Richard Shann:
On Fri, 2014-10-24 at 11:15 +0200, Helge Kruse wrote:
Thank you for your response.
I think you should not added control characters like newline to the
markup text.
yes, perhaps that is the case - I assumed any white space was
acceptable, but it seem
Hello Bernhard,
Am 24.10.2014 um 13:36 schrieb Dr. Bernhard Kleine:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
The following code has some errors:
The tenor lyrics should above the system.
See comments below.
The \mf should be moved here a little to the left to have more space for the
On Fri, 2014-10-24 at 10:10 -0700, tisimst wrote:
> Richard,
>
>
> Internally, when you call set-global-staff-size, it resets the text
> fonts. Thus, if you want to use a different staff size, that must go
> PRIOR to where you define the fonts.
Thank you! that works fine.
Richard
> Kinda weir
Richard,
Internally, when you call set-global-staff-size, it resets the text fonts.
Thus, if you want to use a different staff size, that must go PRIOR to where
you define the fonts. Kinda weird, I know, but that's how it works.
HTH,
Abraham
Sent from my iPhone
> On Oct 24, 2014, at 10:29 AM
Following the example for setting the entire document fonts at
http://www.lilypond.org/doc/v2.18/Documentation/notation/fonts#entire-document-fonts
I constructed this code:
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
\version "2.18.0"
\paper {
#(define fonts
(make-pango-fo
Thanks to both of you.
Knute Snortum
(via Gmail)
On Fri, Oct 24, 2014 at 8:32 AM, Brian Barker
wrote:
> At 08:19 24/10/2014 -0700, Knute Snortum wrote:
>
>> I need a tempo marking of "eighth note = eighth note". I know I've seen
>> how to do it but it's escaping me now.
>>
>
> See:
> http://ww
At 08:19 24/10/2014 -0700, Knute Snortum wrote:
I need a tempo marking of "eighth note = eighth note". I know I've
seen how to do it but it's escaping me now.
See:
http://www.lilypond.org/doc/v2.18/Documentation/snippets/rhythms#rhythms-creating-metronome-marks-in-markup-mode
.
I trust this
Knute,
\markup {
\general-align #Y #DOWN \note #"8" #1
=
\general-align #Y #DOWN \note #"8" #1
}
Regards,
Abraham
P.S. I don't fully understand the syntax, but that does what you asked
for.
On Fri, Oct 24, 2014 at 9:19 AM, Knute Snortum [via Lilypond]
wrote:
> I need a tempo markin
On Fri, 2014-10-24 at 16:30 +0200, Urs Liska wrote:
> Does LilyPond always use forward slashed as path separators when
> outputting a path as string (such as in
> ly:input-file-line-char-column?
yes
>
> I assume so, since it's running under cywin on Windows (???)
no, cygwin is not needed.
I th
I need a tempo marking of "eighth note = eighth note". I know I've seen
how to do it but it's escaping me now. Please have mercy on me.
Knute Snortum
(via Gmail)
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Peter Crighton wrote:
> I don’t know why the \bgr function causes it.
> Any ideas?
> ...
> Are there other places to learn about Scheme in LilyPond
> than the Scheme tutorial?
Welcome to Scheme in LilyPond.
This example shows that knowing Scheme isn't enough.
You have to cooperate with Lilypond
Does LilyPond always use forward slashed as path separators when
outputting a path as string (such as in
ly:input-file-line-char-column?
I assume so, since it's running under cywin on Windows (???), but I
can't test and I'd like to be sure.
Best
Urs
__
Am 24.10.2014 15:29, schrieb Jan-Peter Voigt:
Hi Urs,
you can use ly:input-file-line-char-column to get a list containing
the file-path and line- and column-number.
In openlilylib I placed a function inside
/scheme-lib/lalily/parser-location.scm - location-extract-path - which
returns the ab
Hi Urs,
you can use ly:input-file-line-char-column to get a list containing the
file-path and line- and column-number.
In openlilylib I placed a function inside
/scheme-lib/lalily/parser-location.scm - location-extract-path - which
returns the absolute path of the location.
With lalily I sometime
2014-10-24 13:57 GMT+02:00 Peter Crighton :
> 2014-10-24 11:05 GMT+02:00 Robin Bannister :
>
>>
>> The source file music-functions.scm defines
>> music-map
>> which you can use for this:
>>
>>
>> bgr = #(define-music-function (parser location music) (ly:music?)
>>(music-map (lambda (note)
>>
Hi,
I have a question concerning Frescobaldi: Is it possible to run a custom
script (bash/python) from Frescobaldi.
This would be my use case:
I have a script that runs lilypond and then timidity and other tools to
get ogg rehearsal files which are then packed in zip files.
If I could run it from
2014-10-24 11:05 GMT+02:00 Robin Bannister :
> Peter Crighton wrote:
>
> But I would like to be able to use the function [...]
>>
> > so it doesn’t only affect the next note,
> > but a sequence of notes enclosed in { … }:
>
>
> The source file music-functions.scm defines
> music-map
> which you
On Fri, 2014-10-24 at 11:15 +0200, Helge Kruse wrote:
Thank you for your response.
> I think you should not added control characters like newline to the
> markup text.
yes, perhaps that is the case - I assumed any white space was
acceptable, but it seems in some circumstances to trigger this undesi
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
The following code has some errors:
The tenor lyrics should above the system.
The \mf should be moved here a little to the left to have more space for the
crescendo.
The crescendo in bar 5 and the decrescendo in bar 7 are on different vertical
leve
2014-10-24 10:55 GMT+02:00 Urs Liska :
> Hi all,
>
> is it possible to suppress specific compiler warnings, for example because
> they're expected? I know about the option for ignoring clashing note
> columns, but is there a generic way to filter out messages?
>
> Concretely I'm interested in
>
> w
If I use (display location) in a Scheme function I get an output like:
#/home/uliska/git/bfsc/fried/das-trunkne-lied/parts/bassclarinet/02.ily:40:3>
How can I access the content of the location (or better: it's
constituents), for example to extract the file name and a part of the
path (conc
Am 24.10.2014 11:26, schrieb Helge Kruse:
You can use this:
{ c^\< d f\! }
Or, if you prefer something more explicit, you can use
\dynamicUp
HTH
Urs
Regards
Helge
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You can use this:
{ c^\< d f\! }
Regards
Helge
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-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Hallo,
I have checked the benutzerhandbuch for help but could not find it. Will
someone please point to me how to have hairpins above and not under the staff?
Thank you very much!
Bernhard
-BEGIN PGP SIGNATURE-
Version: GnuPG v2.0.22 (MingW3
I think you should not added control characters like newline to the markup
text.When you want to have more than one line, please use the \column
markup.
http://lilypond.org/doc/v2.18/Documentation/notation/formatting-text#index-font-families
\markup{
\column {
\bold{hi}
""
}
}
Regar
Peter Crighton wrote:
But I would like to be able to use the function [...]
> so it doesn’t only affect the next note,
> but a sequence of notes enclosed in { … }:
The source file music-functions.scm defines
music-map
which you can use for this:
bgr = #(define-music-function (parser locat
Hi all,
is it possible to suppress specific compiler warnings, for example
because they're expected? I know about the option for ignoring clashing
note columns, but is there a generic way to filter out messages?
Concretely I'm interested in
warning: (De)crescendo with unspecified starting vo
Am 24.10.2014 10:44, schrieb Marc Hohl:
Am 24.10.2014 um 09:59 schrieb Urs Liska:
Am 24.10.2014 08:35, schrieb Marc Hohl:
Am 23.10.2014 um 20:55 schrieb Abraham Lee:
Try putting them in "/home/marc/.local/share/fonts" instead. I've
noticed that things seem to work a little better in there.
Am 24.10.2014 10:35, schrieb Marc Hohl:
Am 24.10.2014 um 09:59 schrieb Urs Liska:
Am 24.10.2014 08:35, schrieb Marc Hohl:
Am 23.10.2014 um 20:55 schrieb Abraham Lee:
Try putting them in "/home/marc/.local/share/fonts" instead. I've
noticed that things seem to work a little better in there.
Am 24.10.2014 um 09:59 schrieb Urs Liska:
Am 24.10.2014 08:35, schrieb Marc Hohl:
Am 23.10.2014 um 20:55 schrieb Abraham Lee:
Try putting them in "/home/marc/.local/share/fonts" instead. I've
noticed that things seem to work a little better in there.
No, doesn't work either ... :-(
What I
Am 24.10.2014 um 09:59 schrieb Urs Liska:
Am 24.10.2014 08:35, schrieb Marc Hohl:
Am 23.10.2014 um 20:55 schrieb Abraham Lee:
Try putting them in "/home/marc/.local/share/fonts" instead. I've
noticed that things seem to work a little better in there.
No, doesn't work either ... :-(
What I
In the following lilypond the location reported for the line of notes
after the markup is off by one. The d's are reported at line 5 when they
are on 6 etc. The first c'4 is correctly reported as being on line 3.
8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><8><
\version "2.18.
Am 24.10.2014 08:35, schrieb Marc Hohl:
Am 23.10.2014 um 20:55 schrieb Abraham Lee:
Try putting them in "/home/marc/.local/share/fonts" instead. I've
noticed that things seem to work a little better in there.
No, doesn't work either ... :-(
What I'm asking myself is *which* part is actuall
Hi,
when I write choir pieces I like to have one song text for all voices
and to use tags.
Often, the differences are only whether there is an extender line or not
\tag "A" Where __ \tag "S" \tag "T" \tag "B" Where bla bla ...
(S, A, T, B stand for the voices.)
Is there a more concise way of wri
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